Gpod

The Voice

Posted by Dr Grey in Satellite, Video, GPC, PSPcatching, BitTorrent, Alterati, Conspiracy, Politics, Independent, Culture Jamming, Cult, Art, Altertube (Friday August 24, 2007 at 2:37 am)

The VoiceThe Voice
By Johan Soderberg
(2004)

Fundamental Christians and Muslims have finally found out that their basic values are pretty much the same. They join forces and take command of the prosperous northern hemisphere.

The rest of the planet is about to be sealed off by a giant world wide wall. Villains, heathens and other evil people stay on that other side of the wall. Long live the Great Northern Union!!! But nobody is safe, the threat is impending. Is the enemy among us? Where is the solution to the problem? The Voice Television Network gives us an answer.

The film uses the same technique as in the Read My Lips series. All pictures comes from the archives. Famous and infamous personalities participate as hosts and spokesmen.

In leading roles we find, for example: Jean-Marie Le Pen (the French rightwing leader), a number of American presidents (with Mr. Bush as chief commander), Ayatollah Khamenei, Adolf Hitler, Usama Bin Laden, etc. Kristina Ã…berg

Download (torrent - 231mb - Language: english, swedish subtitles)

Watch on AlterTube

Gpod

Peter Rose: Vox 13

Posted by Dr Grey in Satellite, Video, Events, Mobile, GPC, PSPcatching, Link Dump, UbuWeb (Tuesday May 22, 2007 at 7:01 pm)

Peter Rose: VOX 13 Series (1982 - 2000)

Download or Stream from UbuWeb

Eleven films created between 1983 and 2000, Vox 13 offers a grand circumnavigation of the subject of language. These films consider what it means to read, what it means to listen, when it is that we speak, how words acquire meaning, what it means to write, who we listen to, how we listen, what speaks, other ways we can speak, what the voice is, where language can be found, what words do to time, what holds stories together, and how light shapes language.

Gpod

50th San Francisco International Film Festival

Posted by Pale Rider in Satellite, Video, Other, Articles, News, Mobile, GPC, PSPcatching, Pale Rider, Podcast, iPod, Link Dump, Mailbag (Monday May 21, 2007 at 5:07 am)

ReviewsWebsite

Podcasts

Opening Night

Executive Director Graham Leggat discusses Emanuele Crialese’s Golden Door, a sweeping tale of early 20th century Sicilian emigration to the United States.
Spike Lee - Directing Award recipient

Since world premiering his debut film She’s Gotta Have It, at the San Francisco International in 1986, Spike Lee has come a long way. Listen to Rod Armstrong’s profile of the Film Society Directing Award recipient.
Peter Morgan - Kanbar screenwriting award

Kanbar screenwriting award recipient Peter Morgan, the writer of The Queen and The Last King of Scotland, is profiled by Graham Leggat.
Fog City Mavericks

Listen to Graham Leggat speak about this documentary on Bay Area filmmaking history, which chronicles the rise of pioneering filmmakers like George Lucas and Francis Ford Coppola.

Gpod

UbuWeb Featured Resources May 2007 Selected by Adalaide Morris

Posted by Dr Grey in Audio, Satellite, Video, Articles, GPC, PSPcatching, iPod, Link Dump, UbuWeb (Sunday May 6, 2007 at 5:31 pm)

Adalaide MorrisUbuWeb
Featured Resources May 2007
Selected by Adalaide Morris

Adalaide Morris is John C. Gerber Professor of English at the University of Iowa, where she teaches courses in modern and contemporary poetry and poetics. Her publications include How to Live/What to Do: H.D.’s Cultural Poetics (Illinois, 2003) and two edited collections, Sound States: Innovative Poetics and Acoustical Technologies (North Carolina, 1997) and, with Thom Swiss, New Media Poetics: Contexts, Technotexts, and Theories (MIT, 2006). Her current project is a book with the tentative title What Else Can Poetry Do? With Alan Golding and Lynn Keller, she co-edits the Contemporary North American Poetry Series at the University of Iowa Press.

