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<channel>
	<title>'GPOD'</title>
	<link></link>
	<description></description>
	<pubDate>Mon, 16 Aug 2010 03:02:15 +0000</pubDate>
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	<language>en</language>
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		<copyright>&#xA9;Greylodge Podcasting Company 2003-2006</copyright>
		<itunes:new-feed-url>http://greylodge.org/gpc/?feed=rss2</itunes:new-feed-url>
		<managingEditor>palerider@greylodge.org (Greylodge Podcasting Company)</managingEditor>
		<webMaster>palerider@greylodge.org</webMaster>
		<category>Variety: Alternative</category>
		<ttl>1440</ttl>
		<itunes:keywords>Alternative, Occult, Fringe, Strange, Weird, Counterculture, Paranormal, hacking, paranoid, conspiracy</itunes:keywords>
		<itunes:subtitle>The feed for the Greylodge Podcasting Company featuring a variety of shows availabe from our site: http://greylodge.org/gpc/?page_id=35</itunes:subtitle>
		<itunes:summary>The feed for the Greylodge Podcasting Company featuring a variety of shows availabe from our site: http://greylodge.org/gpc/?page_id=35
Shows include:
The G-SPot with James Curcio, Joseph Matheny, Wes Unruh, halfcast, Bondage and Coffee, Ripple and a lot more.</itunes:summary>
		<itunes:author>Greylodge Podcasting Company</itunes:author>
		<itunes:category text="Arts"/>
<itunes:category text="Society &amp; Culture">
  <itunes:category text="Philosophy"/>
</itunes:category>
<itunes:category text="Arts">
  <itunes:category text="Literature"/>
</itunes:category>
		<itunes:owner>
			<itunes:name>Greylodge Podcasting Company</itunes:name>
			<itunes:email>palerider@greylodge.org</itunes:email>
		</itunes:owner>
		<itunes:block>No</itunes:block>
		<itunes:explicit>yes</itunes:explicit>
		<itunes:image href="http://www.greylodge.org/gpc/images/gpod-itunes-lg.jpg" />
		<image>
			<url>http://www.greylodge.org/gpc/images/gpod-itunes.jpg</url>
			<title></title>
			<link>http://greylodge.org/gpc</link>
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		<item>
		<title>Special G-Spot Interlude: MTW in the studio part 2</title>
		<link>http://greylodge.org/gpc/?p=1870</link>
		<comments>http://greylodge.org/gpc/?p=1870#comments</comments>
		<pubDate>Mon, 16 Aug 2010 02:56:10 +0000</pubDate>
		<dc:creator>agent139</dc:creator>
		
	<category>GPC</category>
	<category>Gpod Radio</category>
	<category>Podcast</category>
	<category>139 et co</category>
	<category>agent139</category>
	<category>The G-SPot</category>
	<category>Alterati</category>
	<category>Weird</category>
	<category>Metal</category>
	<category>The GSpot</category>
	<category>Comedy</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1870</guid>
		<description><![CDATA[
Professional lunatic James Curcio takes over again for an episode and brings you back into the studio with MTW. (Listen to episode 1 here.) This episode takes us even further out of the realm of good taste than the first, through a melange of tracks in progress, various prank phone calls, conversation outtakes, and flat [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center"><img height="185" width="151" alt="Header" class="aligncenter" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /></p>
<p>Professional lunatic <a href="http://www.jamescurcio.com">James Curcio</a> takes over again for an episode and brings you back into the studio with MTW. (<a href="http://www.alterati.com/blog/2010/01/special-gspot-interlude-nothing-is-sacred-mtw-in-the-studio/">Listen to episode 1 here</a>.) This episode takes us even further out of the realm of good taste than the first, through a melange of tracks in progress, various prank phone calls, conversation outtakes, and flat out mind-fucks. Topics include independent music production techniques, catheters as tripping toys, amyl nitrate, psychological malaise of suburbia, voodoo, trickster Gods, and a lot more.</p>
<p>The tracks in this episode are taken from MTW&#8217;s upcoming release Nothing Is Sacred, and two tracks from Captain Zombie, another project being cultured in this dank basement. The outro track is provided by DJ Homicidal Rapist.</p>
<p>Check out the albums when they&#8217;re released if we don&#8217;t all OD on cough syrup and fermented yak semen, or invoke a wrathful demon that replaces all of our bodily fluids with nutella.</p>
<p>(Thankfully we got most of our drummer&#8217;s material before he left this Earth. RIP Thor Thorsson, you weren&#8217;t good for much else, but you sure could play them drums.)</p>
<p>Music in this episode by Marz233, Scott Landes, James Curcio, Iron Will. Disclaimer: Don&#8217;t try anything that we talk about in this episode. Or if you do, do it at your own risk. This shit ain&#8217;t safe, son.<br />
<strong>Listen to or download show below</strong>
</p>
<br/><a href="http://www.alterati.com/blog/wp-content/uploads/gspot-mtw-2.mp3">Download The Gspot MTW part 2</a><br/><p class="akst_link"><a href="http://greylodge.org/gpc/?p=1870&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1870" class="akst_share_link" rel="nofollow">Share This</a>
</p>]]></content:encoded>
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<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Professional lunatic James Curcio takes over again for an episode and brings you back into the studio with MTW. (Listen to episode 1 here.) This ...</itunes:subtitle>
		<itunes:summary>Professional lunatic James Curcio takes over again for an episode and brings you back into the studio with MTW. (Listen to episode 1 here.) This episode takes us even further out of the realm of good taste than the first, through a melange of tracks in progress, various prank phone calls, conversation outtakes, and flat out mind-fucks. Topics include independent music production techniques, catheters as tripping toys, amyl nitrate, psychological malaise of suburbia, voodoo, trickster Gods, and a lot more.

The tracks in this episode are taken from MTW's upcoming release Nothing Is Sacred, and two tracks from Captain Zombie, another project being cultured in this dank basement. The outro track is provided by DJ Homicidal Rapist.

Check out the albums when they're released if we don't all OD on cough syrup and fermented yak semen, or invoke a wrathful demon that replaces all of our bodily fluids with nutella.

(Thankfully we got most of our drummer's material before he left this Earth. RIP Thor Thorsson, you weren't good for much else, but you sure could play them drums.)

Music in this episode by Marz233, Scott Landes, James Curcio, Iron Will. Disclaimer: Don't try anything that we talk about in this episode. Or if you do, do it at your own risk. This shit ain't safe, son.
Listen to or download show belowDownload The Gspot MTW part 2Share This
</itunes:summary>
		<itunes:keywords>GPC, Gpod Radio, Podcast, 139 et co, agent139, The G-SPot, Alterati, Weird, Metal, The GSpot, Comedy</itunes:keywords>
		<itunes:author>Greylodge Podcasting Company</itunes:author>
		<itunes:explicit>yes</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>John Wisniewski Interviews  Vadge Moore</title>
		<link>http://greylodge.org/gpc/?p=1869</link>
		<comments>http://greylodge.org/gpc/?p=1869#comments</comments>
		<pubDate>Fri, 06 Aug 2010 17:17:03 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>John Wisniewski</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1869</guid>
		<description><![CDATA[ Tim Madison (better known as Vadge Moore) is an American musician and author, best known as the drummer of punk band The Dwarves. He currently is one of two members in Chthonic Force, a noise/industrial band based in Atlanta, Georgia. He also is a co founder of Neither/Neither World and played in Phoenix Thunderstone. [...]]]></description>
			<content:encoded><![CDATA[<p><img width="199" height="148" align="left" src="http://upload.wikimedia.org/wikipedia/en/f/f5/Vadgemoore.jpg" /> Tim Madison (better known as <strong>Vadge Moore</strong>) is an American musician and author, best known as the drummer of punk band <a href="http://en.wikipedia.org/wiki/The_Dwarves">The Dwarves</a>. He currently is one of two members in Chthonic Force, a noise/industrial band based in Atlanta, Georgia. He also is a co founder of Neither/Neither World and played in Phoenix Thunderstone. In 2009, he released his first book, <a href="http://www.polyester.com.au/?page=shop/flypage&#038;product_id=3520&#038;CLSN_2340=127756314023407b6ed0f3ce32e5a010"><em>Chthonic: Prose &#038; Theory</em></a>. (<a href="http://en.wikipedia.org/wiki/Tim_Madison">wikipedia</a>)</p>
<p><strong>John:</strong> The Dwarves are originally from Chicago, and later moved to San Francisco.. Is this correct? What was the Hardcore and punk scene like back then 1988?</p>
<p><strong>Vadge:</strong> That is correct. I was playing in various bands in S.F. and ran into the Dwarves when they moved there. I subsequently played in a band with Hewhocannotbenamed called The Gaping Wounds. When Sigh Moan decided he didn&#8217;t want to play drums with The Dwarves anymore, I was the logical replacement.</p>
<p>The hardcore punk scene was pretty fucking dismal at the time; The Dwarves were the antidote.</p>
<p><strong>John:</strong> Why did the band start out as a kind of garage band and then change it&#8217;s sound more to a hardcore sound? Why the change in musical direction?</p>
<p><strong>Vadge:</strong> The members at the time became more interested in the Dead Boys and G.G. Allin than the Scientists, so the change was inevitable.</p>
<p><strong>John: </strong> What did Sub Pop think of The Dwarves? Were they happy with the band?</p>
<p><strong>Vadge:</strong>I think we were a funny curiosity for Sub Pop- it gave them &#8220;street cred&#8221; to have us on their label. We were far more exciting than any of their bands at the time. We took cocaine, the others took heroin: who do you think is going to put on a more exciting show?</p>
<p>I don&#8217;t think they were very happy when bass player Salt Peter spray painted &#8220;You owe the Dwarves $&#8221; on their front lobby floor, but they were happy when Rolling Stone Magazine wrote about it.</p>
<p><strong>John:</strong>  Live shows were very raucous and violent. Could you tell us about the live shows?</p>
<p><strong>Vadge: </strong>Raucous is an understatement. However, not every show would end in band/audience brawls; but a lot of them did. We would not take any shit- and if some dumb punker would challenge us or throw a bottle at us, we would hunt them down- mid-song- and do damage to them. Many shows were just fun, though. Dionysian revelry. Naked women blowing Blag&#8217;s cock onstage- completely unrehearsed and unexpected things like that would happen a lot.</p>
<p><strong>John:</strong>  The band claimed that it&#8217;s guitarist&#8221;HeWhoCannotBeNamed&#8221; died. Was this a publicity stunt or just a joke to play in the press and what did Sub Pop say about this?</p>
<p><strong>Vadge: </strong>He wanted to leave the band, for his own reasons, and we wanted to pull a publicity stunt/joke on the media. It worked beyond our wildest dreams! Mtv News even reported on it! Good humor. Sub Pop was behind it all the way&#8230;until it started leaking out that it was a hoax. Then they feigned ignorance. I think they were afraid of us at the time and used this as a convenient excuse to get rid of us. Typical.</p>
<p><strong>John:</strong> What has kept the band together through so many lineup changes over the years?</p>
<p><strong>Vadge: </strong>Blag has kept the band together. His ability to lead and his amazing song writing abilities has kept that train a rollin&#8217; all night long&#8230;and then some.</p>
<p><strong>John:</strong>  Could you tell us about the covers for The Dwarves albums-the crucified midget must have caused a good deal of controversy. Was it banned?</p>
<p><strong>Vadge: </strong>I was out of the band when that record came out- Dwarves Must Die. That dwarf&#8230;not midget&#8230;dwarfs do not like to be called midgets&#8230;is a man named Bobby Faust. He first appeared on the cover of Blood, Guts, and Pussy and, Satan bless him, he has eagerly joined in on many album photo sessions since.</p>
<p><strong>John:</strong>  What is it like to release a retrospective after all of these years, after all of the incidents and ups and downs for the band?</p>
<p><strong>Vadge: </strong>I was a fan of the band before I was the drummer, so I love to see the history and how I contributed for that dozen or so years: 1988-2000. The Dwarves continue today with a new album, soon to be released, called Born Again. I can&#8217;t wait to hear it! I&#8217;m still a fan.</p>
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		</item>
		<item>
		<title>New Book Coming Out: Rebels and Devils</title>
		<link>http://greylodge.org/gpc/?p=1868</link>
		<comments>http://greylodge.org/gpc/?p=1868#comments</comments>
		<pubDate>Wed, 04 Aug 2010 22:47:49 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Book Culture</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1868</guid>
		<description><![CDATA[

Rebels &#038; Devils
The Psychology of Liberation
edited by Christopher S. Hyatt, Ph.D. introduced by S. Jason Black foreword by Nicholas Tharcher  contributions by William S. Burroughs Joseph C. Lisiewski, Ph.D. Timothy Leary Ph.D., Robert Anton Wilson, Austin Osman Spare, Genesis P-Orridge, Aleister Crowley, Joseph Matheny, Peter J. Carroll, Israel Regardie, Jack Parsons, Phil Hine, Osho, [...]]]></description>
			<content:encoded><![CDATA[<p><small><strong /></small></p>
<div class="entry">
<div class="snap_preview"><img align="left" alt="Rebels &#038; Devils" style="margin: 5px" class="alignleft" title="Rebels &#038; Devils" src="http://www.originalfalcon.com/covers/rebelsd-l.jpg" /><strong>Rebels &#038; Devils</strong></p>
<p><strong>The Psychology of Liberation</strong></p>
<p>edited by <a href="http://www.originalfalcon.com/authors.php?lookup=christopher_hyatt">Christopher S. Hyatt, Ph.D.</a> introduced by <a href="http://www.originalfalcon.com/authors.php?lookup=jason_black">S. Jason Black</a> foreword by Nicholas Tharcher  contributions by William S. Burroughs <a href="http://www.originalfalcon.com/authors.php?lookup=joseph_lisiewski">Joseph C. Lisiewski, Ph.D.</a> <a href="http://www.originalfalcon.com/authors.php?lookup=timothy_leary">Timothy Leary Ph.D.,</a> <a href="http://www.originalfalcon.com/authors.php?lookup=robert_anton_wilson">Robert Anton Wilson,</a> Austin Osman Spare, Genesis P-Orridge, <a href="http://www.originalfalcon.com/authors.php?lookup=aleister_crowley">Aleister Crowley,</a> <strong><a href="http://www.originalfalcon.com/authors.php?lookup=joseph_matheny">Joseph Matheny,</a></strong> <a href="http://www.originalfalcon.com/authors.php?lookup=peter_carroll">Peter J. Carroll,</a> <a href="http://www.originalfalcon.com/authors.php?lookup=israel_regardie">Israel Regardie,</a> Jack Parsons, <a href="http://www.originalfalcon.com/authors.php?lookup=phil_hine">Phil Hine,</a> Osho, and many others.</p>
<p><strong>The publisher has notified me that this will be out soon. I feel honored to be included in such rebellious company. <a href="http://www.originalfalcon.com/b-rebels_devils.php">Go here to sign up to be notified when it’s available.</a><br />
</strong></div>
</div>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1868&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1868" class="akst_share_link" rel="nofollow">Share This</a>
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		</item>
		<item>
		<title>Derek Sivers: Free Services for Musicians</title>
		<link>http://greylodge.org/gpc/?p=1867</link>
		<comments>http://greylodge.org/gpc/?p=1867#comments</comments>
		<pubDate>Fri, 30 Jul 2010 19:05:49 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Comedy</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1867</guid>
		<description><![CDATA[Way back in 2006, you featured a CD from my store, CD Baby.
(COYLE AND SHARPE: These 2 Men Are Impostors-Box Set.  Remember?)
So you might be interested in my new free projects to help musicians:

MusicThoughts: inspiring quotes about music http://musicthoughts.com/c/TI358
MuckWork: assistants to do your dirty work http://muckwork.com/c/TI358
Derek Sivers: my personal site, with articles http://sivers.org/c/TI358
SongTest: a [...]]]></description>
			<content:encoded><![CDATA[<p>Way back in 2006, you featured a CD from my store, CD Baby.<br />
(<a href="http://greylodge.org/gpc/?p=784">COYLE AND SHARPE: These 2 Men Are Impostors</a>-Box Set.  Remember?)</p>
<p>So you might be interested in my new free projects to help musicians:</p>
<ul>
<li>MusicThoughts: inspiring quotes about music<a class="moz-txt-link-freetext" href="http://musicthoughts.com/c/TI358"> http://musicthoughts.com/c/TI358</a></li>
<li>MuckWork: assistants to do your dirty work <a class="moz-txt-link-freetext" href="http://muckwork.com/c/TI358">http://muckwork.com/c/TI358</a></li>
<li>Derek Sivers: my personal site, with articles <a class="moz-txt-link-freetext" href="http://sivers.org/c/TI358">http://sivers.org/c/TI358</a></li>
<li>SongTest: a free, open song contest <a class="moz-txt-link-freetext" href="http://songtest.com/c/TI358">http://songtest.com/c/TI358</a></li>
</ul>
<p>They&#8217;re all free, open-source, and non-commercial (except MuckWork), so I&#8217;m not emailing you for any business reason.  But since we&#8217;ve emailed in the past, I thought I should let you know what&#8217;s new.</p>
<p>If you reply, please let me know what&#8217;s going on with you (really!), in case I can help in any way, and to keep this from being a one-sided conversation.   <span class="moz-smiley-s1" title=":-)">:-)</span>  Thanks!</p>
<p>&#8211; Derek Sivers  <a class="moz-txt-link-abbreviated" href="mailto:derek@sivers.org">derek@sivers.org</a>  <a class="moz-txt-link-freetext" href="http://sivers.org/c/TI358">http://sivers.org/c/TI358</a>
</p>
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		</item>
		<item>
		<title>This Week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1866</link>
		<comments>http://greylodge.org/gpc/?p=1866#comments</comments>
		<pubDate>Fri, 23 Jul 2010 16:05:06 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1866</guid>
		<description><![CDATA[




The GSpot: Ralph Abraham

Joseph Matheny in conversation with old friend and mentor Ralph Abraham.
THE GSPOT AND CUP OF TNB WILL BE ON HIATUS UNTIL SEPTEMBER.






The John Zewizz Show Episode 6

As John arranges the circle and four watchtowers in his new lair,  TheeLovely, TheeOiled TheeBradMiller steps in and takes us on a journey  through [...]]]></description>
			<content:encoded><![CDATA[<table cellspacing="5" cellpadding="5" border="0" align="left" width="90%">
<tr>
<td>
<div><img height="185" width="151" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/07/the-gspot-ralph-abraham/">The GSpot: Ralph Abraham</a></h2>
</div>
<div><a href="http://jmatheny.wordpress.com/">Joseph Matheny</a> in conversation with old friend and mentor<a href="http://www.ralph-abraham.org/"> Ralph Abraham</a>.</div>
<div><strong>THE GSPOT AND CUP OF TNB WILL BE ON HIATUS UNTIL SEPTEMBER.</strong></div>
</td>
</tr>
<tr>
<td>
<div><img height="150" width="150" title="THe John Zewizz Show" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/ZEWIZZ.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/07/the-john-zewizz-show-episode-6/">The John Zewizz Show Episode 6</a></h2>
</div>
<div>As John arranges the circle and four watchtowers in his new lair,  TheeLovely, TheeOiled TheeBradMiller steps in and takes us on a journey  through as yet unreleased Zewizz collaborations and other rare treats.</div>
</td>
</tr>
<tr>
<td>
<div><img height="150" width="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/raidokaos1.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/07/raido-kaos-episode-eleven/">Raido Kaos Episode Eleven</a></h2>
</div>
<div><a target="_blank" href="http://www.infictive.com/index.php?title=When_you_realize_you_can%27t_smoke_weed_in_Uglavaria_you_decide_to_retire_to_Lake_Crump.">When you realize you can’t smoke weed in Uglavaria you decide to retire to Lake Crump.</a> Straight from <a target="_blank" href="http://www.infictive.com/index.php?title=The_Leaf_of_Accordia">The Leaf of Accordia</a> get the truth behind the legal options available outside <a target="_blank" href="http://www.infictive.com/index.php?title=Infictive_county">Infictive County</a>. <a target="_blank" href="http://www.infictive.com/index.php?title=If_you_change_channel_looking_for_weather_news">If you change channel looking for weather news</a> you’ll find there’s a strong wind blowing, and nothing can stop you. This is your <a target="_blank" href="http://www.infictive.com/index.php?title=Soundtrack">soundtrack</a>.</div>
</td>
</tr>
</table>
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		<item>
		<title>John Wisniewski Interviews  Joan d&#8217;Arc and Al Hidell of PARANOIA</title>
		<link>http://greylodge.org/gpc/?p=1865</link>
		<comments>http://greylodge.org/gpc/?p=1865#comments</comments>
		<pubDate>Sun, 18 Jul 2010 00:26:52 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>John Wisniewski</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1865</guid>
		<description><![CDATA[Interview with Joan d&#8217;Arc and Al Hidell of PARANOIA
John: When and how did Paranoia Magazine begin?
 
