Gpod

Initiation Masks of Identity (part 1)

Posted by agent139 in Articles, GPC, 139 et co, Philosophy (Thursday April 22, 2010 at 10:26 pm)

“I tell you: one must have chaos in one, to give birth to a dancing star.” — Frederich Nietzche.

Initiation is such a constant in the cultural body that it is evident in one form or another in nearly every human culture that has ever existed before the industrial age, at which point it became notably absent, at least on the surface. This absence has produced a very real psychological crisis on a cultural scale, although as we will see in many ways the initiatory impulse has merely transferred itself, oftentimes to behaviors and beliefs which only shallowly fulfill that impulse.

Full article on Reality Sandwich:

http://www.realitysandwich.com/initiation_masks_identity_part_1

(This three part series will be run in their final form in the Immanence of Myth anthology.)

Gpod

Pretty Suicide Machine

Posted by agent139 in Articles, GPC, Philosophy (Wednesday January 6, 2010 at 12:25 am)

The scientific method and its atomizing focus on the external world has its drawbacks when coupled with an industrial, corporate mythology. The resulting culture neither engenders nor supports spiritual or psychological insight. … Modern man is an ape with a rocket launcher.”

Full article (Reality Sandwich.)

Gpod

The Pirate Bay Will Close Its Tracker and Remove Torrents (Updated)

Posted by Pale Rider in Articles, GPC, Piracy (Tuesday June 30, 2009 at 7:10 pm)

Alongside the news that The Pirate Bay will sell shares on the Swedish stock market come some other significant changes. The site itself will decentralize and stop hosting and tracking torrents. Instead, The Pirate Bay will use a third party tracker and torrent hosting service to serve its users. READ ARTICLE

icon for podpress  Podcast with Peter Sunde on the GGF’s acquisition of The Pirate Bay: Play Now | Play in Popup | Download
Gpod

The Visionary Movie: A Manifesto

Posted by agent139 in Articles, GPC, Media Theory, Cinema (Wednesday May 20, 2009 at 12:17 am)

This essay caught my attention on a number of levels, but most particularly that of engaging with film as a mythic medium.

“Over the past forty years the dominant art form in America has shifted from the novel to the movie. Yet for the most part, the movie–and the popular movie, in particular–is not addressed with the same level of critical analysis as the novel. The purpose of this site is to remedy that lack.

As the Russian literary theorist Bakhtin noted, the novel is the youngest of all literary media, the only literary form, in fact, that has arisen within the context of literate civilization, for all the others–the epic, the lyric and the dramatic–are pre-literate in origin. If we take a moment to survey the evolution of Western literature, it becomes evident that each of its literary media have evolved through a three-phase cycle of formative, dominant and climactic stages. Pausing here to survey this overall evolution will give us a larger sense of perspective within which to characterize the place of cinema as a medium that has evolved out of the Western literary tradition.”

Gpod

UbuWeb Featured Resources 2008

December 2008
Selected by Julian Cowley

1. Robert Ashley - Music with Roots in the Aether
2. Joe Jones/ Chicken to Kitchen Fluxus Meditation from Fluxsaints (1992)
3. Robert Wilson - Christopher Knowles The Sundance Kid Is Beautiful (1975) from Giorno Poetry Systems, Big Ego
4. Wolf Vostell - De/Collage [LP] (1980)
5. John Cage and Raahsan Roland Kirk - Sound?? (1966)
6. Nicholas Moore, Spleen (Ubu Editions, 2004)
7. Pina Bausch Documentary (directed by Anne Linsel) (2006)
8. David Behrman, Long Throw (Roulette, 2008)
9. Derek Bailey, Interview by Henry Kaiser (1987)
10. Vito Acconci, The Bristol Project (2001)

Julian Cowley contributes regularly to The Wire and occasionally to other music magazines. He has also lectured and written extensively on literature. During the 1980s he had the good fortune to work closely for several years with poet and critic Eric Mottram, whose inexhaustible conversation was, in effect, a foretaste of the UbuWeb experience.