1. Billie Whitelaw, “Not I” (1973)

2. Jonas Mekas - Scenes from Allen’s Last Three Days on Earth as a Spirit (1997)

3 Agnes Varda - Black Panthers, Huey! (1968)

4. John Cage Meets Sun Ra, Side B” (MP3)

5. Henri Chopin - Le Ventre de Bertini, Audio-poème (MP3)

6. Philip Glass - Score of “1 + 1 for One Player and Amplified Table-Top.”

7. Christian Bök - Eunoia, Chapter u

8a. Cecil Taylor - Chinampas 1987 (MP3)

8b. Fred Moten on Cecil Taylor’s Chinampas

9. Peter Greenaway - Four American Composers: Meredith Monk (1983)

10. Gregory Whitehead, “What Words Want”

Gpod

Other Worlds, A journey into the heart of Shipibo shamanism

Posted by Dr Grey in Satellite, Video, GPC, PSPcatching, BitTorrent (Monday April 30, 2007 at 12:34 am)

Other WorldsOther Worlds, A journey into the heart of Shipibo shamanism
A Documentary By Jan Kounen

Download (.torrent)
Format: avi | Size: 651mb
Source: gungi
Buy the DVD

“Truly, highly-advanced technology, is indistinguishable from magic” –Arthur C. Clarke

Why would Jan Kounen, director of “Dobermann,” want to do a documentary on Shipibo Shamanism?

My film “Dobermann” allowed me to express my visceral anti-establishment convictions with a joy usually reserved for bad, little kids. After that, I started thinking that the time had come for me to examine the reality of what has so far been my joyfully chaotic existence and to ponder my place in the universe…

Where would I begin?
Boxed in by our senses, we only see a single dimension of reality. Our eyes only allow us to perceive a minor part of the light’s reflection of the specter of what matter truly is. Our other senses restrict us in exactly the same ways. I’ve always held the conviction that other dimensions exist, and that our brains and our central nervous systems function as filters for our consciousness. These filters are necessary to grasp the material world, but their makeup is all too often weighed down by cultural, moral and scientific doctrines that provide us with a much too limited image of the Universe. So I was continuously plagued by the question: “Can we tear away the veil, just for one second?”

Shamanism
With the exception of Buddhism and the Tibetan Dzogtchen tradition, which include terribly constraining techniques, current religions offer little in the way of approaching the “Invisible.”

So I then delved into reading the scriptures by the mystics. Along the way, I came across Shamanism.

As I read their scriptures, I came to learn about the lives of these men, these Shamans who use plants, meditation, chants and rituals to journey into the Invisible. In contrast to what I had read previously, I learned that Shamans do not provide answers. All they do is record their observations and, based on their own experiences, establish their belief systems. Their role is simply to guide souls on their own, personal quests.

Our Western sensibilities tend to make most of us scoff at Shamans or to consider them with fear or amusement. They are nothing more than witch doctors who use powerful drugs to induce trances, and can not function in reality. Despite all this, I set out to meet them in Mexico. High up in the sierra, I sought out the Huichol Indians, widely known for their active Shamanism and its sources which go back several thousand years. This gave me the opportunity to frequent Shamans and share their peyote ritual. This initial experience left me disturbed, but unsatisfied. We had not bonded on a personal level. So I set out again. This time I went to the jungles of Peru, where a powerful form of Shamanism exists, using the sacred plant, called the “soul’s creeper.” Following several encounters and experiences with “curanderos” (healers) and “brujos” (witch doctors), I met “Questembetsa.”

Shipibo-Conibos
Questembetsa is a Shipibo-Conibo Shaman, who enabled me to experience Shamanism from the inside. There are 45,000 Shipibo Conibos living together along the Amazon River in Peru. Questembetsa is the spiritual guide of all Shipibo Conibos. He is the Master Shaman who trains all of his people’s Shamans. Questembetsa enabled us to film a summer solstice ceremony, which lasted for three days and three nights. This traditional celebration has never been recorded on film, and justly so. It has not occurred for 70 years and has obviously been seen by very few “non-Indians.” Using night-vision cameras, we were able to immortalize the shots of these unique moments.

Under Questembetsa’s protective watch, I participated in ceremonies and experienced what can be characterized as a “near death experience.” For me, this was a powerful consciousness experience, where I crossed over, to the other side of the mirror. Once my initiation began, it would continue for over a year. Having experienced this journey of initiation and learning, I am now able to speak about Shamanism.