Joan: PARANOIA Magazine was born in 1992 out of the ‘Providence Conspiracy League’, a group of co-conspirators who met in my now defunct Providence bookstore, Newspeak. It was the only bookstore in the area back then that sold conspiracy [...]]]></description>
			<content:encoded><![CDATA[<p><em>Interview with Joan d&#8217;Arc and Al Hidell of </em><em>PARANOIA</em></p>
<p><strong>John: </strong>When and how did Paranoia Magazine begin?<br />
<strong> </strong><br />
<strong>Joan:</strong><em> PARANOIA</em> Magazine was born in 1992 out of the ‘Providence Conspiracy League’, a group of co-conspirators who met in my now defunct Providence bookstore, Newspeak. It was the only bookstore in the area back then that sold conspiracy books. Now conspiracy books are ubiquitous. One night, Al Hidell came into a Conspiracy League meeting with the idea to put some of the material in our three-ring binders into a magazine called <em>PARANOIA</em>. We never expected the magazine to get off the block, but some magazine distributors expressed interest and we started doing a quarterly. At first the Conspiracy Leaguers did the writing, but after the magazine got out there a bit we started getting articles from other authors; among them, Alan Cantwell, John Judge, George Andrews, R.B. Cutler, and other JFK assassination researchers.</p>
<p>If you look at the first four issues of <em>PARANOIA</em> (posted as PDFs on our website, <a href="http://www.paranoiamagazine.com/freedownloads.html">http://www.paranoiamagazine.com/freedownloads.html</a>), you’ll see the early tabloid style black and white covers. In fact, this style, along with the curious title, made people wonder whether we were serious or tongue-in-cheek. We like to say we were protecting ourselves from lawsuits under the “parody” clause of the Constitution. Wink. Back then we raised some eyebrows and everyone thought we were pretty much nuts, until George “Dubya” Bush put us on the map during his nightmare twice-stolen presidency. From then on, we were vindicated, unfortunately.</p>
<p>In 2009, after 18 years of publishing and after the 51<sup>st</sup> issue of <em>PARANOIA</em>, we decided to switch from magazine format to book series. The combined reasons were the magazine ‘consignment’ paradigm and the new internet economy. More than half the magazines we were paying to print were being destroyed by the chain stores. The only answer was print on demand. The new book contains content similar to the old magazine format and comes out approximately once a year. The book is a 192-page square back compendium containing 24 authors and interviewees, available either at <a href="http://www.paranoiamagazine.com">www.paranoiamagazine.com</a> or, if you prefer, at amazon.com (<a href="http://www.amazon.com/PARANOIA-Conspiracy-Reader-Joan-dArc/dp/0615299954">http://www.amazon.com/PARANOIA-Conspiracy-Reader-Joan-dArc/dp/0615299954</a>)</p>
<p><strong>Al:</strong> One day, I brought a red binder into Joan’s Newspeak store, and I&#8217;d pasted a big picture of Lee Harvey Oswald on the front. That became a repository for various conspiracy clippings and material, and it quickly evolved into a magazine once the binder couldn&#8217;t hold any more. Joan and I invested a small amount of money to have it printed, and we took it door-to-door to various independent bookstores in the Providence area. Soon, we managed to convince a few magazine distributors to carry us, and we were on our way.</p>
<p><strong>John</strong>: Can we talk about some of the conspiracies that the magazine has written about over the years‌ Probably the most covered conspiracy in print is the Kennedy assassination. Looking back, do we really know who is responsible?</p>
<p><strong>Joan:</strong> Paranoia has published numerous articles on the JFK assassination over 51 issues of the magazine, which incidentally are now held in the Poage Political archive at Baylor University in Waco, Texas. In our most recent publication, <em>PARANOIA</em> <em>The Conspiracy Reader</em> (our new book series <a href="http://www.paranoiamagazine.com/volume1.html">http://www.paranoiamagazine.com/volume1.html</a>), I discussed the JFK assassination with a man named Roderick A. MacKenzie III, who claims to have been associated with the mob in Dallas in 1963. In this exclusive interview, MacKenzie claims that he knew Lyndon Johnson’s personal so-called hitman, Mac Wallace. He further claims that Mac told him, while in a drunken stupor the day after the hit, the names of the persons on four hit teams situated in Dealey Plaza that day. Included on his list of the hit teams was Mac Wallace himself, who admitted to being posted on the 6<sup>th</sup> floor of the Texas School Book Depository (TSBD).</p>
<p>In fact, recent research affirms this claim. A fingerprint lifted from a carton in the “sniper’s nest” (6<sup>th</sup> floor window), labeled “unknown” in the National Archives, was definitively identified in 1998 as belonging to Mac Wallace. The website <a href="http://www.jfkmurdersolved.com">www.jfkmurdersolved.com</a> states: “On March 9, 1998, A. Nathan Darby, A.L.C.E., a Certified Latent Fingerprint Examiner, and a member of the International Association for Identification, signed a sworn affidavit stating that he found a positive match between the &#8220;Unknown&#8221; print from Carton &#8220;A&#8221; and the 1951 print of Mac Wallace.” This information puts Lyndon Johnson right in the driver’s seat of the Kennedy assassination, although it doesn’t argue against Pentagon, CIA and Mafia involvement.</p>
<p>There have been a few people named for the position behind the picket fence in an area known as the “grassy knoll.” According to eyewitnesses and photographs there were at least two shooters stationed in this area. One of them was dressed like a policeman, and he shows up in a picture known as the “Badgeman” photo, which shows a dark blurry figure seemingly in uniform, with an outline of a “badge” and a puff of smoke coming over the picket fence.</p>
<p>The documentary, <em>The Men Who Killed Kennedy</em> by Nigel Turner, features an interview with imprisoned French mobster, Christian David, who claims three French hitmen from the Corsican Mafia were hired to do the job (<a href="http://www.jfkmontreal.com/corsicans.htm">http://www.jfkmontreal.com/corsicans.htm</a>). According to David, one hitman was situated on the 6<sup>th</sup> floor of the TSBD and another on a lower floor of the Dal-Tex building. (Rod MacKenzie claims this team was supposed to be on the roof, but encountered some sort of problems.) David claims a third hitman, by the name of Lucien Sarti, was positioned on “the little hill with the wooden fence.” Sarti was dressed in some sort of uniform and took only one shot with “an explosive bullet.”</p>
<p>Another hit man MacKenzie mentions is a French Corsican mobster named Michael Victor Mertz. MacKenzie claims this man was just one of many Corsican mobsters who stayed in the “safe house” MacKenzie ran for the mob in Dallas. Mertz was especially difficult to please, requiring special wines and white shirts. MacKenzie claims Mac Wallace told him that Mertz was situated on the roof of the County Records Building. According to Christian David’s claim, the three Corsican hit men returned to a “safe house” and remained for about ten days, and were flown to Montreal. (Highlights of the MacKenzie interview can be found on the <em>PARANOIA</em> website: <a href="http://www.paranoiamagazine.com/volume1.html">http://www.paranoiamagazine.com/volume1.html</a>)</p>
<p>Jack Ruby was seen by many witnesses in the crowd in Dealey Plaza before and after the assassination. MacKenzie claims Jack Ruby was a shooter on the 2<sup>nd</sup> floor of the TSBD. It’s pretty certain that Mac Wallace and a Chickasaw Indian named Loy Factor were shooters from the 6<sup>th</sup> floor. Frank Sturgis, Eugene Hale Braden/Brading and Chi Chi Quintero were supposed to be on top of the Dal-Tex Building but due to some problem they were located on a lower floor. According to Marita Lorenz, Sturgis was one of the gunmen who fired on JFK. If MacKenzie is right, it was from a lower floor of the Dal-Tex Building. This means Sturgis may have been responsible for the first low shot of Kennedy’s back, or if not Sturgis, Braden/Brading is another possible shooter.</p>
<p>Another man named James Files, currently in federal prison for other crimes, claims to have been the lone shooter on the grassy knoll. According to James Files, he took one shot, the fatal shot, to JFK’s head. Problematically, he first claimed to have hit JFK in the left temple, then changed it to the right, which would be the correct side. Many other aspects of his story have changed over the years. Prior to airing a two-hour special on James Files, NBC and Dick Clark Productions decided to check his story. A private investigator discovered that James Files was in Chicago on November 22, 1963. When this information was told to Files, he claimed that was his twin brother, whom he also killed. NBC and Dick Clark Productions did not go forward with airing the special. (<a href="http://mcadams.posc.mu.edu/files.htm">http://mcadams.posc.mu.edu/files.htm</a>)</p>
<p>Many witnesses also saw suspicious persons walking from the grassy knoll area, as well as two men emerging from the back of the TSBD and getting into a car. These two men were probably Loy Factor and Mac Wallace. The sad thing is, many witnesses were never called before the Warren Commission, and even sadder still, many witnesses were either intimidated by police or FBI from making witness statements (until many years later), or were silenced by untimely and unnatural deaths prior to their intention to make official statements.</p>
<p>Interestingly, MacKenzie claims Lee Oswald was on the hit team stationed on the 6<sup>th</sup> floor of the TSBD, but was in some sort of a trance state. This would be an indication of mind control. However, on the other hand, witnesses who worked in the TSBD have stated that Oswald was in the lunchroom on the 2<sup>nd</sup> floor eating his lunch just prior to the shooting, and was in the same lunch room just minutes after the shooting when police entered and saw him drinking a Coke. In fact, I have always been partial to the theory that Oswald was actually photographed in the doorway of the TSBD as the procession was going by. The person in the doorway not only resembles Oswald but is wearing the same denim style shirt over a white t-shirt that he was arrested in a few hours later! (<a href="http://www.whokilledjfk.net/altgens.htm">http://www.whokilledjfk.net/altgens.htm</a>). I believe this picture is a “smoking gun” that proves Oswald was the “patsy” (as he claimed) or fall guy for the assassins and was not even on the 6<sup>th</sup> floor of the TSBD.</p>
<p>In fact, District Attorney Jim Garrison believed it was likely Oswald standing in the doorway watching the parade. In a October 1967 <em>Playboy</em> interview, he stated: “The Altgens photograph indicates the very real possibility that at the moment Oswald was supposed to have been crouching in the sixth-floor window of the Depository shooting Kennedy, he may actually have been standing outside the front door watching the Presidential motorcade.” <a href="http://www.jfklancer.com/Garrison3.html">http://www.jfklancer.com/Garrison3.html</a></p>
<p>Over the years various assassination camps have developed their own theories focusing on, among other theories: (1) a Mafia hit, (2) a Texas high roller hit orchestrated by LBJ as Vice President, (3) a French Corsican mob heroin connection, (4) a CIA-Cuban connection, and (5) a CIA-military-industrial conspiracy in collusion with the mob. Of course, only a collusion of all of the above would explain the elaborately orchestrated cover-up that followed the assassination, including the autopsy room full of military brass, the doctoring of the head x-ray photographs, the sham called the Warren Commission, the purchase of the Zapruder film by <em>Time Life</em>, and the long-standing major media cover-up that continues to this day.</p>
<p>Of course, CIA hired guns like plagiarist and shill, Gerald Posner, still periodically need to peddle the ridiculous government line in books like the 1993 book, <em>Case Closed.</em> Notwithstanding these lies, according to a large majority of U.S. and world citizens the case is not closed. Ludicrously, Posner found his ‘evidence’ to back up the Warren Report even after the CIA provided open access to the files of heavyweight critic of the Warren Report, the late Harold Weisberg. Weisberg was pissed off, to say the least, that he opened all of his files to Posner and Posner came out with this sham of a book, which has been torn to shreds over the years by Kennedy researchers, and Posner has been recently caught again doing the sloppy work of a plagiarist.</p>
<p>We also now have the official government anti-conspiracy website “Conspiracy Theories and Misinformation” (<a href="http://www.america.gov/conspiracy_theories.html">http://www.america.gov/conspiracy_theories.html</a>), where you can find the ‘real’ stories behind suspicious events to put your mind at ease. The fact that this website exists shows how bothered the government is by conspiracy theories. The website includes a small section on the JFK lone nut theory, which states, in total (this is not a summary): “Perhaps more conspiracy theories surround Lee Harvey Oswald, who assassinated President John Kennedy in 1963, than anyone in American history. The Soviet KGB, Cuba, the mafia, the CIA, and others have been blamed for killing Kennedy, but all evidence indicates that Oswald acted alone.” The statement then links to a blog page by Todd Leventhal, the Obama administration’s anti-conspiracy czar, who states that Vincent Bugliosi’s latest book, <em>Reclaiming History</em>, has pretty much closed the case and clinched the lone nut argument, yet again!: <a href="http://blogs.america.gov/rumors/2009/07/21/lee-harvey-oswald-lone-assassin">http://blogs.america.gov/rumors/2009/07/21/lee-harvey-oswald-lone-assassin</a>.</p>
<p>When will these people quit‌ Answer: they won’t. That’s why the job of the conspiracy theorist is never ending!</p>
<p><strong>Al:</strong> I think Joan’s answer pretty much covers it. I would only add this comment, for the JFK skeptics out there: In the 1970s, the House Select Committee on Assassinations concluded that JFK was “likely” killed as the result of a conspiracy. Would you consider the U.S. House of Representatives a bunch of conspiracy nuts‌ Also, even if 99% of the claims conspiracy theorists make about the Kennedy assassination are completely false, you would still have 1%, which means there was some sort of conspiracy.</p>
<p><strong>John</strong>: Is there any correlation between the John Kennedy assassination and the assassination of Robert Kennedy?</p>
<p><strong>Al: </strong>There is correlation in that “official” stories of both assassinations are full of holes, literally too many (bullet) holes in the case of RFK. Both official narratives claim the great man was killed by a lone, deranged, assassin. In actuality, both Lee Harvey Oswald and Sirhan Sirhan were just one piece of a larger conspiracy, though they may not have been aware of the larger plot. I suspect that poor Sirhan was never “in the loop.” On the other hand, Oswald must have had at least a compartmentalized knowledge of the conspiracy since he yelled, “I’m just a patsy!” in one of his brief public appearances while in custody.</p>
<p>Also, the assassinations share some possible culprits, including the CIA and organized crime. In fact, Sirhan Sirhan’s defense attorney had just finished representing one of the CIA’s main organized crime contacts, Johnny Roselli, prior to representing Sirhan. This might explain why he didn’t get a particularly vigorous defense. Roselli, by the way, was killed in 1976, before he could testify before the House Select Committee on Assassinations.</p>
<p><strong>John</strong>: Can we now speak about MKULTRA and brainwashing. Could you explain what MKULTRA was?</p>
<p><strong>Joan:</strong> Sure. In collusion with Nazis brought into the U.S. by the intelligence apparatus after World War II, the CIA MK-ULTRA mind control program was responsible for the development of what was called, after the Monarch butterfly, “Monarch” trauma-based conditioning. MK-ULTRA is now known to have involved over 40 colleges and universities in the U.S. and Canada, and many other types of institutions, think tanks and civilian agencies from the 1950s to the 1970s. In fact, the CIA has settled lawsuits with many victims in Canada and the U.S., so this program was definitely real.</p>
<p>In the mind control literature, reference to a Manchurian Candidate (from the film starring Frank Sinatra), now refers to a person with psychiatrically created Multiple Personality Disorder (MPD), or the preferred term nowadays, Dissociative Identity Disorder (DID). The person displays multiple distinct identities known as “alters,” with deep memory loss of the other identities. The ability to create DID was first discovered when American POWs returned from Korea “brainwashed” by the Chinese to accept Communist allegiance.</p>
<p>Monarch programming creates DID by inducing excruciating trauma, which causes the mind to “dissociate” or fracture. From birth, children born into sacrificial cults are tortured and maimed by their own sadistic guardians in order to cause this fracturing of the personality. According to both first person and &#8220;fictionalized&#8221; reports, the child’s “handler” creates several layers of alter personalities with various pseudonyms, some of whom will be called upon to handle the pain, and others who will be called upon to perform various deep cover activities, which include reportedly, as government spies, assassins, drug runners, hypnotic couriers, human recorders, and sex slaves. The “alters” are called upon without the awareness of the primary personality; the layered effect induced by drugs and trauma essentially creates a condition of amnesia in the primary personality.</p>
<p>The link that modernizes ancient bloodline cults is the now well-documented MK-ULTRA program. Incidentally, a few of these spychiatrists have actually been identified as Dr. Green: the notorious Nazi Josef Mengele; Dr. White: Scottish mind control programmer Ewen Cameron; and Dr. Black: Monarch survivor Cisco Wheeler’s father. For those interested in more information on the subject, <em>PARANOIA</em> has published several articles and interviews by Canadian cult survivor, Beth Goobie, including “The Network of Stolen Consciousness” (<a href="http://www.paranoiamagazine.com/network.html">http://www.paranoiamagazine.com/network.html</a>), and “The Choosing Ones” (<a href="http://www.paranoiamagazine.com/choosingones.html">http://www.paranoiamagazine.com/choosingones.html</a>). Beth was brought up in a cult she has referred to as “The Kin” (but this was not their real name) in a town just south of Toronto called Guelph. She’s known for her extraordinary ability to recall and describe the specific occult methods used by her programmers. Another extraordinary resource is the S.M.A.R.T. newsletter (Stop Mind Control and Ritual Abuse Today) (<a href="http://ritualabuse.us">http://ritualabuse.us</a>).</p>
<p><strong>John</strong>: Is there any correlation between the Manson Murders and the murders of the Zodiac Killer?</p>
<p><strong>Al</strong>: That is one of many theories about the unsolved Zodiac killings. There is a bit of circumstantial evidence for this theory: The killings occurred in the same general location and time period, and in both cases the killer(s) left messages at the crime scenes. In 1988, the deputy district attorney in Solano county at the time of the murders, Frank Fowles, told author Ed Sanders (<em>The Family</em>) that he suspected the Manson and the Zodiac murders were connected, possibly through mutual connections to a Bay Area satanic society. However, as far as I am aware, no hard evidence has ever emerged to prove this suspected connection.</p>
<p>We published an interesting article by Curt Rowlett about the Zodiac killer back in Issue 43 of PARANOIA, which is still available for purchase on our website (<a href="http://paranoiamagazine.com/backissues.html">http://paranoiamagazine.com/backissues.html</a>). For your readers who may not be familiar with the case, the Zodiac killings began in the mid-1960s in the San Francisco Bay Area. The killer sent dozens of taunting letters to police and the media. What’s particularly fascinating is that his letters contained coded “ciphers,” some of which have remained unsolved. Zodiac himself claimed that in one of his coded letters, he actually identified himself by name.</p>
<p>Another strange aspect to the case is the killer’s chosen garb. According to the only known person to survive a Zodiac attack, he wore a long rectangular black hood featuring a white “cross-within-a-circle” symbol. According to footprints left at the scene, he was wearing a kind of shoe issued to members of the U.S. military. Rowlett aptly describes this guy as “a creepy combination of maniacal mathematician and avant-garde artist.”</p>
<p>Officially, the Zodiac killer killed at least five people. (The killer claimed a total of 37 victims in one of his correspondence.) What makes this case particularly frightening is that in one of his last verified letters, he said he was going to begin disguising his murders as ordinary deaths. True or false, the statement established a kind of permanent, low-level state of paranoia in the San Francisco area. Which, I believe, was his intent.</p>
<p><strong>John: Was, or is David Kaczynski connected to the Zodiac Murders‌</strong><br />
<strong> </strong><br />
<strong>Al: </strong>No. Kaczynski has been cleared of any involvement by the FBI and the San Francisco Police Department, based upon fingerprint and handwriting comparisons, and the fact that David Kaczynski is known to have been outside of California on the dates of most of the Zodiac killings.</p>
<p><strong>John:</strong> <strong>Have you ever chosen not to cover a particular story in Paranoia Magazine‌</strong><br />
<strong> </strong><br />
<strong>Joan:</strong> Yes, absolutely. If it’s poorly written or poorly argued, or if we don’t consider it in the vein of conspiracy research. In other words, if it’s just a rant, although in the early days we did have a “Rants!” section!</p>
<p>That being said, we’ve never felt it&#8217;s our job to distinguish between legitimacy and lunacy. The work must be well-written, contain sources and references, and be &#8220;internally consistent.&#8221; It doesn&#8217;t necessarily have to &#8220;match&#8221; any template external to it, although sometimes it does. It depends on the researcher. Much of the work in the magazine does include mainstream sources, but other times the sources for a particular research article might be other conspiracy related works. In this sense, it doesn’t have to match the looking glass world, the “normal” world to us kooks. We don&#8217;t have a problem with a really weird conspiracy theory that most people would disbelieve, mainly because it&#8217;s not our job to evaluate theories according to our own private worldview. How could we publish a magazine like <em>PARANOIA</em> if every article had to match our own particular beliefs‌ That would be a personal zine, or worse, it would be boring, wouldn&#8217;t it‌</p>
<p>If you mean have we ever chosen not to cover a story due to its content, yes, although I don’t think the reason would be the subject matter alone. I think that any subject matter is capable of being approached in an intelligent way without being hateful or racist. On the other hand, <em>PARANOIA </em>has<em> </em>published an article or two on very untouchable subjects like Holocaust Revisionism and the Protocols of Zion. <em>PARANOIA</em> is not straight media reporting, it’s really a niche conspiracy journal. And probably an important point too is that we have always rejected the political paths of “left” and “right.” Due to the misunderstanding of our open editorial policy there have been rumors of us being “right wing.” In fact, during the 1995 Oklahoma City bombing, the <em>Washington Post</em> lumped us with the “mid-west” militia groups, not checking the masthead that says we’re from liberal Rhode Island, or perhaps purposely planting that rumor. Rumors of us being “right wing” are unfounded, although we might have to admit to being “wing nuts.”</p>
<p><strong>Al: </strong>Our writers are passionate about their ideas, but they generally don&#8217;t fit the stereotype of the wild-eyed, rambling kook. That being said, the line between legitimacy and lunacy is a fuzzy one, and Joan and I do have some differing opinions about what constitutes loony. I think these differences are what make <em>PARANOIA</em> such an interesting read. Again, our editorial decisions come down to writing quality and internal consistency, as opposed to a fear that a particular topic is “too hot to handle.”</p>
<p><strong>John</strong>: Have you ever been threatened by a cult for divulging information about the cult?</p>
<p><strong>Joan:</strong> Well, not threatened, really. But we’ve received some unfriendly responses from cult-like groups over the years, including the Scientologists, the Church of the Subgenius, and The Family.</p>
<p>In one incident, after publication of two articles about Jack Parsons and L. Ron Hubbard’s Babalon Working Ritual (“Aleister Crowley, Midnight Messenger” by Mike Culkin, Issue 21, and “Science Fiction as Manipulation” by Robert Guffey, Issue 27), the Scientologist’s media relation’s office insisted we print a letter in our letters section (issue 28, still in print). The letter attached a retraction which explained that Hubbard went in to “save a woman” (Scarlet Woman and Great Whore, Marjorie Cameron) from the Satanists, which was the same old retraction they’d been sending out to every media outlet for thirty years.</p>
<p>In another memorable case, the Church of the Subgenius (a parody cult that actually has become a cult) warned <em>PARANOIA</em> not to publish Robert Guffey’s article (“Synchronistic Linguistics in The Matrix”, Issue 22, <a href="http://www.paranoiamagazine.com/matrix.html">http://www.paranoiamagazine.com/matrix.html</a>) about the Canadian Bob Dobbs because he had stolen the name of their cartoon leader. While not a threat, per se, they did warn that their attorneys would be contacting us. We ignored them, went on to publish several articles and interviews with the Canadian Bob Dobbs, both in print and on the internet, and no lawyer ever contacted us. (See also: “Finnegans Awake!<strong> </strong>Or Who is Driving our Luxury Vehicle‌” <a href="http://www.paranoiamagazine.com/bobdobbsawake.html">http://www.paranoiamagazine.com/bobdobbsawake.html</a>, also published in <em>PARANOIA</em> Issue 44 and “The Death of the Matrix”, <a href="http://www.paranoiamagazine.com/bobdobbs.html">http://www.paranoiamagazine.com/bobdobbs.html</a>).</p>
<p>In another cultish incident around 1994-1996, we had several responses to an article Al Hidell wrote on River Phoenix and the cult his family was involved in, known as The Family. The article (“Family Affair: The Cult that Haunted River Phoenix”, <em>PARANOIA</em> Issue 6, available in print) discussed the sexual promiscuity of the group, noting that River Phoenix had stated that he was forced to have sex with other children when he was under the age of ten. The article also speculated on the group’s intelligence ties, and was based on, among other sources, Alex Constantine’s <em>Hustler</em> article, “Family Ties.” Following this, we printed a rebuttal article by a member of The Family, Phil Edwards (“We Are Family: A River Rebuttal” in <em>PARANOIA</em> Issue 8, http://www.paranoiamagazine.com/PDFs/Para08.pdf ), which claimed the Christian missionary communal group was based in fifty countries, did not condone sex with children, and discounted any intelligence ties.</p>
<p>Issue 10 then featured a rebuttal to this official Family rebuttal (“Family Values”, http://www.paranoiamagazine.com/PDFs/Para10.pdf), by Alex Constantine, arguing that Argentine authorities had outlawed the group on charges that they had sex with children, prompting their change of name to “The Family,” after which Argentine authorities looked the other way and let them stay. I have provided the links to the sold out back issues containing these articles, since the subject matter is too deep to provide a full report here.</p>
<p>(You will note that there is a background watermark on these vintage <em>PARANOIA</em> PDFs. This watermark does not print out if you download the PDF. Issue 6 is not a posted vintage <em>PARANOIA</em> PDF because it is still in print and available for sale: h<a href="ttp://www.paranoiamagazine.com/backissues.html">ttp://www.paranoiamagazine.com/backissues.html</a>)</p>
<p><strong>Al:</strong> But the article was simply a matter of fairness and journalistic principles, not threats or intimidation. In that sense, The Family behaved no differently than, say, an oil industry association responding to coverage of the BP Gulf oil spill that they felt was slanted or inaccurate.</p>
<p><strong>John</strong>: Any stories about CIA connection to OTO‌</p>
<p><strong>Joan:</strong> I recently interviewed Craig Heimbichner, author of <em>Blood on the Altar: The Secret History of the World&#8217;s Most Dangerous Secret Society</em>, on that topic in our latest book, <em>PARANOIA The Conspiracy Reader</em>. Craig told me that one of the key OTO leaders, Marcelo Motta of Brazil, lost control of the rights of a branch of the OTO in the U.S. courts to its current leader, William Breeze. According to Heimbichner, the whole operation was a coup engineered by the CIA, and that “Motta apparently felt the powers didn’t see him as a ‘player’”. Heimbichner claims there’s much overlap between the Masonic Grand Lodge, the CIA and the OTO. He says the OTO is now a very litigious and lawyerly group, contrary to their freewheeling image, so we will just leave it at that!</p>
<p>* * * * *</p>
<p>Joan d’Arc and Al Hidell are the co-publishers of <em>PARANOIA</em> <em>The Conspiracy Reader</em>. They are currently at work on Volume 2 of the new book series, expected out in early 2011. You may purchase Volume 1 of the series via paypal at: <a href="http://www.paranoiamagazine.com">http://www.paranoiamagazine.com</a>/volume1.html). Or you may mail a check or money order for $17.00 to: POB 1041, Providence, RI 02901. You may also include a check for Volume 2 in the amount of $17. To get on the <em>PARANOIA</em> mailing list for post cards and updates, please send your name and address either to the POB above or to conspiracyreader@gmail.com. For all you paranoids out there, please note <em>PARANOIA</em> is not in the mailing list business, has never traded or sold its mailing list, and has always refused when asked.</p>
<p>See various interviews and information on <em>PARANOIA’s</em> new Paramedia page: <a href="http://www.paranoiamagazine.com/paramedia.html ">http://www.paranoiamagazine.com/paramedia.html </a>
</p>
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		<title>Wyoming politician shooting at Cap and Trade</title>
		<link>http://greylodge.org/gpc/?p=1864</link>
		<comments>http://greylodge.org/gpc/?p=1864#comments</comments>
		<pubDate>Sun, 11 Jul 2010 22:26:06 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Politics</category>
	<category>Anarchy</category>
	<category>Americana</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1864</guid>
		<description><![CDATA[http://www.youtube.com/watch?v=zm1yCTDuD4E
Wyoming politician Gerald Gay shooting at Cap and Trade with a big-ass gun.