—–

November 2008
Selected by Neville Wakefield

1. Willoughby Sharp Interviews Vito Acconci (1973)
2. Bas Jan Ader - Selected Works (1970-71)
3. Pipilotti Rist - Video Works (1986-2003)
4. Chris Burden - Documentation of Selected Works 1971-74
5. Johan Grimonprez - Dial H-I-S-T-O-R-Y (1997)
6. The Films of Jack Goldstein (1974-1978)
7. Gordon Matta-Clark - Splitting, Bingo/Ninths, Substrait (Underground Dailies) (1974-1976)
8. Lawrence Weiner - WATER IN MILK EXISTS (2008)
9. Psychic TV - “Unclean”
10. Robert Smithson - Bootleg of Hotel Palenque by Alex Hubbard (1969 / 2004)

Neville Wakefield is a writer and curator living in NYC. Recent film projects include ‘destricted‘ a compilation of commissioned films by Marina Abramovic, Matthew Barney, Marco Brambilla, Larry Clark, Gaspar Noe, Richard Prince and Sam Taylor Wood. Senior curatorial advisor to PS1 and curator of Frieze he is also creative director of ‘tar’ magazine.

—–

October 2008
Selected by Gary Sullivan

1. Jaap Blonk’s sound files
2. Dada Magazine
3. Drew Gardner’s sound files
4. Kenneth Goldsmith, editor, “Publishing the Unpublishable” series
5. George Kuchar’s films (especially “Corruption of the Damned”)
6. Anders Lundgerg, Jonas Magnusson and Jesper Olsson, editors, “After Language Poetry” papers
7. Paper Rad’s “P-Unit Mixtape”
8. Bern Porter’s page
9. Jerome Rothenberg’s Ethnopoetics : Soundings page (especially “Ca Dao, Vietnamese Folk Poems”)
10. Survival Research Laboratories, “Virtues of Negative Fascination”

Poet and cartoonist Gary Sullivan lives in Brooklyn with Nada Gordon. Together, they wrote the book Swoon. Gary’s most recent book is PPL in a Depot. He has published three issues of a comic book, Elsewhere, and maintains a blog by the same name at http://garysullivan.blogspot.com.

—–
September 2008
Selected by Rick Moody

1. Komar and Melamid & Dave Soldier, “The Most Unwanted Song”
2. Jacques Derrida, “On Religion” Part 1, Part 2
3. Assorted Street Posters
4. William Carlos Williams, “Danse Russe.”
5. Beth B., “Stigmata”
6. James Joyce, “Anna Livia Plurabelle”
7. Tellus #14, “Just Intonation”
8. Hugo Ball, “Karawane,” performed by Marie Osmond
9. Gregory Whitehead, “We All Scream Alone”
10. John Cage Meets Sun Ra

Rick Moody is the author of four novels, three collections of stories, and a memoir, THE BLACK VEIL. He also plays music with The Wingdale Community Singers.

—–
August 2008
Selected by Ben Rubin

1. Erik Saite - A Day in the Life of a Musician
2. Richard Leacock - For an Uncontrolled Cinema
3. William S. Burroughs - The Cut-Up Method of Brion Gysin
4. Claude Cloksy - The first thousand numbers classified in alphabetical order
5. Robert Smithson - A Heap of Language
6. Vito Acconci - RE
7. Marshall McLuhan - The Medium is the Massage, Side A , Side B
8. Raphael Rubinstein - A Brief History of Appropriative Writing
9. Marjorie Perloff - The Music of Verbal Space
10. Steve Reich - Pendulum Music (score)

Ben Rubin is a media artist based in New York City. He has been a frequent collaborator with artists and performers including Laurie Anderson, Diller+Scofidio, Ann Hamilton, Arto Lindsay, Steve Reich, and Beryl Korot.

—–
July 2008
Selected by Zach Feuer

1. Paul McCarthy - Painter (1995)
2. Pipilotti Rist - Video Works (1986-1999)
3. Richard Kern - My Nightmare (1993)
4. Bas Jan Ader - Fall I & II (1970)
5. Lynda Benglis - Female Sensibility (1974)
6. Sophie Calle & Greg Shepard - No Sex Last Night aka Double-Blind (1992)
7. Kembra Pfahler - Cornella; The Story of a Burning Bush (1985)
8. Robert Morris & Stan VanDerBeek - Site (excerpt) (1964, .mov)
9. Carolee Schneeman - Meat Joy (1964)
10. Dan Graham - Rock My Religion (1982-84)

Zach Feuer owns the creatively named Zach Feuer Gallery in New York City.