A consciousness technology
Conceptual thinking is a limited tool when one truly attempts to develop one’s consciousness. Indeed, human consciousness has a natural tendency to identify with thoughts and reason - stopping there. Shamans use a technology or an outside element, generally consisting of sacred plants. Using powerful psychotropic substances, the Shamans guide individuals, enabling them to “peel away” consciousness from thoughts and reason. The subconscious is gradually unveiled. During these experiences, a different reality appears and is observed through the prism of our consciousness. Are we remembering who we are, or are we simply discovering who we are?

Without words, this reality is sometimes expressed through terror, suffering and tears. At times it comes in the form of beauty and tears of joy inspired by the magic. It comes from within one’s being, in the form of archetype images. Each and everyone’s personal history and culture individually determine this reality.

We all share a universal mythology, which serves as a source for the visions. Each and every one of us is an infinite universe, where angels and demons make up our thoughts, emotions, memory and our body. My journey deep into the jungle continued when I met scientists from the “Aton Institute” in Norway. The Aton Institute studies consciousness, quantum physics and the molecular chemistry of sacred plants as well as past civilizations.

Sacred plants or drugs?
Psychotropics are drugs or narcotics. In our culture, the word “narcotic” is synonymous with decadence. In past civilizations such as the Incas or the Egyptians, these hallucinogenic plants were considered instruments of knowledge, magic plants or “master plants.” Scientists agree and have demonstrated through modeling that the key lies in the DNA, genetic programming, the pineal gland or the famous “third eye,” located between the brain’s hemispheres. They believe that the molecules of the Ayahuasca plant are a molecular nano-technology that activates the consciousness. Angels and demons are the archetype contacts with the negative and positive encoding of our DNA. Presently, Shamans know how to use the Ayahuasca plants. The Shamans consider these plants as instruments made available by the Universe for men to be able to pass through the Invisible and enter into contact with the Universe.

Developments for the documentary
This documentary film will be the testimony of a personal and subjective adventure. It will also show the dangers and risks involved in Shamanism: (1) losing yourself in the light or the darkness of your recently awakened emotions or (2) misinterpreting the feelings or visions. This could lead to schizophrenia in the event these journeys not be guided by competent Shamans or compliant with an unyielding discipline and strict diet.

The film will primarily show the therapeutic power of the Shamans and their plants. This power is a type of ancestral psychoanalysis or human psychotherapy backed by 4,000 years of experience and practice.

The film will allow the Shamans to speak for themselves. It will show how their cultures and their belief systems culminate from their knowledge of the Invisible.

CGI sequences will reproduce the power of the recurring visions and the unfolding of the poetic story I witnessed. We will also convey the humor and terror I felt while experiencing these visions. The film will include investigative interviews with therapists, ethnologists and specialists in molecular brain chemistry. In the interest of understanding the invisible interaction between a Shaman and a “novice,” we will record the brain-wave interaction between Questembetsa and myself during a ceremony this spring. This will enable us to identify them and study their meaning.

Finally, the December 1999 interviews, with Western individuals in therapy, will be repeated. Over a year later, we will compare the results of these two sets of interviews. My personal experience will be told on the parallel of selective testimony, somewhere between Western science and Indian therapy.

Only recently has Western culture reluctantly come to recognize that Tibetan Buddhism has garnered knowledge of the spirit. The objective of this documentary is to impress upon viewers that these little-known Indians developed veritable cognitive technology through their own sciences of the spirit, thousands of years ago. To me, these men are warriors in the battle to unlock the mysteries of consciousness. Shamans consider the greatest ally and the worst enemy of every individual to be one and the same… himself or herself. In conclusion, I personally guarantee this film will not turn out to be a new age Sermon on these Indians and their culture. All “Other worlds” are not worlds of light…

Jan Kounen
Gpod

Ennio Morricone: Arena Concerto

Posted by Pale Rider in Audio, Satellite, Video, Other, Articles, Mobile, GPC, PSPcatching, Pale Rider, Podcast, BitTorrent, iPod, Link Dump, UbuWeb (Friday April 27, 2007 at 11:55 pm)

The man behind some of the most instantly-recognizable film scores of the 20th Century is joined by the Roma Sinfonietta orchestra in performing such classic compositions as The Untouchables, The Mission, and Once Upon a Time in America in this release of a concert performance originally captured in Verona on September 28, 2002. The composer’s son Giovanni directs the performance.