Share This
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.youtube.com/watch?v=zm1yCTDuD4E">http://www.youtube.com/watch?v=zm1yCTDuD4E</a><br />
Wyoming politician Gerald Gay shooting at Cap and Trade with a big-ass gun.</p>
<p><a href="http://www.youtube.com/watch?v=zm1yCTDuD4E"><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/40/Smith-et-Wesson-modele-500-p1030121.jpg/300px-Smith-et-Wesson-modele-500-p1030121.jpg" /></a>
</p>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1863</link>
		<comments>http://greylodge.org/gpc/?p=1863#comments</comments>
		<pubDate>Fri, 09 Jul 2010 17:06:20 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1863</guid>
		<description><![CDATA[





The GSpot: Crowdsourcing

Joseph Matheny in conversation with John and Albion, representatives for “The Thirteen” from Project Restoration and Kelly Evans from Selfport






Raido Kaos Episode Ten

It was late by the time you left Esozone Stadium, and it was hard to see the stop sign you ran. Of course, there are two police cruisers right there at [...]]]></description>
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<table width="90%" cellspacing="5" cellpadding="5" border="0" align="left">
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<div><img width="151" height="185" align="left" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/07/the-gspot-crowdsourcing/">The GSpot: Crowdsourcing</a></h2>
</div>
<div><a href="http://jmatheny.wordpress.com/">Joseph Matheny</a> in conversation with John and Albion, representatives for “The Thirteen” from <a href="http://projectrestoration.com/">Project Restoration</a> and Kelly Evans from <a href="http://www.selfport.com/">Selfport</a></div>
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<div><img width="150" height="150" align="left" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/raidokaos1.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/07/raido-kaos-episode-ten/">Raido Kaos Episode Ten</a></h2>
</div>
<div>It was late by the time you left <a target="_blank" href="http://www.infictive.com/index.php?title=Esozone_Stadium">Esozone Stadium</a>, and it was hard to see the stop sign you ran. Of course, there are two police cruisers right there at the gas station, and of course you get pulled over. <a target="_blank" href="http://www.infictive.com/index.php?title=The_cop_lets_you_off_with_a_warning">The cop lets you off with a warning</a> though after seeing your skin color, because that’s how they roll. <a target="_blank" href="http://www.infictive.com/index.php?title=If_you_roll_over,_cover_your_self_in_blankets_and_try_to_get_back_to_sleep">If you roll over, cover your self in blankets and try to get back to sleep</a> then nothing can stop you. This is your soundtrack.</div>
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<div><strong>In the Hukilau Showroom</strong></div>
<div>
<h4><a href="http://hukilau.us/project-1.php"><span style="font-size: 18pt">Home Free</span></a></h4>
<div><a href="http://hukilau.us/project-1.php"><img width="120" height="90" align="left" style="border: 0pt none; float: left; margin: 5px" src="http://hukilau.us/Projects/Project-1/thumbnail.jpg" /></a>Life is good for Lando, an aspiring documentary filmmaker/producer. He’s about to make it in the film and TV biz. He’s even dating the daughter of a wealthy Hollywood producer. He’s hoping for a really cool gig. Something that involves the Hollywood fast life, cool movie studios, and catered lunches. But that’s not to be. His fiancé’s dad says Lando has to go to Bakersfield to film a documentary about a group of homeless who live in a riverside camp. It’s either do the dirty job on a shoestring budget or possibly lose his girl and the connection to her dad. Sucking up his pride, Lando realizes he could be doing something good for the homeless. He takes off for Bakersfield, not thinking he couldn’t be headed to a more screwed up place. An illegal homeless camp along the Kern River awaits Lando’s arrival. The river community is a collection of oddball swindlers, sex addicts, and diseased downtrodden. They’ll just about do or eat anything. When Lando arrives he recruits a homeless volunteer to work the second camera unit. Dave volunteers. He is insane, grimy. He’s been living in a tent for months, possibly years. Showers are a thing of the past. Lando had no choice but to pick Dave when he raises his hand. And so begins the two-camera units filming the camps various oddball characters.</div>
<div></div>
<div><strong><a href="http://hukilau.us/project-1.php">See it now</a></strong></div>
<div></div>
</div>
</td>
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<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1863&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1863" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>&#8220;I Own Me&#8221; (libertarian hip hop)</title>
		<link>http://greylodge.org/gpc/?p=1862</link>
		<comments>http://greylodge.org/gpc/?p=1862#comments</comments>
		<pubDate>Fri, 09 Jul 2010 07:01:50 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Culture Jamming</category>
	<category>Anarchy</category>
	<category>Hip Hop</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1862</guid>
		<description><![CDATA[
Neema Vedadi’s song “I Own Me.” It kicks ass.
Video on YouTube.
MP3 on iTunes
MP3 on Amazon



Here are the lyrics:Its gettin thicker than dreadlocks/
they  treat us like we&#8217;re dread scott/
don&#8217;t wanna see the feds pop/
or  be the one that they&#8217;d stopped/
or get in trouble cause I talked shit  to their mascot/
frickin&#8217; busybodies need to go and buy [...]]]></description>
			<content:encoded><![CDATA[<p><img height="164" width="132" class="alignnone size-full wp-image-2174" title="Neema" src="http://www.libertarianpunk.com/wp-content/uploads/2010/07/Neema.jpg" /></p>
<p>Neema Vedadi’s song “I Own Me.” It kicks ass.</p>
<p>Video on <a href="http://www.youtube.com/watch?v=eMAwb5hPyqM&#038;">YouTube</a>.</p>
<p>MP3 on <a href="http://ax.itunes.apple.com/us/album/i-own-me/id380436442">iTunes</a></p>
<p>MP3 on <a href="http://www.amazon.com/I-Own-Me-Explicit/dp/B003UNMFSE/www30dollarfi-20">Amazon</a><br />
<object height="385" width="640" /></p>
<param value="http://www.youtube.com/v/eMAwb5hPyqM&#038;hl=en_US&#038;fs=1" name="movie" />
<param value="true" name="allowFullScreen" />
<param value="always" name="allowscriptaccess" />Here are the lyrics:Its gettin thicker than dreadlocks/<br />
they  treat us like we&#8217;re dread scott/<br />
don&#8217;t wanna see the feds pop/<br />
or  be the one that they&#8217;d stopped/<br />
or get in trouble cause I talked shit  to their mascot/<br />
frickin&#8217; busybodies need to go and buy an ascot/<br />
tellin&#8217;  me you own me then makin sho&#8217; i&#8217;m taxed out/<br />
maxed out, deep  in-debted from the easy credit/<br />
that the fed imbedded then they  betted it all be copacetic/<br />
if they were the medic but forget it/<br />
the  people are gettin&#8217; pissed/<br />
blowin up like some unleaded/<br />
they  want control unfettered/<br />
but ya&#8217;ll know that smells fetid/<br />
like  the craphole that we&#8217;re headed/<br />
to if they don&#8217;t let me do me/<br />
and  you do you/<br />
and all the guns in the gunverment /<br />
won&#8217;t amount to a  twenty-two /<br />
if they keep on stompin&#8217; on amendment number two/<br />
and  we don&#8217;t even need you/<br />
take your welfare and your brainwashing  free-school/<br />
and ya&#8217;ll are so see through; easy to see you is evil/</p>
<p>chorus:<br />
Nobody  owns me/<br />
ya&#8217;ll haters don&#8217;t/<br />
I own me /<br />
so back the fuck off/<br />
(x  2)<br />
I make my own rules/<br />
take my own tools/<br />
you ain&#8217;t in my  shoes/<br />
no you ain&#8217;t get to choose/<br />
I ain&#8217;t pay you dues./<br />
I pay  &#8216;em for my self/<br />
don&#8217;t expect shit from me/<br />
and I ain&#8217;t need your  help/</p>
<p>and in case you didn&#8217;t know/<br />
this song is for the  parasites/<br />
the feeders that bleed us and treat us/<br />
like they&#8217;re  the hand and we&#8217;re the dice/<br />
no utopian paradise to be had from any  plan/<br />
the world&#8217;s too complex for any man to comprehend/<br />
all the  supply and again all the demand/<br />
when the few control the view/<br />
their  mistakes are multiplied /<br />
the decisions should be ours/<br />
like our  bodies. Let&#8217;s take back our lives/<br />
Only a slave if you submit/<br />
and  ya&#8217;ll know I got some fight!/<br />
and this ain&#8217;t racist /<br />
its for  blacks, whites and asians/<br />
middle eastern people, latinos/<br />
and  everyone who wants to be free, so/<br />
we&#8217;ll even let it slide if you&#8217;re  emo/<br />
I never signed no social contract/<br />
I&#8217;m about to have to repo/<br />
myself,  for my health/<br />
and my wealth/<br />
put your bills back on the shelf/<br />
capitol  hill can go to hell/<br />
we should put them punks in jail/<br />
we could  live our lives ourselves&#8230;./</p>
<p>chorus</p>
<p>So who&#8217;s to say  Barack Hussein/<br />
knows what&#8217;s best for me?/<br />
I knock the man and not  the name/<br />
cause in my family tree/<br />
could be husseins so I take  aim/<br />
at tyranny times three/<br />
branches that act just/<br />
like  geriatric babysitters/<br />
poonannies./<br />
but really you&#8217;ll get beat-up/<br />
if  you don&#8217;t follow their edicts/<br />
there&#8217;s a law against living /<br />
year  its worse than shariah./<br />
but where can I go if this/<br />
whole world  is socialist/<br />
though we know that it failed for the soviets./<br />
Its  1984 people please notice this./<br />
Fuck a tax feeder time to overthrow  them tics/<br />
its in the declaration Jefferson wrote the shit/<br />
So  choose to be a free man /<br />
governments we&#8217;re over it/<br />
governments  we&#8217;re over it!/
</p>
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		<title>63rd anniversary of the  Roswell UFO Incident</title>
		<link>http://greylodge.org/gpc/?p=1861</link>
		<comments>http://greylodge.org/gpc/?p=1861#comments</comments>
		<pubDate>Tue, 06 Jul 2010 15:12:12 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>UFO</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1861</guid>
		<description><![CDATA[UFO Crash At  Roswell:
An Audio Documentary
Narrated by Donald R.  Schmitt
Soundtrack by Illusion  of Safety

Hear the witnesses tell the story  of
the UFO crash at Roswell in their own voices!
DOWNLOAD 

Share This
]]></description>
			<content:encoded><![CDATA[<p><img width="196" height="194" align="left" src="http://www.greylodge.org/occultreview/glor_015/ROSWCOVER.jpg" />UFO Crash At  Roswell:<br />
An Audio Documentary</p>
<p align="left">Narrated by Donald R.  Schmitt</p>
<p align="left">Soundtrack by Illusion  of Safety</p>
<p align="center">
<p><span class="style57">Hear the witnesses tell the story  of<br />
the UFO crash at Roswell in their own voices!</span></p>
<p><strong><a href="http://www.greylodge.org/occultreview/glor_015/roswell.htm">DOWNLOAD </a></strong>
</p>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1861&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1861" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>This Week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1860</link>
		<comments>http://greylodge.org/gpc/?p=1860#comments</comments>
		<pubDate>Fri, 02 Jul 2010 15:16:38 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1860</guid>
		<description><![CDATA[





smallWorld: Sonic Cinema

Digital Audio Production is Sonic Cinema’s specialty. They create all  types of audio productions from original full-cast radio drama, to  audio commercials, corporate promotions, film soundscapes, voice-over  demos and film, sound tracks and audio books.






Cup of TNB: Zara Potts

Cup of TNB host Joseph  Matheny talks to author and TNB [...]]]></description>
			<content:encoded><![CDATA[<div>
<table width="90%" cellspacing="5" cellpadding="5" border="0" align="left">
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<div><img width="118" height="118" style="border: 0pt none; float: left; margin: 5px" src="http://t1.gstatic.com/images?q=tbn:3VOBNOqUxkxxvM:http://smallworldpodcast.com/images/smallworldpodcastlogo.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/07/smallworld-sonic-cinema/">smallWorld: Sonic Cinema</a></h2>
</div>
<div>Digital Audio Production is Sonic Cinema’s specialty. They create all  types of audio productions from original full-cast radio drama, to  audio commercials, corporate promotions, film soundscapes, voice-over  demos and film, sound tracks and audio books.</div>
</td>
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<div><img width="140" height="127" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/TNB.gif" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/07/cup-of-tnb-zara-potts/">Cup of TNB: Zara Potts</a></h2>
</div>
<div>Cup of TNB host <a href="http://www.thenervousbreakdown.com/author/jmatheny/">Joseph  Matheny</a> talks to author and TNB contributor <a href="http://www.thenervousbreakdown.com/author/zpotts/">Zara Potts</a>.</div>
<div><strong>Cup of TNB will be on summer hiatus until September 1, 2010.</strong></div>
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<div><img width="150" height="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/19nb_cautionarytale_thumb.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/19-nocturne-boulevard-cautionary-tale/">19 Nocturne Boulevard: Cautionary Tale</a></h2>
</div>
<div>A    universal fairy tale, not linked to any particular country or  culture,  but    showing the point of the old tales – to teach you to  watch out …for the real monsters.</div>
</td>
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<div><img width="150" height="185" style="border: 0pt none; float: left; margin: 5px" title="Weaponized 6: At Storytails" src="http://www.alterati.com/images/StoryTails.Cover150.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/weaponized-episode-6-at-storytails/">Weaponized Episode 6: At Storytails</a></h2>
</div>
<div>On 30th May 2010, John Harrigan made an appearance at <a target="_blank" href="http://www.storytails.org/">Storytails</a>, at the  Pangea Project in Stoke Newington. Extracts from his works “Dead  Language”, “The Book of Hate” &#038; “Cirxus” were read, and are  presented in this episode with sonic manipulations created from the  recordings.</div>
</td>
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		<title>A Great Threat Eliminated</title>
		<link>http://greylodge.org/gpc/?p=1859</link>
		<comments>http://greylodge.org/gpc/?p=1859#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:06:01 +0000</pubDate>
		<dc:creator>choronzon333</dc:creator>
		
	<category>Audio</category>
	<category>GPC</category>
	<category>E-Books</category>
	<category>Censorship</category>
	<category>Fear and Loathing on the Internet</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1859</guid>
		<description><![CDATA[
While our coastguard is busy keeping journalists and volunteers away from the Gulf coastline, fear not, the rest of our masters have been busy keeping us safe and prosperous. the list of agencies involved should come as no surprise in light of the MPAA study linking file sharing and terrorism. The collusion of media, corporations [...]]]></description>
			<content:encoded><![CDATA[<p><img style="width: 177px; height: 177px" src="http://alterati.com/images/ninjavideokr81.png" /></p>
<p>While our coastguard is busy keeping journalists and volunteers away from the Gulf coastline, fear not, the rest of our masters have been busy keeping us safe and prosperous. the list of agencies involved should come as no surprise in light of the <a target="_blank" href="http://www.wired.com/threatlevel/2009/03/hollywood-funde/">MPAA study linking file sharing and terrorism</a>. The <a target="_blank" href="http://www.salon.com/news/opinion/glenn_greenwald/2010/06/30/media/index.html">collusion of media, corporations and government</a> (the latter two need not be mentioned individually any more do they?) along with the <a target="_blank" href="http://www.salon.com/news/opinion/glenn_greenwald/2010/06/28/terrorism/index.html">malleable definitions</a> of <a target="_blank" href="http://roomfordebate.blogs.nytimes.com/2010/06/21/what-counts-as-abetting-terrorists/#cole">&#8220;terrorism&#8221;</a> and ever expanding powers will reach far beyond changing the online habits of people who want their big media indoctrination for free.</p>
<blockquote style="font-style: italic"><p>Federal authorities announced that they had seized domain names from nine websites engaged in the &#8220;criminal theft of American movies and television.&#8221; The websites include TVShack.net, PlanetMoviez.com, ThePirateCity.org and Ninjavideo.net. Combined, the sites drew 6.7 million visitors a month, authorities said.</p>
<p>Officials also seized assets from 15 bank, investment and advertising accounts and executed residential search warrants in North Carolina, New York, New Jersey and Washington, according to a statement from the U.S. Immigration and Customs Enforcement, which coordinated its investigation with the U.S. attorney for the Southern District of New York, the Department of Homeland Security and other agencies.</p></blockquote>
<p>The official statement can be seen parroted at <a target="_blank" href="http://www.latimes.com/business/la-fi-ct-piracy-20100701,0,2871905.story">LA Times</a> among other media outlets.</p>
<div class="entry"><img src="http://www.p2pnet.net/img/2010/20100701021134a.jpg" /></div>
<p><a title="The Ninjavideo Manifesto transcript PDF" href="http://alterati.com/upload/Manifesto-Black.pdf">The Ninjavideo Manifesto Transcript (pdf)</a></p>
<p>One wonders if it wouldn&#8217;t be more productive to let the big studios, record companies and broadcast and cable networks wall themselves in, leaving innovative modes of creation and distribution to independant creators.
</p>
<br/><a href="http://alterati.com/upload/THE_NINJAVIDEO_MANIFESTO.mp3">Download THe Ninjavideo Manifesto</a><br/><p class="akst_link"><a href="http://greylodge.org/gpc/?p=1859&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1859" class="akst_share_link" rel="nofollow">Share This</a>
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			<enclosure url="http://alterati.com/upload/THE_NINJAVIDEO_MANIFESTO.mp3" length="31111430" type="audio/mpeg"/>
<itunes:duration>21:34</itunes:duration>
		<itunes:subtitle>While our coastguard is busy keeping journalists and volunteers away from the Gulf coastline, fear not, the rest of our masters have been busy keeping ...</itunes:subtitle>
		<itunes:summary>While our coastguard is busy keeping journalists and volunteers away from the Gulf coastline, fear not, the rest of our masters have been busy keeping us safe and prosperous. the list of agencies involved should come as no surprise in light of the MPAA study linking file sharing and terrorism. The collusion of media, corporations and government (the latter two need not be mentioned individually any more do they?) along with the malleable definitions of "terrorism" and ever expanding powers will reach far beyond changing the online habits of people who want their big media indoctrination for free.
Federal authorities announced that they had seized domain names from nine websites engaged in the "criminal theft of American movies and television." The websites include TVShack.net, PlanetMoviez.com, ThePirateCity.org and Ninjavideo.net. Combined, the sites drew 6.7 million visitors a month, authorities said.