—–
June 2008
Selected by Ron Silliman

1. Frank Film (1973), Frank and Caroline Mouris
2. The Name (1973), Robert Creeley
3. Recollections of Grande Apachería (1973), Edward Dorn
4. Reading at Goddard College (1973), Robert Creeley
5. Carnival The First Panel: 1967-1970 (1973), Steve McCaffery
6. Black Tarantula Crossword Gathas (excerpt) (1973), Jackson Mac Low
7. A Vocabulary for Sharon Belle Matlin (1973), Jackson Mac Low
8. Heavy Aspirations (1973), Charles Amirkhanian
9. Armand Schwerner (1973), Phil Niblock (real video .rm file)
10. High Kukus (1973), James Broughton

Ron Silliman was once a slow left-handed second baseman. Now he lives in a faux forest in what was once the Biddle Estate.

—–
May 2008
Selected by Christian Bök

1. Claude Closky: “The First Thousand Numbers Classified in Alphabetical Order” (1989) [PDF]
2. Derek Beaulieu: “Flatland” (2007) [PDF]
3. Darren Wershler-Henry: “The Tapeworm Foundry” (2002)
4. Claude Simon: “Properties of Several Geometric and Non-Geometric Figures” (1971)
5. F. T. Marinetti: “Dune, Parole in Libertà” (1914)
6. Survival Research Laboratories: “Virtues of Negative Fascination” (1985-86)
7. Seth Price: “Video Game Soundtracks 1983-1987″ (2001)
8. Trek Bloopers
9. Anton Bruhin: “Rotomotor” (1976-77)
10. RACTER: “The Policeman’s Beard Is Half-Constructed” (1984)

BONUS TRACK:
IBM 7090: “Music from Mathematics” (1962)

Christian Bök is the author of Eunoia.

—–
April 2008
Selected by Laura Beiles

1. Anita Feldman and Michael Kowalski, Riffle (1985)
2. MoMA: Writing in Time (2007)
3. Piotr Kamler, Films (1960s-90s)
4. Fortunato Depero, Verbalizzazione astratta di signora (1916)
5. Penelope Umbrico, All the Dishes on Ebay (2002-03)
6. Catherine Jauniaux & Ikue Mori, ‘Smell’ (1992)
7. Abbie Hoffman Makes Gefilte Fish (1973)
8. Mary Lou Green on Andy Warhol’s Hair (1963)
9. Sophie Calle and Gregory Shephard, Double Blind (1992)
10. Cioni Carpi, Three Short Films (1960-62)

Laura Beiles is an associate educator in the Department of Education (Adult and Academic Programs) at The Museum of Modern Art, where she has organized programs with artists, poets, scholars, architects, and designers for seven years. In May of 2007, she received her MA in Art History from Hunter College, and received the Shuster Award for her thesis, “Creating National and International Identities: The Futurist Exhibitions at the Venice Biennale under Fascism, 1928-1942″. Prior to coming to MoMA, she worked at NYU’s La Pietra in Florence and the Peggy Guggenheim Collection in Venice.

—–
March 2008
Selected by Seth Price

1. Tessa Hughes-Freeland “Baby Doll” (1982)
2. Marie Menken “Glimpse of the Garden” (1957)
3. Robert Barry “Interview (1969)”
4. Ethyl Eichelberger “Jocasta (Boy Crazy) or “She Married Her Son” (1986)
5. Lytle Shaw “Low-Level Bureaucratic Structures: Principles of the Emeryville Shellmound
6. Taj Mahal Travellers “Taj Mahal Travellers on Tour” (1973)
7. Asger Jorn “Pataphysics: A Religion in the Making”
8. Racter “The Policeman’s Beard Is Half-Constructed” (1984)
9. Tristan Tzara “A Note on Negro Poetry” (1918)
10. I.B.M. 7090 “Music From Mathematics” (1962)

Seth Price is an artist.

—–
March 2008
Selected by Stephanie Strickland

1. Maya Deren, “Divine Horsemen”
2. “Concrete!” Ruth and Marvin Sackner Archive
3. Jason Nelson, “Poetry Cube”
4. b. p. Nichol, “White Text Sure”
5. Yoko Ono, “Snow Is Falling All the Time”
6. Dick Higgins, “Horizons” [PDF
7. Ketjak: the Ramayana Monkey Chant
8. “Concrete Poetry: A World View” Mary Ellen Solt
9. Raphael Rubinstein, “Gathered, not Made: A Brief History of Appropriative Writing”
10. Kenneth Goldsmith and Conceptual Poetics

Bonus
11. Glossolalia: Speaking in Tongues
12. Caroline Bergvall, “About Face”