Download Torrent of Video- DivX AVI- 589 mb.

AUDIO ONLY

icon for podpress  Ennio Morricone: Arena Concerto [83:48m]: Play Now | Play in Popup | Download
Gpod

The US vs John Lennon

Posted by Pale Rider in Satellite, Video, Other, Articles, News, Mobile, GPC, PSPcatching, Pale Rider, BitTorrent, Link Dump, UbuWeb (Sunday April 15, 2007 at 3:03 am)

There’s a confrontation in the fascinating new documentary “The U.S. vs. John Lennon” that sums up why the most sardonic, most earnest and most intelligent of the Beatles can still drive people nuts, 26 years after his death. It’s the early ’70s, probably 1972, a year that marked a turning point in Lennon’s life and, if you ask me, in American history. Sitting alongside his wife, Yoko Ono, Lennon is locked in heated conversation with Gloria Emerson, then a famous (some would say infamous) foreign correspondent for the New York Times.

The scene is brief but electric. (The same clip reportedly appears in the 1988 film “Imagine: John Lennon,” which I haven’t seen since its release.) There’s none of the star-fucking or ego-fellation that today characterizes celebrity interviews. Emerson and Lennon are both angry, and getting angrier. She finds the Lennon-Ono publicity stunts and peacenik ballads naive and simplistic, and she’s letting him know that. Eyes boring into her, Lennon says he doesn’t care about that, that his only goal is to end the Vietnam War and save lives. “You can’t possibly believe that you’ve saved a single life!” Emerson says in her exaggerated upper-crust drawl. “Dear boy, you’re living in a dream world.” Lennon flicks her away like an insect, pointing out that “Give Peace a Chance” had become both a pop hit and the unofficial anthem of the antiwar movement. More >>

Download Torrent- DivX AVI- 714mb

Gpod

Two Short Films by David Lynch

Posted by Pale Rider in Video, Other, GPC, PSPcatching, Pale Rider, BitTorrent, Link Dump, UbuWeb (Saturday April 7, 2007 at 1:16 am)

David Lynch’s The Amputee 1974

Written and Directed by David Lynch
Cinematography by Herb Cardwell
Starring Catherine Coulson (Woman), David Lynch (Doctor)
Running Time 5 minutes

When Lynch attended the AFI he made a short film entitled The Amputee. It is also listed in his Coffee Table Book His friend Fred Elmes – with whom he was working on Eraserhead – had to test the quality of some new film material. Lynch persuaded Elmes to let him direct a short film: The Amputee. It showed a woman (Catherine Coulson) without legs on a chair writing a letter and a male nurse (David Lynch) bandaging her stumps.

When the AFI executives saw the short film instead of test pictures, according to an anecdote, one of them said that only “that Lynch” can be responsible for that.

The Amputee was also the name of a project Catherine Coulson (the Log Lady from Twin Peaks) said she and Lynch were working on in May ‘93:

One upcoming project once again pairs Coulson with Lynch, this time with both of them in front of the camera. “David and I are acting in a project called ‘The Amputee.’ I can’t say anymore, because I want it to be a surprise.”

(excerpt from: LOGGING IN: Log Lady Catherine E. Coulson talks about David Lynch’s ‘Twin Peaks’ and San Jose Rep’s ‘Rumor’ San Jose Metro, May 20-26, 1993)

Download Torrent- XVid-76mb


The GrandmotherWritten, Directed, Filmed and Animated by David Lynch
Financed by an American Film Institute GrantAssistant Script Consultants: Margaret Lynch, C.K. Williams
Music and Music Effects: Tractor
Sound Editing and Mixing: Alan Splet
Sound Effects: David Lynch, Margaret Lynch, Robert Chadwick, Alan Splet
Still Photography: Doug Randall

Cast: Richard White (Boy), Dorothy Mc Giniss (Grandmother), Virginia Maitland (Mother), Robert Chadwick (Father)

Running Time 34 minutes
16 mm, Color

[the script was] “very weird…it was just little images and stuff, sort of like shorthand and poetry.”