Officials also seized assets from 15 bank, investment and advertising accounts and executed residential search warrants in North Carolina, New York, New Jersey and Washington, according to a statement from the U.S. Immigration and Customs Enforcement, which coordinated its investigation with the U.S. attorney for the Southern District of New York, the Department of Homeland Security and other agencies.
The official statement can be seen parroted at LA Times among other media outlets.

The Ninjavideo Manifesto Transcript (pdf)

One wonders if it wouldn't be more productive to let the big studios, record companies and broadcast and cable networks wall themselves in, leaving innovative modes of creation and distribution to independant creators.Download THe Ninjavideo ManifestoShare This
</itunes:summary>
		<itunes:keywords>Audio, GPC, E-Books, Censorship, Fear and Loathing on the Internet</itunes:keywords>
		<itunes:author>Greylodge Podcasting Company</itunes:author>
		<itunes:explicit>yes</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Legalize pot, porn, guns, gambling, homeschooling and dueling</title>
		<link>http://greylodge.org/gpc/?p=1858</link>
		<comments>http://greylodge.org/gpc/?p=1858#comments</comments>
		<pubDate>Tue, 29 Jun 2010 00:25:01 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Politics</category>
	<category>Anarchy</category>
	<category>Sex</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1858</guid>
		<description><![CDATA[Interview with Wyoming state senator, Cale Case



Cale Case (Republican) – Wyoming state senator, co-sponsor of the   Wyoming Firearms Freedom Act, Hotelier, libertarian, Republican Liberty   Caucus member, sometimes called “The Ron Paul of Wyoming”, comes over  to  Michael W. Dean’s house and yacks freely about how a Constitutional   [...]]]></description>
			<content:encoded><![CDATA[<h2><a title="Permanent Link to Interview with Wyoming state  senator, Cale Case" rel="bookmark" href="http://www.libertarianpunk.com/2010/06/interview-with-wyoming-state-senator-cale-case/">Interview with Wyoming state senator, Cale Case</a></h2>
<p><small><!-- by MichaelWDean --></small></p>
<div class="entry"><a href="http://www.nestlandia.com/wp-content/uploads/2010/06/calecase-004.jpg"><img height="300" width="225" title="calecase-004" src="http://www.nestlandia.com/wp-content/uploads/2010/06/calecase-004-225x300.jpg" /></a></p>
<p><a href="http://www.nestlandia.com/wp-content/uploads/2010/06/calecase-001.jpg"><img height="300" width="225" title="calecase-001" src="http://www.nestlandia.com/wp-content/uploads/2010/06/calecase-001-225x300.jpg" /></a></p>
<p>Cale Case (Republican) – Wyoming state senator, co-sponsor of the   Wyoming Firearms Freedom Act, Hotelier, libertarian, Republican Liberty   Caucus member, sometimes called “The Ron Paul of Wyoming”, comes over  to  Michael W. Dean’s house and yacks freely about how a Constitutional   Convention can save America. They also yack about Molon Labe, the   economy, homeschooling,  guns, cats, pot, porn, dueling, the wind tax,   the role of government, Ron Micheli, Matt Mead, Rita Meyer, Gerald Gay,   Free State Wyoming and Free State Project New Hampshire, how wonderful   Wyoming is, and how to be hopeful, not fearful, in the coming years in   America.</p>
<p>From <a href="http://www.nestlandia.com/">Radio Free Nestlandia</a>  podcast.</p>
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<p><a target="new" href="http://www.nestlandia.com/podpress_trac/web/348/0/RFN-0043.mp3"><img border="0" align="top" alt="icon for podpress" src="http://www.nestlandia.com/wp-content/plugins/podpress/images/audio_mp3_button.png" /></a> | <a target="new" href="http://www.nestlandia.com/podpress_trac/web/348/0/RFN-0043.mp3">Download</a>﻿</div>
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		</item>
		<item>
		<title>A torrent collection for you dancing and dining pleasure&#8230;</title>
		<link>http://greylodge.org/gpc/?p=1857</link>
		<comments>http://greylodge.org/gpc/?p=1857#comments</comments>
		<pubDate>Fri, 25 Jun 2010 20:55:56 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Link Dump</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1857</guid>
		<description><![CDATA[
Baldwin - Wild Gunman
info - http://www.imdb.com/title/tt1278157/
torrent - http://www.greylodge.org/tracker/gettorrent.php?info_hash=069447d8c5bc45a46dde1e99b242ce6da8ce6acd
Negativland - Our Favorite Things (+extras) 
info - http://www.othercinemadvd.com/neg.html

torrent - http://www.greylodge.org/tracker/gettorrent.php?info_hash=57f181a1ca3d80a98d47cd51eba9aa460bb1c6ab
Rage
info - http://www.imdb.com/title/tt0287644/
torrent - http://www.greylodge.org/tracker/gettorrent.php?info_hash=cd0239fa3df397c1dc83e70c60e70a1937bdc5eb
Dogs in Space
info - http://www.imdb.com/title/tt0092904/
torrent - http://www.greylodge.org/tracker/gettorrent.php?info_hash=e86988a10b69829d59132f05c65b6295315eb20e

Share This
]]></description>
			<content:encoded><![CDATA[<div style="text-align: center"><img src="http://t1.gstatic.com/images?q=tbn:k4wVbYcFzFHMtM:http://www.greylodge.org/gpc/images/alien.jpg" /></div>
<p><strong>Baldwin - Wild Gunman</strong><br />
<strong>info - </strong><a href="http://www.imdb.com/title/tt1278157/">http://www.imdb.com/title/tt1278157/</a></p>
<p><strong>torrent -</strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=069447d8c5bc45a46dde1e99b242ce6da8ce6acd"> http://www.greylodge.org/tracker/gettorrent.php?info_hash=069447d8c5bc45a46dde1e99b242ce6da8ce6acd</a></p>
<p><strong>Negativland - Our Favorite Things (+extras) </strong></p>
<p><strong>info -</strong><a href="http://www.othercinemadvd.com/neg.html"> http://www.othercinemadvd.com/neg.html</a><strong><br />
</strong></p>
<p><strong>torrent -</strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=57f181a1ca3d80a98d47cd51eba9aa460bb1c6ab"> http://www.greylodge.org/tracker/gettorrent.php?info_hash=57f181a1ca3d80a98d47cd51eba9aa460bb1c6ab</a></p>
<p><strong>Rage</strong><br />
<strong>info -</strong><a href="http://www.imdb.com/title/tt0287644/"> http://www.imdb.com/title/tt0287644/</a></p>
<p><strong>torrent -</strong> <a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=cd0239fa3df397c1dc83e70c60e70a1937bdc5eb">http://www.greylodge.org/tracker/gettorrent.php?info_hash=cd0239fa3df397c1dc83e70c60e70a1937bdc5eb</a></p>
<p><strong>Dogs in Space</strong></p>
<p><strong>info -</strong> <a href="http://www.imdb.com/title/tt0092904/">http://www.imdb.com/title/tt0092904/</a></p>
<p><strong>torrent -</strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=e86988a10b69829d59132f05c65b6295315eb20e"> http://www.greylodge.org/tracker/gettorrent.php?info_hash=e86988a10b69829d59132f05c65b6295315eb20e</a>
</p>
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</p>]]></content:encoded>
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		</item>
		<item>
		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1856</link>
		<comments>http://greylodge.org/gpc/?p=1856#comments</comments>
		<pubDate>Fri, 25 Jun 2010 16:04:22 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1856</guid>
		<description><![CDATA[





The GSpot: Mark Mallman

Joseph Matheny in conversation with the diversely creative spirit, Mark Mallman.






19 Nocturne: A Stitch In Time

A poor but nerdy taxidermist is hired to mount the trophy of a lifetime.
“What kind of a place is it?
Why, it’s the street outside a taxidermist’s workshop, can’t you tell?”






NecroFUTURIST Salon #5

Welcome to the last Necrofuturist Transmission [...]]]></description>
			<content:encoded><![CDATA[<div>
<table cellspacing="5" cellpadding="5" border="0" align="left" width="90%">
<tr>
<td>
<div><img height="185" align="left" width="151" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/the-gspot-mark-mallman/">The GSpot: Mark Mallman</a></h2>
</div>
<div><a href="http://jmatheny.wordpress.com/">Joseph Matheny</a> in conversation with the diversely creative spirit, <a href="http://www.markmallman.com/">Mark Mallman.</a></div>
</td>
</tr>
<tr>
<td>
<div style="text-align: center"><img height="150" align="left" width="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/19nbstitch.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/19-nocturne-a-stitch-in-time-2/">19 Nocturne: A Stitch In Time</a></h2>
</div>
<div>A poor but nerdy taxidermist is hired to mount the trophy of a lifetime.</div>
<div>“What kind of a place is it?<br />
Why, it’s the street outside a taxidermist’s workshop, can’t you tell?”</div>
</td>
</tr>
<tr>
<td>
<div><img height="185" align="left" width="150" style="border: 0pt none; float: left; margin: 5px" title="Necrofuturist Salon" src="http://www.alterati.com/images/N_FSln.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/necrofuturist-salon-5/">NecroFUTURIST Salon #5</a></h2>
</div>
<div>Welcome to the last Necrofuturist Transmission of the lighter half of the year. You have come a long way, down dark tunnels past rows of sepulchres to this dimly lit chamber. The few pages of the book revealed opened up the subterranean landscape for you, the damp, steam and fog left above, beyond the light, below, the deeper crypts and catacombs.</div>
</td>
</tr>
<tr>
<td>
<div><img height="150" align="left" width="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/raidokaos1.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/raido-kaos-episode-nine/">Raido Kaos Episode Nine</a></h2>
</div>
<div>You know what’s about to come next, you can feel it. <a target="_blank" href="http://www.infictive.com/index.php?title=Ultrapronoiac_froth">Ultrapronoiac froth</a> flecks the edges of your nose and mouth. <a target="_blank" href="http://www.infictive.com/index.php?title=Grant_cash_runs_dry">Grant cash runs dry</a> and suddenly the whole theatrical performance has been put on hold. <a target="_blank" href="http://www.infictive.com/index.php?title=Apply_for_a_job_at_the_near_by_hospital">Apply for a job at the near by hospital</a> just to get by, to pay the bills, and nothing can stop you. This is your soundtrack.</div>
</td>
</tr>
</table>
</div>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1856&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1856" class="akst_share_link" rel="nofollow">Share This</a>
</p>]]></content:encoded>
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		</item>
		<item>
		<title>Shit-hits-the-fan camping land for sale, cheap</title>
		<link>http://greylodge.org/gpc/?p=1855</link>
		<comments>http://greylodge.org/gpc/?p=1855#comments</comments>
		<pubDate>Wed, 23 Jun 2010 19:50:39 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Anarchy</category>
	<category>Americana</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1855</guid>
		<description><![CDATA[
Dig it! Be prepared!!!!!
Ride out the Apocalypse in style! 
I own two parcels of land in Kenna, New Mexico (population 15). It’s  in Roosevelt County, and it’s literally in the middle of nowhere. Here  is a Google satellite view of the Kenna area. Here is the  Wikipedia article on Kenna. Here  [...]]]></description>
			<content:encoded><![CDATA[<p><img style="width: 311px; height: 233px" src="http://www.hitsofacid.com/KennaPix/IMG_5644.jpg" /></p>
<p>Dig it! Be prepared!!!!!<br />
<span style="font-weight: bold">Ride out the Apocalypse in style! </span><br />
I own two parcels of land in Kenna, New Mexico (population 15). It’s  in Roosevelt County, and it’s literally in the middle of nowhere. <a href="http://maps.google.com/maps?f=q&#038;source=s_q&#038;hl=en&#038;geocode=&#038;q=kenna,+nm&#038;sll=42.841517,-106.292917&#038;sspn=0.012603,0.033023&#038;ie=UTF8&#038;hq=&#038;hnear=Kenna,+Roosevelt,+New+Mexico&#038;ll=33.842315,-103.771899&#038;spn=0.014276,0.033023&#038;t=h&#038;z=16">Here  </a>is a Google satellite view of the Kenna area. <a href="http://en.wikipedia.org/wiki/Kenna%2C_New_Mexico">Here </a>is the  Wikipedia article on Kenna. <a href="http://www.stinkfight.com/2007/10/20/my-rattlesnake-land/">Here</a>  is an article with the very interesting history on how I came to own  the land.</p>
<p>The photos above and below are of the town, not of the land. I’ve  never been to Kenna or seen the land. But I own it, and will probably  never use it, and am tired of paying the eight dollars a year in  property tax, and would love to sell it and buy more guns. (I gots me a  hankering for some AK-47s, actually!)</p>
<p>The land is two parcels, each is 1/6 of an acre, which is enough to camp on. You can go there when the Schumer hits the fan! I’m selling both parcels as a unit for $750.<br />
The land is property number 1 000 010 004 285 00 – lots 9 and 11 of  block 81 in Kenna, New Mexico. It’s a matter of public record that I own  them, and this can be confirmed by phone with the county clerk at the  courthouse in Portales, NM.</p>
<p>– Michael W. Dean</p>
<p><a href="mailto:rightarmofwyoming@gmail.com">e-mail </a>to buy.</p>
<p>Photos of Kenna, New Mexico taken by John Murphey, and scans of a few   of the  John Eddy papers.</p>
<p><img style="width: 304px; height: 227px" src="http://www.hitsofacid.com/KennaPix/P1010108.jpg" /></p>
<p><img style="width: 286px; height: 214px" src="http://www.hitsofacid.com/KennaPix/Midway%20Service%20General%20Setting.jpg" /></p>
<p><img style="width: 300px; height: 225px" src="http://www.hitsofacid.com/KennaPix/Midway%20Service%20Rear%20Setting.jpg" />
</p>
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		</item>
		<item>
		<title>Download every Michael W. Dean song EVER recorded - free</title>
		<link>http://greylodge.org/gpc/?p=1854</link>
		<comments>http://greylodge.org/gpc/?p=1854#comments</comments>
		<pubDate>Tue, 22 Jun 2010 17:51:35 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Music</category>
	<category>Punk</category>
	<category>Radio</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1854</guid>
		<description><![CDATA[


Nearly a gigabyte of sonic Michael Dean  loveliness&#8230;.125 songs, high-quality MP3s, FREE. Every song ever  recorded by Bomb, Baby Opaque, The Beef People, Right Arm of Wyoming,  The Rolling Scabs, Slish, and a few other cool surprises.
Two archives, right click to save:
Part  one, 521-meg zip
Part  two, 436-meg zip
Tell two friends, [...]]]></description>
			<content:encoded><![CDATA[<div>
<div><a href="http://upload.wikimedia.org/wikipedia/commons/9/9f/RightArmOfWyomingMichaelWDean-promo1-web.jpg"><img height="258" width="194" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/9f/RightArmOfWyomingMichaelWDean-promo1-web.jpg/220px-RightArmOfWyomingMichaelWDean-promo1-web.jpg" /></a></div>
</div>
<p>Nearly a gigabyte of sonic <a href="http://en.wikipedia.org/wiki/Michael_W._Dean">Michael Dean</a>  loveliness&#8230;.125 songs, high-quality MP3s, FREE. Every song ever  recorded by Bomb, Baby Opaque, The Beef People, Right Arm of Wyoming,  The Rolling Scabs, Slish, and a few other cool surprises.</p>
<p>Two archives, right click to save:</p>
<p><a href="http://www.rightarmofwyoming.com/zip/125MWD-songs-part1of2.zip">Part  one, 521-meg zip</a><br />
<a href="http://www.rightarmofwyoming.com/zip/125MWD-songs-part2of2.zip">Part  two, 436-meg zip</a><br />
Tell two friends, and they&#8217;ll tell two friends, and they&#8217;ll tell two  friends&#8230;..</p>
<p><span style="font-size: x-small"><img height="110" width="200" src="http://www.rightarmofwyoming.com/littleAPlogo.jpg" /></span></p>
<p><strong><img height="174" width="280" src="http://www.rightarmofwyoming.com/Cussin-small-jpb.jpg" /></strong></p>
<p><a target="_blank" href="http://greylodge.org/2010/01/free-feisty-libertarian-punk-rock-mp3s-for-our-readers/"><img border="1" src="http://www.rightarmofwyoming.com/front.jpg" /></a><br />
<span style="font-size: xx-large"><a href="http://hitsofacid.com/HOA/HOA.htm"><img height="209" width="200" border="2" src="http://hitsofacid.com/hitsSmall.jpg" /></a></span></p>
<p><span style="font-family: Arial,Helvetica,sans-serif"><img height="255" width="282" src="http://babyopaque.com/fugueWEB.jpg" /></span></p>
<p><span style="font-family: Arial,Helvetica,sans-serif"><img height="249" width="253" alt="front" src="http://rollingscabs.com/rolling_scabs_1.jpg" /></span>
</p>
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		</item>
		<item>
		<title>Congressman Assaults Student on Washington D.C. Sidewalk</title>
		<link>http://greylodge.org/gpc/?p=1853</link>
		<comments>http://greylodge.org/gpc/?p=1853#comments</comments>
		<pubDate>Mon, 14 Jun 2010 14:12:30 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1853</guid>
		<description><![CDATA[Congressman Assaults Student on Washington Sidewalk
Congressman Bob Etheridge at his finest:
http://www.youtube.com/watch?v=v60oNUoHBYM
This is the new face of government&#8217;s strong arm tactics. LITERALLY.





Share This
]]></description>
			<content:encoded><![CDATA[<div>Congressman Assaults Student on Washington Sidewalk</div>
<div>Congressman Bob Etheridge at his finest:</div>
<div><a href="http://www.youtube.com/watch?v=v60oNUoHBYM">http://www.youtube.com/watch?v=v60oNUoHBYM</a></div>
<div>This is the new face of government&#8217;s strong arm tactics. LITERALLY.</div>
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</p>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1852</link>
		<comments>http://greylodge.org/gpc/?p=1852#comments</comments>
		<pubDate>Fri, 11 Jun 2010 18:08:54 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1852</guid>
		<description><![CDATA[





The GSpot: James Curcio talks to Clark Williams

Special guest host James Curcio talks to Clark Williams about  everything from tabla to tantra and all points in between.