Stephanie Strickland is a poet. Her latest collaborative hypermedia work is slippingglimpse first shown at e-Poetry 2007 in Paris and published in hyperrhiz: new media cultures. Her latest book, Zone : Zero (with digital poetry CD) will appear from Ahsahta Press in fall 2008. She recently published “Quantum Poetics: Six Thoughts, in Media Poetry: An International Anthology,” edited by Eduardo Kac, co-edited The Iowa Review Web issue, Multi-Modal Coding: Jason Nelson, Donna Leishman, and Electronic Writing, and also co-edited the first Electronic Literature Collection, published by the Electronic Literature Organization.

—–
February 2008
Selected by Alan Licht

1. Derek Bailey Interview by Henry Kaiser
2. Richard Foreman MP3 loops from Now That Communism Is Dead My Life Feels Empty
3. Bruce Nauman “Record”
4. bpNichol — all sound works
5. Cornelius Cardew “Stockhausen Serves Imperialism”
6. Philip Guston/Clark Coolidge “Poor Richard”
7. Lou Reed “the View from the Bandstand”
8. Jack Smith “Buzzards Over Baghdad”
9. Richard Meltzer “Barbara Mauritz: Music Box”
10. Adrian Piper “Untitled 1968″

Over the past two decades, guitarist Alan Licht has worked with a veritable who’s who of the experimental world. He has released five albums of compositions for tape and solo guitar, and his sound and video installations have been exhibited in the U.S. and Europe. His new book Sound Art: Beyond Music, Between Media, the first extensive survey of the genre in English, was published by Rizzoli in fall 2007.

—–
February 2008
Selected by Bettina Funcke

1. Harun Farocki, Inextinguishable Fire (1969) and How to Live in the German Federal Republic (1986) - Note! Films Removed by copyright holder’s request
2. UbuWeb Hall of Shame
3. Robert Frank, Energy and How to Get It (1981)
4. J. G. Ballard, Shanghai Jim (1991)
5. Pandid Pran Nath Ragas of Morning and Night (1968)
6. Hrabanus Marus De adoratione crucis ab opifice / De Laudibus Sanctae Crucis Augsburg (ca. 845)
7. Jacques Lacan, Télévision (1973)
8. Joan Jonas “The Anchor Stone” (1988)
9. Inuit Throat Singing, from Ethnopoetics
10. Assorted Street Posters (1985-present) from Outsiders

Bettina Funcke is the Senior U.S. Editor of Parkett Magazine.

—–
January 2008
Selected by Alex Ross

1. Robert Ashley “She Was a Visitor”
2. Kurt Schwitters “Sonata in Urlauten”
3. John Cale “Loop”
4. The Films of Mauricio Kagel
5. Charles Amirkhanian “Dog of Stravinsky”
6. Bernd Alois Zimmermann “Musique pour le soupers de Roi Ubu”
7. Pauline Oliveros “Sound Patterns”
8. Ezra Pound “Sestina: Altaforte”
9. John Cage “4′33″”
10. Robert Ashley “The Wolfman”

Alex Ross has been the music critic of The New Yorker since 1996. His work has also appeared in The New Republic, The London Review of Books, Lingua Franca, and The Guardian. From 1992 to 1996 he was a critic at The New York Times. He has received two ASCAP-Deems Taylor Awards for music criticism, fellowships from the American Academy in Berlin and the Banff Centre, and a Letter of Distinction from the American Music Center for contributions to the field of contemporary music. He played keyboards in the noise band Miss Teen Schnauzer, which gave only one public performance, in 1991. His first book, “The Rest Is Noise: Listening to the Twentieth Century,” a cultural history of music since 1900, was published in October 2007 by Farrar, Straus & Giroux.

Gpod

Gspot #48 - SLEEPCHAMBER

Posted by choronzon333 in Articles, GPC, Gpod Radio, Podcast, The G-SPot, Sex (Wednesday December 10, 2008 at 4:32 am)

GSpot

SOME GODZ NEVER DIE

By TheeBradMiller

for The John Zewizz Appreciation Society

SLEEPCHAMBER.INFO

It’s 1997 - to the outside world the future couldn’t seem brighter for SLEEP CHAMBER… completing a successful German Tour, CD’s were now being distributed overseas and in the US by the Italian label Musica Maxima Magnetica and the German label FünfUndVierzig.  And, perhaps more promising, Cleopatra Records out of L.A had signed the band with the promise of even wider distribution.