“I painted the entire third floor of my house black to make a 34-minute abstract film called “The Grandmother,” about a disturbed boy who plants a seed which grows into a loving grandma.”

“There’s a guy a projectionist, who will not see this film [Eraserhead], and he couldn’t stand to see the film I made before this, The Grandmother. It would do something to him inside that he could not stand. It wasn’t the film at all, it just triggered something. Everybody has a subconscious and they put a lid on it. There’s things in there. And then along comes something, and something bobs up. I don’t know if that’s good.”

Jack Nance
“I think Lynch kept it in a shoebox or something. he wouldn’t let anybody see it.”
“The next afternoon we went into the screening room and watched The Grandmother. I’ve always described to people that, for me, it was like sitting for about fortyfive minutes in the electric chair! It was a shock…

Download Torrent-XVid- 299 mb

Gpod

Jonas Mekas - Scenes from Allen’s Last Three Days on Earth as a Spirit

Posted by Dr Grey in Satellite, Video, GPC, PSPcatching, UbuWeb (Thursday April 5, 2007 at 1:02 am)

Jonas Mekas - Scenes from Allen’s Last Three Days on Earth as a Spirit (1997)
To mark the tenth anniversary of Allen Ginsberg’s death (April 5, 1997), UbuWeb is featuring this remarkable video diary of Ginsberg in the days immediately before and after his death. Streaming and downloadable versions available.

Gpod

Beckett Directs Beckett

Posted by Dr Grey in Satellite, Video, GPC, PSPcatching, UbuWeb (Saturday March 31, 2007 at 1:57 am)

BeckettBeckett Directs Beckett

In 1985 Samuel Beckett directed “Waiting for Godot”, “Krapp’s Last Tape” and “Endgame” as stage pieces with the San Quentin Players. All three productions were grouped together under the overall title “Beckett Directs Beckett.” As such they toured throughout Europe and in some parts of Asia to wide acclaim. Furthermore, each time a new tour was organized for these productions, after sometimes lengthy lacunae, Beckett has, with the assistance of Walter Asmus, and/or Alan Mandell, brought them back to performance level.

Though the initial productions as staged in 1985 already brought forth substantial changes in the published acting texts of the plays, each time a re-mounting of the productions occurred additional changes were made. The same was true during the production period for these television versions, with Beckett sometimes making textual changes on the telephone even as a given scene was being taped. For these productions, it was our intention and design to open them out beyond the confines of the stage in order to accommodate them to the television medium. Walter Asmus and Alan Mandell, both of whom enjoyed the author’s complete confidence, were responsible for this part of the endeavor.

The producers have a contractual obligation to Mr. Beckett that no changes be made in the original Beckett productions. However, as someone who has done a good deal of work on television (unfortunately not well known in the US), Beckett realizes the constraints and demands of that medium, and the many significant differences between television and the stage. In mounting the television versions of these productions, therefore, we worked intimately with Beckett on these questions as they arose.

Furthermore, Beckett asked that the taping take place in Paris so that, as he said, he could keep an eye on things. In short, Beckett’s was the creative vision which moved the whole enterprise. Walter Asmus and Alan Mandell, the nominal television directors for the series, were perfectly content to act as the guarantors for Beckett’s directorial vision.

Nothing here should be taken to suggest that we lay claim to the only possible interpretations of these plays, that Beckett’s is the last word on the subject. On the contrary: we sought, and believe we have succeeded, in establishing not only the last versions of the texts which Beckett revised prior to his death, but also provided bench-marks, points of departure from which present and future theater and television and film artists can explore other interpretations. The programs were aired by PBS in the US and have been seen in many other countries throughout the world.

DOWNLOAD or STREAM from UbuWeb

Beckett Directs Beckett: Waiting for Godot, Part 1 (1985)

Beckett Directs Beckett: Waiting for Godot, Part 2 (1985)

Beckett Directs Beckett: Krapp’s Last Tape (1985)

Beckett Directs Beckett: Endgame (1985)

RESOURCES
- Samuel Beckett in UbuWeb Sound
- Samuel Beckett in UbuWeb Film
- Samuel Beckett: Wikipedia Entry

 
 


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    March 26, 2007
    Guest: Sen. John Kerry
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    Guest: Zbigniew Brzezinski
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