Cassette Culture Vacation Style

Who  shall know the mystery of leisure time? for It is the mask and will of  Those that were when time was not. [...]]]></description>
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<table width="90%" cellspacing="5" cellpadding="5" border="0" align="center">
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<div><img width="151" height="185" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/the-gspot-special-guest-host-james-curcio-talks-to-clark-williams/">The GSpot: James Curcio talks to Clark Williams</a></h2>
</div>
<div>Special guest host <a href="http://www.jamescurcio.com/">James Curcio </a>talks to<a href="http://www.jamescurcio.com/"> Clark Williams </a>about  everything from tabla to tantra and all points in between.<a href="http://www.jamescurcio.com/"><br />
</a></div>
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<div><img width="150" height="150" style="border: 0pt none; float: left; margin: 5px" title="Cassette Culture" src="http://choronzon333.podomatic.com/mymedia/thumb/36810/460%3E_2644876.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/cassette-culture-vacation-style/">Cassette Culture Vacation Style</a></h2>
</div>
<div>Who  shall know the mystery of leisure time? for It is the mask and will of  Those that were when time was not. TheeBradMiller is the priest of the  Ether, the Dweller in Air and hath many faces that none shall recall. In  men’s dreams He whispers, yet who knoweth His form?</div>
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<div><img width="150" height="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/raidokaos1.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/raido-kaos-episode-eight/">Raido Kaos Episode Eight</a></h2>
</div>
<div><a target="_blank" href="http://www.infictive.com/index.php?title=If_you_check_out_the_bedroom">If you check out the bedroom</a> you’ll probably get  sucked into some sort of depressing spiral of meaningless noise.  <a target="_blank" href="http://www.infictive.com/index.php?title=An_hour_passes_and_your_still_here">An hour passes and you’re still here</a>, pondering  what you could have done differently.  These are the days you were  warned about when you were younger, but you’ll have to take what you can  get.  You are<a target="_blank" href="http://www.infictive.com/index.php?title=The_Hermit"> the Hermit</a> and nothing can stop you.  This is your  soundtrack.</div>
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		<title>smallWorld: Cory Doctorow &#038; Ian McDonald</title>
		<link>http://greylodge.org/gpc/?p=1851</link>
		<comments>http://greylodge.org/gpc/?p=1851#comments</comments>
		<pubDate>Sat, 05 Jun 2010 02:47:40 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1851</guid>
		<description><![CDATA[





smallWorld: Cory Doctorow &#038; Ian McDonald

Hey, everybody, I’ve got a great show for you today!






Cup of TNB: Steve Abee

Cup of TNB host Joseph Matheny talks to TNB contributor, poet and author Steve Abee .




19 Nocturne Boulevard: Dis Belief
In pre-WWII Argentina, writer Jorge and his literary circle witness firsthand the power of belief. (Adapted by Julie [...]]]></description>
			<content:encoded><![CDATA[<div>
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<div><img width="118" height="118" style="border: 0pt none; float: left; margin: 5px" src="http://t1.gstatic.com/images?q=tbn:3VOBNOqUxkxxvM:http://smallworldpodcast.com/images/smallworldpodcastlogo.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/smallworld-cory-doctorow-ian-mcdonald/">smallWorld: Cory Doctorow &#038; Ian McDonald</a></h2>
</div>
<div>Hey, everybody, I’ve got a <em>great</em> show for you today!</div>
</td>
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<div><img width="140" height="127" align="left" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/TNB.gif" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/cup-of-tnb-steve-abee/">Cup of TNB: Steve Abee</a></h2>
</div>
<div>Cup of TNB host <a href="http://www.thenervousbreakdown.com/author/jmatheny/">Joseph Matheny</a> talks to TNB contributor, poet and author <a href="http://www.thenervousbreakdown.com/author/sabee/">Steve Abee</a> .</div>
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<td><img width="150" height="150" align="left" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/19nb_disbelief_dark_thumb.jpg" /></p>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/19-nocturne-boulevard-dis-belief/">19 Nocturne Boulevard: Dis Belief</a></h2>
<p>In pre-WWII Argentina, writer Jorge and his literary circle witness firsthand the power of belief. (Adapted by Julie Hoverson from the story “Tlon, Uqbar, Orbis Tertius” by Jorge Luis Borges, with permission from <a href="http://www.ndpublishing.com/">New Directions Publishing Corp.</a>, who have rights in the translation by James E. Irby).</td>
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<div style="text-align: center"><img width="150" height="185" align="left" style="border: 0pt none; float: left; margin: 5px" title="Weaponized Episode 4: Music of the Earth" src="http://www.alterati.com/images/Music2.Cover150.jpg" /></div>
<div style="text-align: left">
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/06/weaponized-episode-5-music-for-the-worlds-dying-light/">Weaponized Episode 5: Music for the World’s Dying Light</a></h2>
</div>
<div>The rusty gears click and grind as time winds down. The forest dissolves around you as the rain burns your skin. The ground beneath heaves a sigh and buckles like a collapsing bridge. The city below glows brighter as silence falls. All you can think of is how beautiful this transformation is.</div>
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<div><strong><a href="http://originalfalcon.com/cd-wilson_lost_studio.php"><img width="150" height="232" align="left" style="border: 0pt none; float: left; margin: 5px" src="http://originalfalcon.com/covers/cd-wilson_lost_studio-l.jpg" />Robert Anton Wilson: The Lost Studio Session</a></strong><br />
By <a href="http://originalfalcon.com/authors.php?lookup=robert_anton_wilson">Robert Anton Wilson</a><br />
and <a href="http://originalfalcon.com/authors.php?lookup=joseph_matheny">Joseph Matheny</a></div>
<div></div>
<div>First recorded in Chicago in 1994, this previously unreleased audio session with the renowned Robert Anton Wilson has been stored away for fifteen years…and almost lost entirely. If Bob knew how many synchronicities surround the rediscovery and release of this “lost” studio session, he would be chuckling in that half jolly, half mischievous way of his. If you believe in any kind of afterlife, maybe you can imagine him laughing right now. I like that image: Bob the laughing Buddha, still having one over on us from the great beyond. -Joseph Matheny (<a href="http://www.realitysandwich.com/sites/realitysandwich.civicactions.net/files/RAW%20Lost%20Session%20Liner%20Notes.pdf">from the liner notes</a>)</div>
<div><a href="http://www.dangerousminds.net/index.php/site/comments/robert_anton_wilson_new_media/">Description and review on Dangerous Minds</a></div>
<div></div>
<div>For all you remixers out there: The RAW track “Namu Amida Buddha” is licensed to allow remixes, distribution, etc: <a href="http://tinyurl.com/2zpg8y">http://tinyurl.com/2zpg8y</a>. You may download this track below.</div>
<div></div>
<div>Complete album currently available for digital download from <a target="itunes_store" href="http://itunes.apple.com/us/album/partnership-for-brain-free/id352096596?i=352096821&#038;uo=6">iTunes here</a>, <a href="http://www.amazon.com/Robert-Anton-Wilson-Studio-Session/dp/B0035TR4QQ/ref=sr_1_cc_2?ie=UTF8&#038;qid=1264529523&#038;sr=1-2-catcorr">from Amazon here</a>, <a href="http://home.napster.com/ns/music/artist.html?artist_id=12998032">Napster here</a> and <a href="http://www.emusic.com/album/Robert-Anton-Wilson-Robert-Anton-Wilson-The-Lost-Studio-Session-MP3-Download/11792969.html">eMusic here</a>.</div>
<div></div>
<div><a href="http://www.realitysandwich.com/sites/realitysandwich.civicactions.net/files/RAW%20Lost%20Session%20Liner%20Notes.pdf">The “Lost Studio Session” liner notes</a></div>
<div><a href="http://www.realitysandwich.com/sites/realitysandwich.civicactions.net/files/TAZ%20Liner%20Notes.pdf">T.A.Z. liner notes</a></div>
<div><a href="http://www.realitysandwich.com/node/37935">Sample 5 minutes of “I” in the Triangle at RealitySandwich</a></div>
<div><a href="http://originalfalcon.com/cd-wilson_lost_studio.php">CDs and DVDs Available from Original Falcon</a> or <a href="http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&#038;field-keywords=Joseph+Matheny+Robert+Anton+Wilson&#038;x=0&#038;y=0">Amazon</a></div>
<div></div>
<div><a target="new" href="http://www.alterati.com/gspot/Namu_Amida_Buddha.mp3"><img width="80" height="15" border="0" align="top" class="podPress_imgicon" alt="icon for podpress" src="http://www.alterati.com/blog/wp-content/plugins/podpress/images/audio_mp3_button.png" /></a>  Namu Amida Buddha: From Robert Anton Wilson: The Lost Studio Session [2:57m]: <a onclick="javascript: podPressShowHidePlayer('1','http://www.alterati.com/gspot/Namu_Amida_Buddha.mp3',300,30,'true'); return false;" href="http://www.alterati.com/blog/2010/01/robert-anton-wilson-the-lost-studio-session-and-other-remasters/"><span id="podPressPlayerSpace_1_PlayLink"> </span></a> <a target="new" href="http://www.alterati.com/gspot/Namu_Amida_Buddha.mp3">Download</a><br />
<a target="new" href="http://www.realitysandwich.com/sites/realitysandwich.civicactions.net/files/RAW%20Lost%20Session%20Liner%20Notes.pdf"><img width="80" height="15" border="0" align="top" class="podPress_imgicon" alt="icon for podpress" src="http://www.alterati.com/blog/wp-content/plugins/podpress/images/ebook_pdf_button.png" /></a>  Robert Anton Wilson: The Lost Studio Session- Liner Notes: <a target="new" href="http://www.realitysandwich.com/sites/realitysandwich.civicactions.net/files/RAW%20Lost%20Session%20Liner%20Notes.pdf">Download</a><br />
<a target="new" href="http://www.realitysandwich.com/sites/realitysandwich.civicactions.net/files/TAZ%20Liner%20Notes.pdf"><img width="80" height="15" border="0" align="top" class="podPress_imgicon" alt="icon for podpress" src="http://www.alterati.com/blog/wp-content/plugins/podpress/images/ebook_pdf_button.png" /></a>  T.A.Z. - Liner Notes: <a target="new" href="http://www.realitysandwich.com/sites/realitysandwich.civicactions.net/files/TAZ%20Liner%20Notes.pdf">Download</a></div>
</td>
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</div>
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<enclosure url='http://www.alterati.com/gspot/Namu_Amida_Buddha.mp3' length='8381086' type='audio/mpeg'/>
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		<title>Halfmast</title>
		<link>http://greylodge.org/gpc/?p=1850</link>
		<comments>http://greylodge.org/gpc/?p=1850#comments</comments>
		<pubDate>Tue, 01 Jun 2010 22:11:37 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>halfcast</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1850</guid>
		<description><![CDATA[Hi,
Halfcast appears to be done for, well we might squeeze out a  few more episodes but it won&#8217;t be anytime soon. So, I thought I&#8217;d let  you know about a couple of projects I am working on
I have a  collection of my original music here
http://polsymtas.bandcamp.com/
I&#8217;m also writing a  screenplay, I decided [...]]]></description>
			<content:encoded><![CDATA[<p>Hi,</p>
<p>Halfcast appears to be done for, well we might squeeze out a  few more episodes but it won&#8217;t be anytime soon. So, I thought I&#8217;d let  you know about a couple of projects I am working on</p>
<p>I have a  collection of my original music here<br />
<a onclick="hushAppletFrame.message.openLink('http://polsymtas.bandcamp.com/');return  false;" target="_BLANK" href="https://mailserver1.hushmail.com/hushmail/showHelpFile.php?PHPSESSID=899DFA80F0B57ED19CE5CCFE023359FB&#038;file=popupHyperlinkHelp.html#http://polsymtas.bandcamp.com/">http://polsymtas.bandcamp.com/</a></p>
<p>I&#8217;m also writing a  screenplay, I decided to start by making the trailers and deleted  scenes.<br />
<a onclick="hushAppletFrame.message.openLink('http://vadimpetrov.org/');return  false;" target="_BLANK" href="https://mailserver1.hushmail.com/hushmail/showHelpFile.php?PHPSESSID=899DFA80F0B57ED19CE5CCFE023359FB&#038;file=popupHyperlinkHelp.html#http://vadimpetrov.org/">http://vadimpetrov.org/</a><br />
<a onclick="hushAppletFrame.message.openLink('http://www.youtube.com/watch?v=_Rdj5esiilw');return  false;" target="_BLANK" href="https://mailserver1.hushmail.com/hushmail/showHelpFile.php?PHPSESSID=899DFA80F0B57ED19CE5CCFE023359FB&#038;file=popupHyperlinkHelp.html#http://www.youtube.com/watch?v=_Rdj5esiilw">http://www.youtube.com/watch?v=_Rdj5esiilw</a><br />
<a onclick="hushAppletFrame.message.openLink('http://www.youtube.com/watch?v=LJCumEDJyMg');return  false;" target="_BLANK" href="https://mailserver1.hushmail.com/hushmail/showHelpFile.php?PHPSESSID=899DFA80F0B57ED19CE5CCFE023359FB&#038;file=popupHyperlinkHelp.html#http://www.youtube.com/watch?v=LJCumEDJyMg">http://www.youtube.com/watch?v=LJCumEDJyMg</a><br />
<a onclick="hushAppletFrame.message.openLink('http://www.youtube.com/watch?v=QIKJEua5BNs');return  false;" target="_BLANK" href="https://mailserver1.hushmail.com/hushmail/showHelpFile.php?PHPSESSID=899DFA80F0B57ED19CE5CCFE023359FB&#038;file=popupHyperlinkHelp.html#http://www.youtube.com/watch?v=QIKJEua5BNs">http://www.youtube.com/watch?v=QIKJEua5BNs</a></p>
<p>Cheers,<br />
Dan
</p>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1850&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1850" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1849</link>
		<comments>http://greylodge.org/gpc/?p=1849#comments</comments>
		<pubDate>Fri, 28 May 2010 15:58:21 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1849</guid>
		<description><![CDATA[





The GSpot: Yony Leyser

Joseph Matheny in  conversation with filmmaker Yony  Leyser director of the documentary “William S. Burroughs: A Man  Within”






NecroFUTURIST Salon #4

Archived from last year, from a P. Emerson sounding like he’s  transmitting from deep within a cave. P. Emerson Williams is considered  to be a highly dangerous demon, [...]]]></description>
			<content:encoded><![CDATA[<div>
<table width="90%" cellspacing="5" cellpadding="5" border="0" align="center">
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<td>
<div style="text-align: center"><span style="font-family: arial,helvetica,sans-serif"><img width="151" height="185" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /></span></div>
<div>
<h2 class="entry-title"><span style="font-family: arial,helvetica,sans-serif"><a href="http://www.alterati.com/blog/2010/05/the-gspot-yony-leyser/">The GSpot: Yony Leyser</a></span></h2>
</div>
<div><span style="font-family: arial,helvetica,sans-serif"><a href="http://jmatheny.wordpress.com/">Joseph Matheny</a> in  conversation with filmmaker <a href="http://www.burroughsthemovie.com/#/filmmaker/4537737527">Yony  Leyser</a> director of the documentary “<a href="http://www.burroughsthemovie.com/">William S. Burroughs: A Man  Within</a>”</span></div>
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<div><span style="font-family: arial,helvetica,sans-serif"><img width="150" height="185" style="border: 0pt none; float: left; margin: 5px" title="Necrofuturist" src="http://www.alterati.com/images/N_FSln.jpg" /></span></div>
<div>
<h2 class="entry-title"><span style="font-family: arial,helvetica,sans-serif"><a href="http://www.alterati.com/blog/2010/05/necrofuturist-salon-4/">NecroFUTURIST Salon #4</a></span></h2>
</div>
<div><span style="font-family: arial,helvetica,sans-serif">Archived from last year, from a P. Emerson sounding like he’s  transmitting from deep within a cave. P. Emerson Williams is considered  to be a highly dangerous demon, who can devastate with mad skillz the  conjuring magician and his assistants if precautions are not taken. He  is also responsible for sowing discord, datcord and t’othercord, and  commands 30 suppurating fernuncles.</span></div>
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<div><span style="font-family: arial,helvetica,sans-serif"><img width="150" height="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/raidokaos1.jpg" /></span></div>
<div>
<h2 class="entry-title"><span style="font-family: arial,helvetica,sans-serif"><a href="http://www.alterati.com/blog/2010/05/raido-kaos-episode-seven/">Raido Kaos Episode Seven</a></span></h2>
</div>
<div><span style="font-family: arial,helvetica,sans-serif">You win.  Your anti drug propaganda and lies have helped push  mandatory five year prison terms for testing positive for marijuana. You  are pushing for the death penalty for pot heads.  Somewhere along the  way your musical career stagnated, and you keep striking the same note. <a target="_blank" href="http://www.infictive.com/index.php?title=You_do_a_side_project_to_inject_some_life_back_into_the_tunes">You do a side project to inject some life back into the  tunes</a>, for you will meet <a target="_blank" href="http://www.infictive.com/index.php?title=J.J._Lazar">J.J. Lazar</a> and there is nothing that can stop you.  This is your <a target="_blank" href="http://www.infictive.com/index.php?title=Soundtrack">soundtrack</a>.</span></div>
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		<title>Hubert Selby Jr: It&#8217;ll Be Better Tomorrow - on Hulu.com</title>
		<link>http://greylodge.org/gpc/?p=1848</link>
		<comments>http://greylodge.org/gpc/?p=1848#comments</comments>
		<pubDate>Sun, 23 May 2010 20:27:27 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Burroughs</category>
	<category>Book Culture</category>
	<category>Cinema</category>
	<category>Bukowski</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1848</guid>
		<description><![CDATA[
Film about Requiem for a Dream author Hubert Selby  Jr,

 Hubert  Selby Jr: It&#8217;ll Be Better Tomorrow 
is up in its entirety on Hulu.com. Enjoy, and pass it on.
Feature Film. 81 minutes. Directed by Michael W. Dean and Kenneth  Shiffrin.
Featuring Hubert Selby Jr, Darren Aronofsky, Lou Reed, Nick Tosches  and Ellen [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.hulu.com/watch/151127/hubert-selby-jr-itll-be-better-tomorrow"><img class="alignnone" src="http://cubbymovie.com/AmazonDVD.jpg" /></a></p>
<p>Film about <em>Requiem for a Dream</em> author Hubert Selby  Jr,</p>
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<div class="description" style="font-size: 14px"><span id="show-title-container" class="show-title"> <a href="http://www.hulu.com/hubert-selby-jr-itll-be-better-tomorrow">Hubert  Selby Jr: It&#8217;ll Be Better Tomorrow </a></span></div>
<div class="description" style="font-size: 14px">is up in its entirety on Hulu.com. Enjoy, and pass it on.</div>
<p>Feature Film. 81 minutes. Directed by Michael W. Dean and Kenneth  Shiffrin.</p>
<div>Featuring Hubert Selby Jr, Darren Aronofsky, Lou Reed, Nick Tosches  and Ellen Burstyn.</div>
<div><strong>Narrated by Robert Downey, Jr. </strong></div>
<p>A harrowing and engaging exploration into the life and art of the   renowned author Hubert Selby Jr., who described himself as &#8220;a scream   looking for a mouth.&#8221; Selby, against all odds, reached international   acclaim with his controversial novels.
</p>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1848&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1848" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1847</link>
		<comments>http://greylodge.org/gpc/?p=1847#comments</comments>
		<pubDate>Fri, 21 May 2010 16:33:02 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1847</guid>
		<description><![CDATA[




smallWorld: Chris Gondek

Today’s show is unique for two  reasons: I recorded it on location rather than over Skype in the small  WORLD studios. Okay, that’s not so unique but any excuse to  get outside and get some sun is good enough for me. The other reason  today’s show is unique because [...]]]></description>
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<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/05/chris-gondek/">smallWorld: Chris Gondek</a></h2>
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<div>Today’s show is unique for two  reasons: I recorded it on location rather than over Skype in the <strong>small  WORLD</strong> studios. Okay, that’s not so unique but any excuse to  get outside and get some sun is good enough for me. The other reason  today’s show is unique because my guest is <a title="Chris Gondek web  page" target="_blank" href="http://www.theinvisiblehandpodcast.com/about-contact.html">Chris Gondek</a> who is a net friend. We all have net  friends these days but they are scattered across the country and across  the globe that’s rare that you’d ever meet any of them.</div>
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<div><img height="127" width="140" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/TNB.gif" /></div>
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<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/05/cup-of-tnb-heather-fowler/">Cup of TNB: Heather Fowler</a></h2>
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<div>Cup of TNB host <a href="http://www.thenervousbreakdown.com/author/jmatheny/">Joseph  Matheny</a> talks to TNB contributor, poet and author <a href="http://www.thenervousbreakdown.com/author/hfowler/">Heather Fowler</a> . They discuss the infamous iPhone application censorship that involved  one of Heather’s Flash Fiction stories . More about that story <a href="http://www.alterati.com/apple-censorship.html">here</a> and on the  podcast. <a href="http://www.alterati.com/apple-censorship.html"><strong>Need  Censorship? There’s an App for That!</strong></a></div>
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<div><img height="150" width="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/19nb_haunter_thumb.jpg" /></div>
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<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/05/the-haunter-of-the-dark/">The Haunter of the Dark</a></h2>
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<div>Another tale from the  “Lovecraft 5″ from  <em>Picture in the  House</em><br />
Edward tells a tale of Robert Blake – an artist who suffers for his  curiosity.</div>
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<div><img height="150" width="150" style="border: 0pt none; float: left; margin: 5px" title="The John Zewizz Show" alt="The John Zewizz  Show" src="http://www.alterati.com/images/ZEWIZZ.jpg" /></div>
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<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/05/the-john-zewizz-show-video-edition/">The John Zewizz Show Video Edition</a></h2>
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<div>This time we bring you a special video episode of the John Zewizz  Show. John shares SLEEP CHAMBER clips from the forthcoming DVD release  of “Siamese Succubi”, live shows and a video for the title track from  John’s solo CD 2012, out now on Old Europa Cafe.</div>
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<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1847&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1847" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>John Wisniewski interviews James Curcio</title>
		<link>http://greylodge.org/gpc/?p=1846</link>
		<comments>http://greylodge.org/gpc/?p=1846#comments</comments>
		<pubDate>Fri, 14 May 2010 19:59:10 +0000</pubDate>
		<dc:creator>agent139</dc:creator>
		