However, things are not always what they seem…

The gods had begun to frown on John’s life a year earlier. On June 21st of 1996 Swedish nanny Karina Holmer was found sawed in two in a dumpster down the street from John’s home.  Her torso was left in two separate bags… her lower portion has never been discovered.  Although no charges were ever brought against John, he was brought in as a suspect and questioned.  The fragile world of Sleep Chamber quickly began to splinter.

Also smoldering under the surface, out of public view, John was suffering from a 9 year hardcore addiction to Heroin.  The fabric of the band had already begun to disintegrate.  Friends of John even held a benefit concert to help him with his drug addiction in the early summer of 1997. It would be the second to last show of SLEEP CHAMBER.

Effectively SLEEP CHAMBER ceased recording in 95 just before the Nanny Murder.  A huge catalog of unreleased tracks managed to keep the band in existence by name till 2000.  A final Sleep Chamber show went down December 31, 2000.  It featured John, one musician and a dancer.

The final blow came on November 2 of 2001, when Zewizz girlfriend, and former band-mate, Laura Graff died from a Heroin overdose.  Heartbroken and addicted John went further into seclusion.

(more…)

icon for podpress  Gspot48-SLEEPCHAMBER [67:41m]: Play Now | Play in Popup | Download
Gpod

The Whole Earth Effect

Posted by Pale Rider in Articles, GPC, Activisim, Independent, Websites, Literature, Anarchy, Academia (Tuesday September 16, 2008 at 8:25 am)

How did a publication with just a four-year run help shape a community so prolific that it went on to inspire Google, Craigslist, and the blogosphere; save six American rivers; and shape sustainable business practices as we know them today? Forty years after the first issue of the Whole Earth Catalog, this oral history of the publication, as told by those who made it and those who read it, tracks the long-lasting impact of a short-lived journal that altered the course of the world.
By Steven Kotler - LINK

Gpod

Gun rights article from 1957

Posted by EchoPenguin in Articles, GPC, BitTorrent, E-Books, Classic, Weird, Anarchy (Tuesday August 26, 2008 at 2:36 am)
Download 10-meg zipped PDF of magazine.

or

Download torrent.

This is the complete “Guns” magazine from Sept. 1957. Has lots of cute ‘n’ dorky photos of WASPy father/son bonding over guns, advertisements for mail-order 20 dollar Remington shotguns and mail-order 40 dollar fully automatic machine guns, as well as an interesting  article (starts on page 22) called “Why Not a PRO-Gun Law?” (in which the author also admits he’s a felon, having purchased confiscated guns from cop friends.)

This mag, and all the photos, somehow kinda make me miss my grandfather.

(StinkFight.com)
==

Guns is a magazine for the recreational and competitive shooter, hunter, collector, and firearm owner. Each issue features new products, shooting competitions, history, and trade show coverage. From handguns to shotguns, this monthly magazine provides the ultimate coverage in the field of firearms.Features proper gun use, hunting techniques, collecting, firearms legislation, and new guns and accessories.

“Since 1955, sportsmen and enthusiasts have turned to Guns Magazine for the latest news on firearms, training, hunting, accessories and more. In the field or on the range, you’ll find the information you need to make the shooting sports more enjoyable.”

September 1957
Gpod

Hipster: The Dead End of Western Civilization

Posted by Pale Rider in Articles, GPC (Monday August 11, 2008 at 3:28 am)

We’ve reached a point in our civilization where counterculture has mutated into a self-obsessed aesthetic vacuum. So while hipsterdom is the end product of all prior countercultures, it’s been stripped of its subversion and originality. (Cover story of Adbusters Issue #79, hitting the newsstands now or read on-line.)

Gpod

The Trolls Among Us

Posted by Pale Rider in Articles, GPC (Sunday August 3, 2008 at 8:05 pm)

In the late 1980s, Internet users adopted the word “troll” to denote someone who intentionally disrupts online communities. Early trolling was relatively innocuous, taking place inside of small, single-topic Usenet groups. The trolls employed what the M.I.T. professor Judith Donath calls a “pseudo-naïve” tactic, asking stupid questions and seeing who would rise to the bait. The game was to find out who would see through this stereotypical newbie behavior, and who would fall for it. As one guide to trolldom puts it, “If you don’t fall for the joke, you get to be in on it.” ARTICLE

 
 


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