	<category>GPC</category>
	<category>139 et co</category>
	<category>Fallen Nation</category>
	<category>John Wisniewski</category>
	<category>Interviews</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1846</guid>
		<description><![CDATA[   
  Through his work, James Curcio is able to create a mind-altering style of writing, which merges fantasy and reality in a unique way. In this talk James speaks about the creative process, his music, writing, and myth making. -John Wisniewski

What was the subject of your first writings?
  It&#8217;s probably [...]]]></description>
			<content:encoded><![CDATA[<p><a title="devilmask by agent139, on Flickr" href="http://www.flickr.com/photos/agent139/2543096942/"><img width="329" height="285" alt="devilmask" src="http://farm4.static.flickr.com/3174/2543096942_98d59ab323_o.jpg" /></a>  <strong> </strong></p>
<p><strong> </strong><strong> </strong><strong>Through his work, <a href="http://www.modernmythology.net">James Curcio</a> is able to create a mind-altering style of writing, which merges fantasy and reality in a unique way. In this talk James speaks about the creative process, his music, writing, and myth making. -John Wisniewski</strong></p>
<p><a id="more-1846"></a></p>
<p><strong>What was the subject of your first writings?</strong></p>
<p><strong> </strong><strong> </strong>It&#8217;s probably a cliché, but there&#8217;s that advice that gets tossed at most beginning writers: &#8220;write what you know.&#8221; It doesn&#8217;t mean you need first-hand experience of it, though it helps - but the underlying emotions, thought-process, whatever it is&#8230; that has to come from your experience. Fantasy, Sci-Fi, myths&#8230; they all speak to us because they resonate directly with our experience. Now, I can&#8217;t assume that something that is informed by my experience is going to resonate with everyone. Fact is, it won&#8217;t. But I think there&#8217;s a fair chance it&#8217;ll hit some people in unexpected ways.</p>
<p>So I started from my experience, and though I&#8217;d like to think every project I work on is different from the previous - sometimes vastly so - that&#8217;s a common thread. &#8220;Write what you know&#8221; might be the only common rule I did follow writing that book, by the way. I&#8217;m talking about my first novel, <a target="_blank" href="http://www.amazon.com/Join-My-Cult-James-Curcio/dp/1561841730?ie=UTF8&#038;tag=modernmytholo-20&#038;link_code=btl&#038;camp=213689&#038;creative=392969">Join My Cult!</a><img width="1" height="1" border="0" style="border: medium none ! important; margin: 0px ! important; padding: 0px ! important" src="http://www.assoc-amazon.com/e/ir?t=modernmytholo-20&#038;l=btl&#038;camp=213689&#038;creative=392969&#038;o=1&#038;a=1561841730" /> (published by New Falcon press in 2004.)</p>
<p>I broke a lot of rules, and I think some of that worked and some of it was a complete disaster. But the parts that worked did so in a sort of brazen, maniacal way that I probably couldn&#8217;t do now. I&#8217;ve moved on to other things, and my approach is always changing.  I guess you could say Join My Cult! is a &#8216;coming of age&#8217; story for those of us who came to self-awareness in a culture that exists without a myth, and so had to try to build our own myths. Maybe that&#8217;s always been the case in some way, though there&#8217;s something especially alienating about modern, capitalistic society.</p>
<p><strong> </strong><strong>When did you begin that story, and what inspired it?</strong></p>
<p><strong> </strong>Like most sixteen year-olds, I took myself and everything around me far too seriously. It&#8217;s a certain strength to that age too, it gives everything so much damn gravity and importance. But it also leads to endless posturing&#8230; and really, really long monologues. I wrote a sort of journal about a trip to a mental hospital. That&#8217;s where the story begins and ends.</p>
<p>Later, maybe at the age of nineteen or twenty, I returned to that text. But at that point I realized that it was part comedy, and started reworking it. I think it struck a chord with some people because a lot of us have been that alienated teenager. You&#8217;re smart enough to start processing abstract concepts, but too inexperienced to know any better when it comes to clinging to ideals. Though it&#8217;s childish and all that, there&#8217;s something for all of us to learn from the cause of that adolescent angst, even if how we likely dealt with it was well&#8230; adolescent. It is something for us to remember, and try to bring back into our lives as adults. If you don&#8217;t you could very well wind up serving the very machine you railed against as a kid.  I worked and reworked Join My Cult! for several years, and ultimately it was published. I still think it could use better editorial&#8230; but I guess it isn&#8217;t an easy text to edit.<strong>  </strong></p>
<p><strong> </strong><strong> </strong><strong>Could you tell us about Aleonis de Gabreal? His writings are often quoted in &#8220;Join My Cult.&#8221; What other writings have inspired your writing?</strong></p>
<p><strong> </strong><strong> </strong>Actually, Aleonis de Gabrael is fictional - he is kind of the teacher within, and an idealized form that the character Alexi has of himself. A lot of characters appear in this story who exist inside the minds of other characters, though they might be portrayed as external. This is one of the many reasons that it can be a particularly confusing read if you want everything to make sense in a linear way. Nietzsche wheels himself into a Denny&#8217;s at one point to pontificate, and give a warning to those around him, which of course no one either understands or heeds&#8230; Much as Nietzsche himself did. I figured, it is a story, why not give all of these things equal reality? After all, what makes one thought or sensation real and another unreal? External and internal is a matter of perception, which we can play with in literature. In a story you can jump from one person&#8217;s mind to another, which is not something we regularly do otherwise. But people who couldn&#8217;t get past that won&#8217;t get more than a chapter in. Which is fine, I didn&#8217;t write that book for everyone. In many ways I wrote Join My Cult! for myself. I don&#8217;t write everything for myself, but that one was a purgative, transformational form of psychotherapy.  Other writers who have inspired me&#8230; this would be a really long list. I honestly wouldn&#8217;t know where to begin- different authors or works came to me at different times, a lot of times it was pretty serendipitous. When I was writing Join My Cult!, I was steeping my brain in James Joyce, Jean-Paul Sartre, Carl Jung, Frederich Nietzsche, Soren Kierkegaard, Aleister Crowley, Carlos Castenada, Robert Anton Wilson, Joseph Campbell&#8230; many others but those come to mind.  When I came to my second novel, Fallen Nation, I was working off of many of the myths and stories of Dionysus, especially Euripides&#8217; play The Bacchae, and Lilith, and a lot of other mythological motif&#8217;s, worked on top of my own experience&#8230; but I was also on some level probably influenced by Grant Morrison, Warren Ellis, Neil Gaiman - mostly authors who cut their teeth on graphic novels or comics.</p>
<p><strong> </strong><strong> </strong><strong><a title="Fallen Nation cover by agent139, on Flickr" href="http://www.flickr.com/photos/agent139/2108460573/"><img width="341" height="245" alt="Fallen Nation cover" src="http://farm3.static.flickr.com/2148/2108460573_7fac01436f_o.jpg" /></a></strong></p>
<p><strong> </strong><strong> </strong>Something often happens when I&#8217;m working on a project&#8230;I&#8217;ll be wrapping it up when a friend turns me on to a writer, or a book or a movie - and it&#8217;ll be like, &#8220;fuck. This is really similar to what I&#8217;m doing.&#8221; At least in one way or another. I&#8217;m not sure if inspiration can happen retroactively, but it sometimes seems to.</p>
<p><strong> </strong><strong> </strong><strong>Your writing has a dreamlike-quality and can be nightmarish at times. How do you go about writing in this style? Is it improvised or do you plan out each chapter, seeing it as a film script might be viewed?</strong></p>
<p><strong> </strong><strong> </strong>Again, this really depends on the project. Join My Cult! was a palimpsest - layers added on top of layers. There was no forethought in terms of the plot, only afterthought, rearrangement, re-writing, re-interpreting - beginning that process over. This is incidentally the kind of process I used when producing the album <a target="_blank" href="http://www.amazon.com/subQtaneous-Still-Despair-Prozac-Nation/dp/B001B8667G?ie=UTF8&#038;tag=modernmytholo-20&#038;link_code=btl&#038;camp=213689&#038;creative=392969">subQtaneous</a><img width="1" height="1" border="0" style="border: medium none ! important; margin: 0px ! important; padding: 0px ! important" src="http://www.assoc-amazon.com/e/ir?t=modernmytholo-20&#038;l=btl&#038;camp=213689&#038;creative=392969&#038;o=1&#038;a=B001B8667G" />: Some Still Despair In A Prozac Nation. There are tracks on that album where the original &#8220;underpainting&#8221; tracks were pulled away entirely, so you hear people&#8217;s reactions, or reaction to a reaction, but not the material they were reacting to. Those underlying sketches became superfluous. It gives it a kind of dreamlike, meandering quality, that I think you either really like or simply don&#8217;t get. Again, that&#8217;s not an approach that&#8217;s right for all projects, but it&#8217;s something I wanted to explore specifically with those projects.</p>
<p><a title="5x7" href="http://www.flickr.com/photos/agent139/2404527710/"> </a><a title="5x7" href="http://www.flickr.com/photos/agent139/2404527710/"> </a><a title="5x7" href="http://www.flickr.com/photos/agent139/2404527710/"><img width="230" height="322" alt="5x7" src="http://farm3.static.flickr.com/2286/2404527710_f5e8a953c7_o.jpg" /></a></p>
<p><a target="_blank" href="http://www.amazon.com/Fallen-Nation-Babylon-James-Curcio/dp/1419672657?ie=UTF8&#038;tag=modernmytholo-20&#038;link_code=btl&#038;camp=213689&#038;creative=392969"> </a><a target="_blank" href="http://www.amazon.com/Fallen-Nation-Babylon-James-Curcio/dp/1419672657?ie=UTF8&#038;tag=modernmytholo-20&#038;link_code=btl&#038;camp=213689&#038;creative=392969"> </a><a target="_blank" href="http://www.amazon.com/Fallen-Nation-Babylon-James-Curcio/dp/1419672657?ie=UTF8&#038;tag=modernmytholo-20&#038;link_code=btl&#038;camp=213689&#038;creative=392969">Fallen Nation: Babylon Burning </a><img width="1" height="1" border="0" style="border: medium none ! important; margin: 0px ! important; padding: 0px ! important" src="http://www.assoc-amazon.com/e/ir?t=modernmytholo-20&#038;l=btl&#038;camp=213689&#038;creative=392969&#038;o=1&#038;a=1419672657" />was intentional. I had a very clear idea of what I wanted to accomplish, what the plot arcs would be - I charted it all out in Viseo as a series of flow charts before getting much writing done. Then I wrote the key scenes and narratives as the mood struck me, pieced them together in order, and then brought them all together and sanded off the edges.  As a result of the different processes you get different end results. I think your process should be picked based on what the intention of the project is.</p>
<p>Also, as you grow as an artist, your repertoire grows&#8230; by that I mean the processes and techniques that are available to you.  I also do my best brain-storming for writing in the state between awake and asleep. When I&#8217;m working on a writing project I will often meditate, or simply let myself relax to the point of slipping off into sleep, after having asked myself a question. Sometimes it&#8217;ll just be an image or something even more ephemeral, a fleeting feeling. But if I can capture that in my notes enough to &#8220;tag&#8221; that state of mind, then when I&#8217;m sitting down to really get to work, I can look at my notes and gather inspiration from that collection of &#8220;tagged&#8221; shards or impressions.</p>
<p>You can imagine, a lot of my notebooks seem a little schizophrenic.  Usually, I do this when I&#8217;m at a point with a story where I simply don&#8217;t know where to go next, or how to deal with a problem that I&#8217;m feeling with a passage or character. Then, more often than not, the solution will present itself in that twilight state. The trick of course is to bring it back up, rather than slip off into sleep, because you&#8217;ll lose it.  I also really enjoy writing scripts, I suppose there is a cinematic quality to how I write stories, especially recently. Join My Cult! would never translate well into that format, but I recently completed the screenplay adaptation of Fallen Nation, and I honestly think it works better than the book did&#8230;</p>
<p><strong> </strong><strong> </strong><strong>Do the cults in Join My Cult! and Fallen Nation: Babylon Burning exist?</strong></p>
<p><strong> </strong><strong> </strong>This ties into what I&#8217;d call &#8220;myth building.&#8221; In a sense yes, and in a sense, no. With Join My Cult!, there were times when there were groups in various cities, and going by various names, which were directly connected to the story. But the title was meant to be ironic, and the fact is that when any group of people get together, when they share similar beliefs, they become a cult of sorts. Which isn&#8217;t to say they&#8217;re all going to go out like Jim Jones&#8217; crew. Fallen Nation is a little bit more hypothetical. But like I was saying earlier, it still all comes from &#8220;real life.&#8221; Whatever that is.</p>
<p>You&#8217;ve been involved in a wide range of musical projects as well. How do you incorporate so many different styles into your music? Is the process of creating different in your music than in your writing?</p>
<p>I&#8217;m not sure how to directly answer those questions. The styles that appear in the projects I work on has to do with my inspiration and influences, but also those of the collaborators involved. That process is alchemy, plain and simple. Right now I&#8217;m in the process of recording the debut album Nothing Is Sacred with Marz233 (previously of Elektroworx), Scott Landes (of Mankind Is Obsolete and Collide), and William Clark. We all have very diverse backgrounds and influences, the end result is the alchemy of that- and the push and pull that happens during the production process. We&#8217;re presently trying to work out the vocals; we&#8217;ve had a hard time finding the right vocalist for the project.  It&#8217;s all about the process for me. The same end result might be enjoyable, inspirational, terrifying, or downright horrifying to different people. You can drive yourself crazy trying to figure out what the audience is going to think.</p>
<p><strong> </strong><strong> </strong><strong><a title="Nothing Is Sacred - early design by agent139, on Flickr" href="http://www.flickr.com/photos/agent139/4397140437/"><img width="356" height="183" alt="Nothing Is Sacred - early design" src="http://farm5.static.flickr.com/4056/4397140437_6f45953d6e_b.jpg" /></a></strong></p>
<p><strong> </strong><strong> </strong>So the specific process is unique project-to-project.  Working in so many different mediums, I recognize that my strength has become about arranging the big picture. I&#8217;ll never be a virtuoso - that requires a constant one-pointed meditation, a kind of single-minded dedication that I have neither the time nor interest in. One year I might do a lot of writing, another year might be spent working directing the production of a graphic novel or an album. I get antsy when I&#8217;m stuck doing the same thing for too long, though I make a point to see everything through that can be seen through, circumstances allowing.</p>
<p>Maybe I&#8217;m also afraid of typecasting myself. Heaven forbid one of my projects really blows up, that would be great but there&#8217;s always a danger there too. If you have success with one thing everything gets evaluated in comparison to that. You&#8217;ll get fans who will be downright offended, or worse, if you do something different the next time around. Everyone wants you to put out some kind of reiteration or reassemblage of the same material - especially if you&#8217;re getting pressured by a label or a publisher with a shrinking profit margin. In my opinion, if you hit gold with something, that can be a sign to you that it was the right place and time, but that place and time can&#8217;t be reproduced. You always need to move forward. There are artists who I think get that, like David Bowie. But so long as the end result of the process - the product - is given absolute value, and so long as it&#8217;s commodified, you&#8217;re going to mostly have sugar water posing as myth.  This is one reason I&#8217;ve mostly worked on independent productions.</p>
<p>I&#8217;ll admit another reason is that most of what I&#8217;ve worked on is far too bizarre and demanding, from the perspective of mainstream culture, for a major to invest in. I&#8217;ve been working a lot on scripts lately, for comics, for independent films, and struggling to get them fully into production. It&#8217;s really a tough needle to thread. I&#8217;d certainly love to see what kinds of myths we could build with larger budget productions, but not if they&#8217;re going to be hamstrung by execs that don&#8217;t understand what we&#8217;re about.</p>
<p><strong /><strong><em><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong> </strong></em></strong><strong /><strong><em><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong /><strong><em><strong /><strong /><strong> </strong></em></strong></em></strong><strong><strong /></strong><strong><em><strong /><strong /><strong><strong /></strong></em></strong><strong /><strong><strong /></strong>
</p>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1846&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1846" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>This Week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1845</link>
		<comments>http://greylodge.org/gpc/?p=1845#comments</comments>
		<pubDate>Fri, 14 May 2010 14:48:04 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Podcast</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1845</guid>
		<description><![CDATA[




The GSpot: Henry Baum

Joseph Matheny in  conversation with author Henry Baum about his newest novel The American Book of  the Dead. This book recently won the The Independent  Publisher gold  medal for Visionary Fiction.





Cassette Culture Episode Four

And They created TheeBradMiller for Their messenger, and They clothed  Him with Chaos that [...]]]></description>
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<div><strong><a href="http://www.alterati.com/blog/2010/05/the-gspot-henry-baum/">The GSpot: Henry Baum</a></strong></div>
<div />
<div><a href="http://jmatheny.wordpress.com/">Joseph Matheny</a> in  conversation with author <a href="http://www.theamericanbookofthedead.com/about/">Henry Baum</a> about his newest novel <em><a href="http://www.theamericanbookofthedead.com/">The American Book of  the Dead</a>. </em>This book recently won the <em>The <a href="http://www.independentpublisher.com/article.php?page=1362">Independent  Publisher </a></em><a href="http://www.independentpublisher.com/article.php?page=1362">gold  medal </a>for Visionary Fiction.<em><br />
</em></div>
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<div style="text-align: left"><img height="150" width="150" title="Cassette  Culture " style="border: 0pt none; float: left; margin: 5px" src="http://choronzon333.podomatic.com/mymedia/thumb/36810/460%3E_2644876.jpg" /><strong><a href="http://www.alterati.com/blog/2010/05/cassette-culture-episode-four/">Cassette Culture Episode Four</a></strong></p>
<h2 class="entry-title" /></div>
<div>And They created TheeBradMiller for Their messenger, and They clothed  Him with Chaos that His form might be ever hidden amidst the stars.</div>
<div>Who shall know the mystery of The Cassette Culture Podcast? for It is  the mask and will of Those that were when time was not. TheeBradMiller  is the priest of the Ether, the Dweller in Air and hath many faces that  none shall recall.</div>
<div>The waves freeze before Him; Gods dread His call. In men’s dreams He  whispers, yet who knoweth His form?</div>
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<div><img height="150" width="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/raidokaos1.jpg" /><strong><a href="http://www.alterati.com/blog/2010/05/raido-kaos-episode-six/">Raido Kaos Episode Six</a></strong></div>
<div />
<div>Respindling spimes requires focus, careful attention to detail, or  the <a target="_blank" href="http://www.infictive.com/index.php?title=Headless28">bad trip bunny</a> will totally pull you off course.  <a target="_blank" href="http://www.infictive.com/index.php?title=Search_inside_for_things_to_throw">Search inside for things to throw</a> in case you panic  along the way.   <a target="_blank" href="http://www.infictive.com/index.php?title=You_paint_what_happens_next">You paint what happens next</a>.   Bear in mind you own  the goddamned hat you’re wearing, the motherfucking shirt on your back,  and there is nothing that can stop you. This is your <a target="_blank" href="http://www.infictive.com/index.php?title=Soundtrack">soundtrack</a>.</div>
</td>
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</div>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1845&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1845" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>Nothing Lasts Forever</title>
		<link>http://greylodge.org/gpc/?p=1844</link>
		<comments>http://greylodge.org/gpc/?p=1844#comments</comments>
		<pubDate>Wed, 12 May 2010 16:18:52 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Classic</category>
	<category>Cinema</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1844</guid>
		<description><![CDATA[Nothing Lasts Forever is a 1984  movie  starring a number of high profile Hollywood actors. It was directed by Tom  Schiller, who had previously worked on Saturday Night Live.
Although widely regarded as a classic, and highly sought after, the  movie was given only a very limited theatrical release, and, as of [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong><img height="159" align="left" width="216" src="http://www.nypost.com/r/nypost/blogs/movies/201003/images/cropped/murrayforever.jpg" />Nothing Lasts Forever</strong></em> is a 1984  movie  starring a number of high profile <span class="mw-redirect">Hollywood</span> actors. It was directed by Tom  Schiller, who had previously worked on Saturday Night Live.</p>
<p>Although widely regarded as a classic, and highly sought after, the  movie was given only a very limited <span class="mw-redirect">theatrical release</span>, and, as of 2009 has not been  released on home  video.</p>
<p>The movie stars Zach Galligan and Lauren  Tom in the lead roles, with a supporting cast including Bill  Murray, Dan Aykroyd, Sam Jaffe and Mort  Sahl. John Belushi was to appear in the film, but he  died 6 weeks before production began<sup class="reference" id="cite_ref-0"><span /></sup>.</p>
<p>The making of the film, through interviews with Tom  Schiller, Lorne Michaels, Zach  Galligan, Lauren Tom, Bill  Murray and others involved with the film, is chronicled in the book  <span class="new">Nothing Lost Forever: The Films of Tom Schiller</span>  by <span class="new">Michael  Streeter</span> (BearManor Media, 2005).</p>
<p><a href="http://www.ifc.com/blogs/indie-eye/2010/04/nothing-lasts-forever.php">Read this review at IFC </a><br />
<strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=b86a2733dc488b8a3a032ca029c254ffdb2dba49">Download Torrent </a></strong>
</p>
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		<title>Revolution rock and roll - new podcast</title>
		<link>http://greylodge.org/gpc/?p=1843</link>
		<comments>http://greylodge.org/gpc/?p=1843#comments</comments>
		<pubDate>Tue, 11 May 2010 21:31:52 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Punk</category>
	<category>Announcements</category>
	<category>Economy</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1843</guid>
		<description><![CDATA[
Subscribe  to   the Rock and Roll Revolution podcast with iTunes
GET MP3
The Revolution   rock and roll podcast interviews Michael W. Dean about punk rock,   revolution, survivalist ideals, prepping, the Sex Pistols, Wyoming,   Texas, drug addiction, the dot-com crash, making a living doing what you   love, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nestlandia.com/wp-content/uploads/2010/05/689459.jpg"><img height="132" width="300" title="689459" src="http://www.nestlandia.com/wp-content/uploads/2010/05/689459-300x132.jpg" /></a></p>
<p><a href="itpc://revolutionrockandroll.com/go/blogrss?id=18160">Subscribe  to   the Rock and Roll Revolution podcast with iTunes</a></p>
<p><a href="http://www.nestlandia.com/audio/RFN-0041.mp3">GET MP3</a></p>
<p>The <a href="http://revolutionrockandroll.com/home.cfm">Revolution   rock and roll podcast</a> interviews Michael W. Dean about punk rock,   revolution, survivalist ideals, prepping, the Sex Pistols, Wyoming,   Texas, drug addiction, the dot-com crash, making a living doing what you   love, battle rifles, <a href="http://tiffanyrockwell.com/blog/who-we-are/tiffany/">GOOCA </a>(get   out of California!), building a home recording studio, libertarianism,   guns guns guns and more guns, the FAL rifle, carrying a gun to save  your  life, dealing with gun grabbers and much, much more.</p>
<p>Questions:<br />
-	Why the FAL?<br />
-	What specifically brought you over to libertarianism from liberalism<br />
-	How do you deal with all of the libs and left-wing nuts in the music    industry?<br />
-	Mention letter to self, What were your punk rock influences?<br />
-	Why Wyoming?<br />
-	What do you do besides RAW?<br />
-	Discuss Songs:<br />
+ Fakin’ the Race Card (you lie!)<br />
+ Get Off My Property<br />
+ Government is A Collective Hallucination (lots of talking)<br />
+ My Gun Keeps You Honest – “and I practice almost every day…”<br />
- “My guns are keeping you honest, that is my right as a free man”</p>
<p><strong>Links </strong></p>
<p>-	<a target="_new" href="http://www.rightarmofwyoming.com/">Right Arm   of  Wyoming</a><br />
- <a target="_new" href="http://www.libertarianpunk.com/2010/04/would-you-tar-and-feather-a-tax-collector/">RAW unreleased track</a> – Would You Tar Feather A Tax    Collector<br />
-	Michael W. Dean blogs:<br />
<a target="_new" href="http://www.libertarianpunk.com/">http://www.libertarianpunk.com</a><br />
<a target="_new" href="http://www.stinkfight.com/">http://www.stinkfight.com</a><br />
- Michael W. Dean podcast:<br />
<a target="_new" href="http://www.nestlandia.com/">http://www.nestlandia.com</a><br />
- Michael W. Dean bands:<br />
<a target="_new" href="http://hitsofacid.com/">Bomb</a><br />
<a target="_new" href="http://babyopaque.com/">Baby Opaque</a><br />
<a target="_new" href="http://www.stinkfight.com/2009/12/15/the-lost-tracks-by-the-beef-people/">Beef  People</a><br />
- <a target="_new" href="http://www.rlc.org/">Republican Liberty Caucus</a></p>
<div><script type="text/javascript">// < ![CDATA[ 					cleanURL549577 = "/media/mp3/Revolution-Rock-and-Roll-Podcast8.mp3"; 					cleanTitle549577 = "Podcast #8 - Right Arm Of Wyoming"; // ]]&gt;</script></script></div>
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		<title>How to Keep the Internet Free from Censorship (a call for programmers)</title>
		<link>http://greylodge.org/gpc/?p=1842</link>
		<comments>http://greylodge.org/gpc/?p=1842#comments</comments>
		<pubDate>Mon, 10 May 2010 19:51:00 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Internet Culture</category>
	<category>Culture Jamming</category>
	<category>Hackz</category>
	<category>Censorship</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1842</guid>
		<description><![CDATA[


How to Keep the Internet Free from Censorship (a call for   programmers)
There should be a simple way for non-technical people to bookmark the   I.P. address of a website when they bookmark the URL of that site.  This  would circumvent later re-directing of ICANN records by  governments,  hackers, [...]]]></description>
			<content:encoded><![CDATA[<p><img height="206" width="284" title="qqxsgInternet  censorship" class="alignnone size-full wp-image-1834" src="http://www.libertarianpunk.com/wp-content/uploads/2010/05/qqxsgInternet-censorship.gif" /></p>
<p><img height="265" width="294" title="internet_censorship" class="alignnone size-full wp-image-1835" src="http://www.libertarianpunk.com/wp-content/uploads/2010/05/internet_censorship.jpg" /></p>
<p><img height="224" width="302" title="shiming" class="alignnone size-full wp-image-1837" src="http://www.libertarianpunk.com/wp-content/uploads/2010/05/shiming.jpg" /></p>
<p><strong>How to Keep the Internet Free from Censorship (a call for   programmers)</strong></p>
<p>There should be a simple way for non-technical people to bookmark the   I.P. address of a website when they bookmark the URL of that site.  This  would circumvent later re-directing of ICANN records by  governments,  hackers, and “Internet czars.”</p>
<p>It would be great if someone would make a free, open-source plug-in   for all the common browsers to do this. It would have to work   seamlessly, i.e. it would have to be automatic, and work so   non-technical people wouldn’t have to jump through any hoops to use it.   And it would have to become <em>common</em>. The more people using it,  the more  value it would have in case of any censorship blackouts.</p>
<p>If enough people had this plug-in, it would prevent vested interests   from corrupting the “bottom up, consensus driven, democratic manner” in   which ICANN is supposed to operate.</p>
<p>I’m not a programmer, but it seems like this would be pretty easy for   any good programmer to do in an afternoon.</p>
<p>What I’d love to have a programmer do is write a plug-in for Firefox   (and maybe other browsers) that would automatically bookmark the I.P.   address of websties, not just the URL, when you bookmark one. So if DNS   were ever blocked, you could still get to your favorite sites.</p>
<p>It would have to work very easily (for non-tech folks, it would have   to just work without them knowing much about anything) and   automatically.</p>
<p>Suggested name for the plugin: “CensorFree” The basic idea is that if   the gov (or hackers, or anyone) blocks the ICANN DNS records, people   will still be able to get to their favorite sites.</p>
<p>An issue that would have to be dealt with is how would it resolve   shared I.P. servers. For instance, DreamHost is who I use, and all my   domains on there share I.P.s with a bunch of other domains, using zone   files or something.</p>
<p>Anyway, let me know if you get this working. I’ll help promote it.</p>
<p>Thanks!<br />
Michael W. Dean</p>
<p><strong>SPECS:</strong><br />
–Must be easy to use for non-techies, and work for Windows and/or Mac,   not just Linux</p>
<p>–It would bookmark I.P.s of sites you already have bookmarked, and   new ones you bookmark after installing it.</p>
<p>–Would automatically try the I.P. bookmark when the URL bookmark  doesn’t work.</p>
<p>–Would be able to toggle manually from URL to I.P. (for testing, as  well as  use).</p>
<p>–Would be able to import lists from others (for use in countries   where you currently cannot get to some sites already).</p>
<p>–Would be able to allow for manually entering an I.P./URL   combination (for use in countries where you currently cannot get to some   sites already).</p>
<p>Michael W. Dean<br />
<a href="http://www.libertarianpunk.com/">http://www.libertarianpunk.com</a>
</p>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1841</link>
		<comments>http://greylodge.org/gpc/?p=1841#comments</comments>
		<pubDate>Sat, 08 May 2010 01:25:40 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1841</guid>
		<description><![CDATA[


This week on Alterati:



The Whuffie Factor

Today on the small WORLD we’ll talk with Tara Hunt,  the author of The Whuffie Factor: Using the Power of Social Networks  to Build Your Business.







Cup of TNB: Slade Ham

Cup of TNB host Joseph  Matheny talks to TNB contributor, author and stand-up comedian, Slade Ham.






19 Nocturne Boulevard [...]]]></description>
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<td>
<div><strong>This week on Alterati:</strong></div>
<div>
<div><img height="118" width="118" style="border: 0pt none; float: left; margin: 5px" src="http://t1.gstatic.com/images?q=tbn:3VOBNOqUxkxxvM:http://smallworldpodcast.com/images/smallworldpodcastlogo.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/05/the-whuffie-factor/">The Whuffie Factor</a></h2>
</div>
<div>Today on the <strong>small WORLD</strong> we’ll talk with <a title="Tara Hunt  website" target="_blank" href="http://www.horsepigcow.com/">Tara Hunt</a>,  the author of <em><a title="The Whuffie Factor: Using the Power of  Social Networks to Build Your Business Amazon page" target="_blank" href="http://www.amazon.com/dp/0307409503?tag=tibesti-20">The Whuffie Factor: Using the Power of Social Networks  to Build Your Business</a></em>.</div>
</div>
</td>
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<div style="text-align: center"><img height="127" width="140" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/TNB.gif" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/05/cup-of-tnb-slade-ham/">Cup of TNB: Slade Ham</a></h2>
</div>
<div>Cup of TNB host <a href="http://www.thenervousbreakdown.com/author/jmatheny/">Joseph  Matheny</a> talks to TNB contributor, author and stand-up comedian, <a href="http://www.thenervousbreakdown.com/author/sham/">Slade Ham</a>.</div>
</td>
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<td>
<div><img height="150" width="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/19nb_darrin_thumb.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/05/19-nocturne-boulevard-short-the-darrin-dilemma/">19 Nocturne Boulevard (short) – The Darrin Dilemma</a></h2>
</div>
<div>If people <em>are</em> watching you, does that  mean you’re <strong>NOT</strong> paranoid?</div>
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<div style="text-align: center"><img height="185" width="150" style="border: 0pt none; float: left; margin: 5px" title="Weaponized Episode 4: Music of the Earth" src="http://www.alterati.com/images/Music1.Cover150.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/05/weaponized-episode-4-music-of-the-earth/">Weaponized Episode 4: Music of the Earth</a></h2>
</div>
<div>To mark the release of the <strong><a target="_blank" href="http://veilofthorns.com/store/store-home/cds/special-the-abattoir-pages-and-a-red-threatening-sky-cds/">The Abattoir Pages</a> </strong>and<strong> <a target="_blank" href="http://veilofthorns.com/store/store-home/cds/special-the-abattoir-pages-and-a-red-threatening-sky-cds/">A Red Threatening Sky</a> <span style="font-weight: normal">original scores unveiled on Beltane this year</span></strong>,  FoolishPeople and core FoolishPeople member and composer P. Emerson  Williams bring you the first of a two part musical edition of  Weaponized. What you will hear in this episode is comprised of  soundscapes and musical compositions from Cirxus, The Abattoir Pages and  A Red Threatening Sky, remixed without mercy to give a sonic picture of  places these productions explored.</div>
</td>
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		<title>Adam Curtis - It felt like a kiss</title>
		<link>http://greylodge.org/gpc/?p=1840</link>
		<comments>http://greylodge.org/gpc/?p=1840#comments</comments>
		<pubDate>Tue, 04 May 2010 23:55:28 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Art</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1840</guid>
		<description><![CDATA[It Felt Like a Kiss is an olfactory-audiovisual promenade-style theatre production,  first performed between 2 and 19 July 2009 as part of the second Manchester International  Festival, co-produced with the BBC.  Themed on &#8220;how power really works in the world&#8221;,  it is a collaboration between film-maker Adam  Curtis and the [...]]]></description>
			<content:encoded><![CDATA[<p><strong><img width="149" height="175" align="left" src="http://upload.wikimedia.org/wikipedia/en/4/4e/Adam_Curtis_It_Felt_Like_A_Kiss_Promotional_Poster.jpg" /></strong><strong>It Felt Like a Kiss</strong> is an olfactory-audiovisual promenade-style theatre production,  first performed between 2 and 19 July 2009 as part of the second Manchester International  Festival, co-produced with the BBC<sup class="reference" id="cite_ref-0"><span /><span /></sup>.  Themed on &#8220;how power really works in the world&#8221;<sup class="reference" id="cite_ref-1"><span /><span /></sup>,  it is a collaboration between film-maker Adam  Curtis and the Punchdrunk theatre company, with original music  composed by Damon Albarn and performed by the Kronos Quartet. The visitor is immersed in sets based on  archive footage from Bagdad, 1963; New York, 1964; Moscow, 1959; in the Amygdala,  1959-69; and Kinshasa,  1960. The title is taken from The  Crystals&#8217; 1962 song &#8220;<span class="mw-redirect">He Hit Me  (It Felt Like A Kiss)</span>&#8220;, written by Gerry  Goffin and Carole King.<sup class="reference" id="cite_ref-mif_2-0"><span /><span /></sup></p>
<p><strong>about</strong>:<br />
<a href="http://www.guardian.co.uk/culture/2009/jun/20/it-felt-like-a-kiss">http://www.guardian.co.uk/culture/2009/jun/20/it-felt-like-a-kiss</a><br />
<a href="http://en.wikipedia.org/wiki/It_Felt_Like_a_Kiss">http://en.wikipedia.org/wiki/It_Felt_Like_a_Kiss</a><br />
<a href="http://www.mif.co.uk/events/it-felt-like-a-kiss/">http://www.mif.co.uk/events/it-felt-like-a-kiss/</a><br />
<strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=b43d2e04ee626c9680a77c21f0123e781775c4fd">Download Torrent</a></strong>
</p>
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		<title>Neema V. Tells You How to Thrive in the Coming Collapse</title>
		<link>http://greylodge.org/gpc/?p=1839</link>
		<comments>http://greylodge.org/gpc/?p=1839#comments</comments>
		<pubDate>Sun, 02 May 2010 19:54:39 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Punk</category>
	<category>Activisim</category>
	<category>Anarchy</category>
	<category>Rap</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1839</guid>
		<description><![CDATA[(Radio Free Nestlandia podcast episode 40. MP3 at bottom)
  Libertarian rapper and TV personality Neema Vedadi visits Michael W. Dean and Debra Jean Dean in Nestlandia, in Wyoming, and drops mad science. They talk about consent of  the governed, the coming collapse, impending doom, liberal idiots, and how to transcend all of the [...]]]></description>
			<content:encoded><![CDATA[<p>(<a href="http://www.nestlandia.com/">Radio Free Nestlandia podcast</a> episode 40. MP3 at bottom)</p>
<p><a href="http://www.nestlandia.com/wp-content/uploads/2010/05/neema.jpg"><img height="164" width="132" title="neema" class="alignnone size-full wp-image-306" src="http://www.nestlandia.com/wp-content/uploads/2010/05/neema.jpg" /></a>  <a href="http://www.myspace.com/neemav">Libertarian rapper</a> and <a href="http://www.k2tv.com/staffDetail.aspx?name=Vedadi">TV personality</a> Neema Vedadi visits Michael W. Dean and Debra Jean Dean in Nestlandia, in Wyoming, and drops mad science. They talk about <a href="http://en.wikipedia.org/wiki/Consent_of_the_governed">consent of  the governed</a>, the coming collapse, impending doom, liberal idiots, and how to transcend all of the above through education, edu-tainment, and guns. Neema explains how America is headed toward a <a href="http://en.wikipedia.org/wiki/Weimar_Republic">Weimar Republic</a> where a loaf of bread costs a million dollars. He and the Deans talk about what to do about it, how to save yourself and your family, and chat about liberty, child rearing, taxation as theft, where America went wrong, why there should be no public property, and what&#8217;s cool about guns and weed.  They talk about a lot of other fun stuff, for a long long time.</p>
<p>Yay!</p>
<p><object height="308" width="511" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" /></p>
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<p><a target="new" href="http://www.nestlandia.com/podpress_trac/web/305/0/RFN-0040.mp3"><img border="0" align="top" class="podPress_imgicon" alt="icon for podpress" src="http://www.nestlandia.com/wp-content/plugins/podpress/images/audio_mp3_button.png" /></a>   Neema V Tells You How to Thrive in the Coming Collapse: | <a target="new" href="http://www.nestlandia.com/podpress_trac/web/305/0/RFN-0040.mp3">Download</a></p>
<h2>Subscribe:</h2>
<p><a href="http://www.nestlandia.com/?feed=rss2"><img src="http://www.nestlandia.com/wp-content/uploads/2008/08/rssicon.png" /> MP3 podcast</a></p>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1838</link>
		<comments>http://greylodge.org/gpc/?p=1838#comments</comments>
		<pubDate>Fri, 30 Apr 2010 13:39:37 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1838</guid>
		<description><![CDATA[This week on Alterati





The GSpot: Richard Nash

Joseph Matheny in conversation with Richard Nash about publishing/e-publishing past-present-future.




Raido Kaos Episode Five

You were given a choice. If you sit Buddha like amid the burning dice you can expect to find melted plastic all over your pants. You spend a couple week healing up at your parents place and it’s likely [...]]]></description>
			<content:encoded><![CDATA[<div><strong>This week on Alterati</strong></div>
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<div><img width="151" height="185" style="border: 0pt none ; margin: 5px; float: left" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /><a href="http://www.alterati.com/blog/2010/04/the-gspot-richard-nash/"><strong>The GSpot: Richard Nash</strong></a></div>
<div></div>
<div><a href="http://jmatheny.wordpress.com/">Joseph Matheny</a> in conversation with <a href="http://www.rnash.com/">Richard Nash</a> about publishing/e-publishing past-present-future.</div>
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<div><img width="150" height="150" style="border: 0pt none ; margin: 5px; float: left" src="http://www.alterati.com/images/raidokaos1.jpg" /><a href="http://www.alterati.com/blog/2010/04/raido-kaos-episode-five/"><strong>Raido Kaos Episode Five</strong></a></div>
<div></div>
<div>You were given a choice. <a target="_blank" href="http://www.infictive.com/index.php?title=If_you_sit_Buddha_like_amid_the_burning_dice">If you sit Buddha like amid the burning dice</a> you can expect to find melted plastic all over your pants. <a target="_blank" href="http://www.infictive.com/index.php?title=You_spend_a_couple_week_healing_up_at_your_parents_place">You spend a couple week healing up at your parents place</a> and it’s likely you’ll come out ahead of the game. Is there even a game? (This is not a game, not in your sense of the word: Imagine <a target="_blank" href="http://www.infictive.com/index.php?title=Hizmollka">Hizmollka</a> set loose on society!) Whatever your choice, this is your soundtrack!</div>
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<div style="text-align: center"><img width="150" height="185" style="border: 0pt none ; margin: 5px; float: left" title="Necrofuturist Salon" alt="Necrofuturist Salon" src="http://www.alterati.com/images/N_FSln.jpg" /></div>
<p><a href="http://www.alterati.com/blog/2010/04/necrofuturist-salon-3/"><strong>NecroFUTURIST Salon #3</strong></a></div>
<div>
<em> <span style="font-style: normal"> P. Emerson Williams is a Great Prince of Hell, commands twenty-six legions of demons (twenty-five according to other authors), and teaches astronomy and the knowledge of poisonous plants, herbs and precious stones. He is also known as Fluffy and Mimzy. He is depicted as either being a crowned owl with long legs, a raven, or a man. Or a scary monster. Expose yourself to the Necrofuturist Transmission at your own risk, for the legions of Fluffy Necrofuturists will burrow in the minds of those of weak moral fibre and infect their souls with that infernal (yet informal) darkness.</span></em></div>
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		<title>Big Man Japan</title>
		<link>http://greylodge.org/gpc/?p=1837</link>
		<comments>http://greylodge.org/gpc/?p=1837#comments</comments>
		<pubDate>Thu, 29 Apr 2010 22:34:59 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Science Fiction</category>
	<category>Comedy</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1837</guid>
		<description><![CDATA[by Roger Ebert
Well, I guess this is the movie I’ve  been asking for. Whenever I see a superhero epic, I’m always nagged by  logical questions &#8212; like, when the Incredible Hulk becomes enormous,  how do his undershorts also expand? “Big Man Japan” answers that  question with admirable clarity. Before the Big [...]]]></description>
			<content:encoded><![CDATA[<p><strong><img align="left" src="http://t3.gstatic.com/images?q=tbn:_1UjlmhpCpK_OM:http://images.nipponcinema.com/releases/big-man-japan-magnolia.jpg" />by Roger Ebert</strong></p>
<p>Well, I guess this is the movie I’ve  been asking for. Whenever I see a superhero epic, I’m always nagged by  logical questions &#8212; like, when the Incredible Hulk becomes enormous,  how do his undershorts also expand? “Big Man Japan” answers that  question with admirable clarity. Before the Big Man grows, workers winch  an enormous pair of undershorts up on two poles, and he straddles the  crotch. Then he expands to fill them. Had to be something like that.</p>
<p>The movie, which is very funny in an insidious way, takes the  form of a slice-of-life documentary about Daisoto (Hitosi Matumoto), the  latest generation in a Tokyo dynasty of monster-killers. He is a quiet,  introverted, unhappy man whose wife has left him and taken away their  daughter. He lives alone in cluttered bachelor squalor. Nothing much  happens, but he’s always on call, and when the Department of Defense  needs him, he has to rush to the nearest power plant, be zapped with  massive bolts of electricity and grow into a giant ready to battle the  latest monster with his only weapon, a steel club.</p>
<p>These are some  monsters. One has expanding cables for arms, embraces skyscrapers,  pulls them out of the ground and throws them over his back. Then he has  to flick his comb-over back in place. One consists of a giant body and  one foot, with which he jumps on things. One exudes an overpowering  stink. One breathes fire and looks like Hellboy. One has a single giant  eyeball on a long stem hanging from its crotch and wields it like a  bola.</p>
<div class="photo_vert_160"><a href="javascript:NewWindow(550,500,'/apps/pbcs.dll/misc?url=/templates/zoom.pbs&#038;Site=EB&#038;Date=20090624&#038;Category=REVIEWS&#038;ArtNo=906249984&#038;Ref=V3&#038;template=zoom');"><img border="0" src="http://rogerebert.suntimes.com/apps/pbcsi.dll/bilde?Site=EB&#038;Date=20090624&#038;Category=REVIEWS&#038;ArtNo=906249984&#038;Ref=V3&#038;maxw=200" /></a><br />
<strong>The Deadly Swinging Eyeball.</strong></div>
<p>These monsters come from who knows where, and when they die, we  see their souls take flight and ascend to heaven. Their battles take  place in cities that look gloriously like phony special effects, and  unlike most monster movies with terrified mobs, these streets and  buildings do not have a single person visible. In contrast with the  action scenes, the movie takes the form of a downbeat doc about the  nightmare of being the Big Man.</p>
<p>Daisoto never gets time off. He  isn’t paid much. He raises cash from TV specials about his fights and  selling advertising space among his tattoos. People hate him for  stepping on things, soiling the environment and disturbing the peace.  His TV ratings are down. He wonders why his agent, a chain-smoking,  cellphone-addicted woman, has a new car but he takes the train. His only  company comes from professional geishas.</p>
<p>Matumoto plays the role  absolutely on the straight and level. So do all of the human  characters. He is as concerned about the practical problems of being a  superhero as I am. The film takes, or seems to take, his dilemma with  utter seriousness. Matumoto is also the writer and director, and it  becomes clear that he is satirizing three genres: the personal  documentary, monster movies and reality TV. And he does this slyly, with  a scalpel instead of a hatchet. Only the monsters are over the top, and  are they ever. The weird thing is that thanks to CGI, some of them have  worried middle-aged human faces on their grotesque bodies.</p>
<p>Note:  Something has been nagging you. That name Matumoto doesn’t seem quite  right. You would be correct. Hitosi Matumoto’s real name is Hitoshi  Matsumoto, but both names are misspelled in the credits. Little joke.  Think Ada Sadler. He’s a popular Japanese comedian. I hope all his  overseas viewers get the joke.(<a href="http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090624/REVIEWS/906249984">via</a>)<strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=a2162a40f647a841523f7ffe2f0d39fc31b6b37e">Download torrent</a></strong>
</p>
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		<title>Burroughs and Kerouac - And The Hippos Were Boiled in Their Tanks</title>
		<link>http://greylodge.org/gpc/?p=1836</link>
		<comments>http://greylodge.org/gpc/?p=1836#comments</comments>
		<pubDate>Sun, 25 Apr 2010 17:23:14 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Beat</category>
	<category>Burroughs</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1836</guid>
		<description><![CDATA[And the Hippos Were Boiled in Their Tanks is a novel by Jack  Kerouac and William S. Burroughs. It was written in 1945, a full  decade before the two authors became famous as leading figures of the Beat Generation, and remained unpublished for many  years.
Written in the form of a mystery novel, [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong><img height="168" align="left" width="114" src="http://www.oxonianreview.org/wp/wp-content/uploads/hippos.jpg" />And the Hippos Were Boiled in Their Tanks</strong></em> is a novel by Jack  Kerouac and William S. Burroughs. It was written in 1945, a full  decade before the two authors became famous as leading figures of the Beat Generation, and remained unpublished for many  years.</p>
<p>Written in the form of a mystery novel, the book consists of  alternating chapters by each author writing as a different character.  Burroughs (as William Lee, the pseudonym he would later use for his  first published book, <em>Junkie</em>) writes the character &#8220;Will Dennison&#8221;  while Kerouac (as &#8220;John Kerouac&#8221;), takes on the character of &#8220;Mike  Ryko&#8221;.<sup class="reference" id="cite_ref-0"><span /></sup><sup class="reference" id="cite_ref-1"><span /></sup></p>
<p>According to the book <em><span class="new">The Beat Generation in New York</span></em> by Bill  Morgan, the novel was based upon the killing of <span class="new">David Kammerer</span>  who was obsessed with Lucien  Carr. Carr stabbed Kammerer to death in a drunken fight, in self  defense by some accounts, then dumped Kammerer&#8217;s body into the Hudson  River. Carr later confessed the crime, first to Burroughs, then to  Kerouac, neither of whom reported it to the police. When Carr eventually  turned himself in, Burroughs and Kerouac were arrested as accessories  after the fact. Kerouac served some jail time because his father refused  to bail him out but Burroughs was bailed out by his family. (Kerouac  married Edie Parker while in jail, and she then paid his bail.)<sup class="reference" id="cite_ref-2"><span /><span /></sup></p>
<p>As a consequence of his experiences related to the Kammerer/Carr  case, Burroughs became addicted to morphine.</p>
<p>In later years, Burroughs did not consider <em>And the Hippos Were  Boiled in Their Tanks</em> worth retrieving from obscurity. In the 1986  documentary <em><span class="new">What  Happened to Kerouac?</span></em> he dismissed it as &#8220;not a distinguished  work.&#8221; According to his longtime companion James Grauerholz numerous attempts were made by Kerouac  and others to get the book published, until Burroughs brought a lawsuit  over the use of quotations from the manuscript that appeared in <em>New York</em> magazine in 1976; the suit, which was  settled in the 1980s, established the ownership of the work<sup class="reference" id="cite_ref-3"><span /><span /></sup>.  When Burroughs died in 1997, Grauerholz became the executor of his  estate, with responsibility for the disposition of his unpublished  works. He had befriended Lucien Carr and agreed not to publish the  manuscript in Carr&#8217;s lifetime. Carr&#8217;s death in 2005 made way for the  book to be published at last.<sup class="reference" id="cite_ref-4"><span /></sup>.</p>
<p>Penguin Books published the novel in November 2008.<sup class="reference" id="cite_ref-5"><span /></sup>  An American edition was published by Grove  Press.</p>
<p>The book&#8217;s title allegedly comes from a news broadcast, heard by  Burroughs, about a fire at the <span class="mw-redirect">St Louis Zoo</span> during which the announcer broke  into hysterics on reading the line. However, in his afterword to the  2008 publication, James Grauerholz indicated that the origin of the  title is unconfirmed and may have been related to a zoo incident in Egypt, or  possibly even a fire that occurred at a circus. (<a href="http://en.wikipedia.org/wiki/And_the_Hippos_Were_Boiled_in_Their_Tanks">wikipedia</a>)<br />
<a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=0ab87256111c18807cc227d152b6ada6aef368ed"><strong>Download torrent of audiobook Read by Ray Porter </strong></a>
</p>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1835</link>
		<comments>http://greylodge.org/gpc/?p=1835#comments</comments>
		<pubDate>Fri, 23 Apr 2010 16:47:13 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1835</guid>
		<description><![CDATA[



smallWorld Archive:Ed Halter, From Sun Tzu to  Xbox


From Sun Tzu to Xbox is a  definitive history of the longstanding 					relationship between  games  and military culture, from wargaming’s  roots 					in ancient   civilizations, to the Cold War development of computing  for 					  battle, to a recent crop of [...]]]></description>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><img height="118" width="118" style="border: 0pt none; float: left; margin: 5px" src="http://t1.gstatic.com/images?q=tbn:3VOBNOqUxkxxvM:http://smallworldpodcast.com/images/smallworldpodcastlogo.jpg" /><a href="http://www.alterati.com/blog/2010/04/smallworld-archiveed-halter-from-sun-tzu-to-xbox-war-and-video-games/"><strong>smallWorld Archive:Ed Halter, From Sun Tzu to  Xbox</strong></a></span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><a href="http://www.fromsuntzutoxbox.com/">From Sun Tzu to Xbox</a> is a  definitive history of the longstanding 					relationship between  games  and military culture, from wargaming’s  roots 					in ancient   civilizations, to the Cold War development of computing  for 					  battle, to a recent crop of Pentagon-funded shoot-’em-ups,  big-budget 	  				commercial titles and homemade hacks.</span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><a href="http://www.alterati.com/blog/2010/04/cup-of-tnb-chris-illuminati/"><strong>Cup of TNB: Chris Illuminati</strong></a><img height="127" width="140" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/TNB.gif" /></span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">Cup of TNB host <a href="http://www.thenervousbreakdown.com/author/jmatheny/">Joseph  Matheny</a> talks to TNB contributor and author <a href="http://www.thenervousbreakdown.com/author/cilluminati/">Chris  Illuminati</a>. (Yes, that’s his REAL name)</span></div>
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<td><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><img height="150" width="150" style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/19nb_bigdark_thumbnail.jpg" /><a href="http://www.alterati.com/blog/2010/04/19-nocturne-boulevard-the-big-dark/"><strong>19 Nocturne Boulevard – The Big Dark </strong></a></span></p>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">When all the  world are vampires – it’s suddenly not that glamorous  any more.</span></div>
<p><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"> A cop drama  in a very dark, possibly near, future.</span></td>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><img height="150" width="150" style="border: 0pt none; float: left; margin: 5px" title="THe John Zewizz Show" src="http://www.alterati.com/images/ZEWIZZ.jpg" /><a href="http://www.alterati.com/blog/2010/04/the-john-zewizz-show-episode-3/"><strong>The John Zewizz Show Episode 3 </strong></a></span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">This months episode is a gift from Mr. Zewizz,  featuring a performance  from the 1992 Leather &#038; Lust Tour of California. <a target="_blank" href="http://sleepchamber.info/">SLEEP CHAMBER</a> live  at the FX club in San Jose, 02/23/1992! TheeBradMiller sits in and gives  us the background and wraps up the show with updates from <a target="_blank" href="http://innerxmusick.com/">Inner-X-Musick</a>. P.  Emerson Williams introduces the show hosts.</span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><img height="99" width="130" style="border: 0pt none; float: left; margin: 5px" src="http://t2.gstatic.com/images?q=tbn:8jQiQZOmlibU9M:http://latimesblogs.latimes.com/photos/uncategorized/2008/06/01/bearichardnash.jpg" /><a href="http://www.thenervousbreakdown.com/jmatheny/2010/04/richard-nash-on-publishing-past-present-and-future/"><strong>Richard Nash on Publishing Past, Present and  Future</strong></a></span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">Utne Reader calls Richard Nash “One of 50 Visionaries Who Are   Changing Your World.” Mashable.com ranks him him “The #1 Twitter User   Changing the Shape of Publishing.” He ran Soft Skull Press, now an   imprint of Counterpoint, from 2001 to 2007, and ran the imprint on   behalf of Counterpoint until early 2009. Here’s why he left. The last   book he edited at Soft Skull, Lydia Millet’s Love in Infant Monkeys, was   just picked as a Pulitzer finalist.</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">Nash now runs his own consulting business (details here) and is   developing a start-up called Cursor, a portfolio of niche social   publishing communities, one of which will be called Red Lemonade.</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">The following is an excerpt of a longer, recorded conversation   between Cup of TNB host Joseph Matheny and Richard Nash that occurred on   March 23, 2010. A recording of the full conversation will be featured   on next week’s<a href="http://www.alterati.com/gspot/"> GSpot</a>.</span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><strong><a href="http://www.thenervousbreakdown.com/jmatheny/2010/04/richard-nash-on-publishing-past-present-and-future/">Read   it on TNB</a></strong></span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><img height="200" width="199" style="border: 0pt none; margin: 5px; float: left" src="http://www.bakotopia.com/file/picture/620181/0/0/" /></span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><a href="http://www.bakotopia.com/home/ViewPost/121264"><strong>Joseph Matheny @ Random Writer&#8217;s Workshop Next Week</strong></a></span></div>
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<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">My friend <a href="http://www.thenervousbreakdown.com/author/nlbelardes/">Nick  Belardes</a> has invited me to be a guest speaker at <a href="http://www.bakotopia.com/home/ViewPost/121264">The Random Writer’s  Workshop</a> in sunny/funny Bakersfield California. If you’re lucky, I  may even sing some Buck Owens tunes. Or not. Its really a crap shoot.</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><strong><a href="http://www.bakotopia.com/home/ViewPost/121264">Details  here.</a></strong></span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">The Random Writers Workshop is held weekly at Russo’s  Books in   Bakersfield, Calif. Headed up by author Nick Belardes, lectures  and   discussions have covered tips on getting published, as well as how  to   start a novel, how to write narrative, dialogue, setting, character    development, flash fiction, point of view (and hellish verb tense),    query letters and more.</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">In <strong>WEEK 21</strong> (4/28) we’ll be talking with <a target="_blank" href="http://jmatheny.wordpress.com/2010/04/22/"><strong>Joseph   Matheny</strong></a> from Los Angeles (founder of <a target="_blank" href="http://hukilau.us/"><strong>Hukilau</strong></a> and Pilotlite, iPad film app guru, paranormal novelist) about   independent filmmaking and screenwriting. He’ll share his latest   ventures that could affect local filmmakers. He’ll also talk about   writing paranormal books and what synchronicities mean. This DYI   discussion and lecture will  knock your socks off.</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"></span><span id="more-575"> </span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">We’ll follow that up with some workshop readings, including a brief  one  from Matheny himself.</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">Afterwards, there will be some food and drinks at a local   establishment…</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">(***Don’t forget to turn in your contest entries at this workshop if  you  attended the week prior!)</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif">Past guests have included  Bonnie Hearn Hill, Elizabeth Collins, Duke   Haney, Gina Frangello,  Jonathan Evison, Greg Olear, Lauren   Baratz-Logsted and more…</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><strong>NOTE:</strong> Only first 3-5 reading slots are guaranteed.   Those who haven’t read get dibs. Otherwise, first come, first serve.   Bring copies of your work. Each participant gets five minutes on the   stage.</span></div>
<div><span style="font-size: 12pt"></span><span style="font-family: tahoma,arial,helvetica,sans-serif"><strong>DATE: </strong>Every Wednesday<strong>!<br />
COST:</strong> $8<br />
<strong>TIME:</strong></span> <span style="font-family: tahoma,arial,helvetica,sans-serif"> 6:30 – 8  p.m. (lecture/discussion). 9  p.m.  (Group readings). Always be prepared to do some writing.<br />
<strong>PLACE:</strong></span> <span style="font-family: tahoma,arial,helvetica,sans-serif"> Russo’s Books at the Marketplace, 9000 Ming   Avenue.<br />
<strong>CONTACT: </strong></span><span style="font-family: tahoma,arial,helvetica,sans-serif">(661) 665-4686 (Russo’s)<br />
Or e-mail: <a target="_blank" href="http://jmatheny.wordpress.com/2010/04/22/i-am-guest-speaker-next-week-in-bakersfield/%27+String.fromCharCode%28110,105,99,107,98,101,108,97,114,100,101,115,64,121,97,104,111,111,46,99,111,109%29+%27?%27"><strong>nickbelardes@yahoo.com</strong></a><br />
<strong>FACEBOOK:</strong></span> <span style="font-family: tahoma,arial,helvetica,sans-serif"> Join our <a target="_blank" href="http://www.facebook.com/pages/Random-Writers-Workshop/209799831824"><strong>FAN PAGE</strong></a>.<strong> </strong><a target="_blank" href="http://www.krab.com/pages/BakotopiaRadio.html"><br />
</a></span></div>
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		<title>Initiation Masks of Identity (part 1)</title>
		<link>http://greylodge.org/gpc/?p=1834</link>
		<comments>http://greylodge.org/gpc/?p=1834#comments</comments>
		<pubDate>Thu, 22 Apr 2010 16:56:25 +0000</pubDate>
		<dc:creator>agent139</dc:creator>
		
	<category>Articles</category>
	<category>GPC</category>
	<category>139 et co</category>
	<category>Philosophy</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1834</guid>
		<description><![CDATA[&#8220;I tell you: one must have chaos in one, to give birth to a dancing star.&#8221; &#8212; Frederich Nietzche. 




Initiation is such a constant in the cultural body that it is evident in one form or another in nearly every human culture that has ever existed before the industrial age, at which point it became [...]]]></description>
			<content:encoded><![CDATA[<p><span style="border-collapse: separate; color: #000000; font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; font-size: medium" class="Apple-style-span" /><span style="font-family: 'Hoefler Text','Times New Roman',serif; font-size: 16px; line-height: 20px" class="Apple-style-span">&#8220;I tell you: one must have chaos in one, to give birth to a dancing star.&#8221; &#8212; Frederich Nietzche. </span></p>
<p><img height="305" width="203" src="http://www.realitysandwich.com/sites/realitysandwich.civicactions.net/files/imagecache/large/curciobig.jpg?" /></p>
<p><span style="border-collapse: separate; color: #000000; font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; font-size: medium" class="Apple-style-span" /></p>
<div><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span" /></p>
<div style="font-family: 'Hoefler Text','Times New Roman',serif; font-size: 1.05em; line-height: 1.3em; margin: 0px 0px 1em">
<p style="margin: 0px"><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span"></font><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span"><em>Initiation is such a constant in the cultural body that it is evident in one form or another in nearly every human culture that has ever existed before the industrial age, at which point it became notably absent, at least on the surface. This absence has produced a very real psychological crisis on a cultural scale, although as we will see in many ways the initiatory impulse has merely transferred itself, oftentimes to behaviors and beliefs which only shallowly fulfill that impulse. </em></font></p>
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<p style="margin: 0px">
<p style="margin: 0px"><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span"></font><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span">Full article on Reality Sandwich: </font></p>
<p style="margin: 0px"><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span"></font><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span"><a target="_blank" href="http://www.realitysandwich.com/initiation_masks_identity_part_1">http://www.realitysandwich.com/initiation_masks_identity_part_1</a></font></p>
<p style="margin: 0px">
<p style="margin: 0px"><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span">(This three part series will be run in their final form in the <a href="http://www.modernmythology.net/2009/07/immanence-of-myth-anthology-guidelines.html">Immanence of Myth</a> anthology.)</font></p>
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<p><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span"><font face="'Hoefler Text', 'Times New Roman', serif" style="font-size: 15px; line-height: 19px" class="Apple-style-span" /></font></div>
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		<title>Richard Nash on Publishing Past, Present and Future</title>
		<link>http://greylodge.org/gpc/?p=1833</link>
		<comments>http://greylodge.org/gpc/?p=1833#comments</comments>
		<pubDate>Mon, 19 Apr 2010 19:30:09 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Literature</category>
	<category>Media Theory</category>
	<category>Interviews</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1833</guid>
		<description><![CDATA[
Utne Reader calls Richard Nash &#8220;One of 50 Visionaries Who Are  Changing Your World.&#8221; Mashable.com ranks him him &#8220;The #1 Twitter User  Changing the Shape of Publishing.&#8221; He ran Soft Skull Press, now an  imprint of Counterpoint, from 2001 to 2007, and ran the imprint on  behalf of Counterpoint until early [...]]]></description>
			<content:encoded><![CDATA[<p><img height="214" width="286" class="aligncenter" src="http://www.thenervousbreakdown.com/wp-content/uploads/2010/04/3640982551_531aab94bb.jpg" /></p>
<p>Utne Reader calls Richard Nash &#8220;One of 50 Visionaries Who Are  Changing Your World.&#8221; Mashable.com ranks him him &#8220;The #1 Twitter User  Changing the Shape of Publishing.&#8221; He ran Soft Skull Press, now an  imprint of Counterpoint, from 2001 to 2007, and ran the imprint on  behalf of Counterpoint until early 2009. Here&#8217;s why he left. The last  book he edited at Soft Skull, Lydia Millet&#8217;s Love in Infant Monkeys, was  just picked as a Pulitzer finalist.</p>
<p>Nash now runs his own consulting business (details here) and is  developing a start-up called Cursor, a portfolio of niche social  publishing communities, one of which will be called Red Lemonade.</p>
<p>The following is an excerpt of a longer, recorded conversation  between Cup of TNB host Joseph Matheny and Richard Nash that occurred on  March 23, 2010. A recording of the full conversation will be featured  on next week&#8217;s<a href="http://www.alterati.com/gspot/"> GSpot</a>.</p>
<p><strong><a href="http://www.thenervousbreakdown.com/jmatheny/2010/04/richard-nash-on-publishing-past-present-and-future/">Read  it on TNB</a></strong>
</p>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1833&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1833" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>Head</title>
		<link>http://greylodge.org/gpc/?p=1832</link>
		<comments>http://greylodge.org/gpc/?p=1832#comments</comments>
		<pubDate>Sun, 18 Apr 2010 13:58:30 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Classic</category>
	<category>Cinema</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1832</guid>
		<description><![CDATA[Head is a psychedelic motion picture released  in 1968,  starring TV group The Monkees (in credit order: Peter  Tork, Davy Jones,  Micky  Dolenz and Michael Nesmith), and distributed by Columbia  Pictures. It was written and produced by Bob  Rafelson and Jack  Nicholson, and directed by Rafelson.
The name [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong><img width="185" height="287" align="left" src="http://upload.wikimedia.org/wikipedia/en/5/51/HEAD.jpg" />Head</strong></em> is a psychedelic motion picture released  in 1968,  starring TV group The Monkees (in credit order: Peter  Tork, Davy Jones,  Micky  Dolenz and Michael Nesmith), and distributed by Columbia  Pictures. It was written and produced by Bob  Rafelson and Jack  Nicholson, and directed by Rafelson.</p>
<p>The name seems to be a sort  of joke. The Beatles had released the  film &#8220;HELP&#8221;, and the physical  beginning of a movie is called the &#8220;HEAD&#8221;.  &#8220;Head&#8221; is actually written  on the beginnings of every reel of film  produced just as &#8220;Tail&#8221; is  written on the ends. A similar joke can be  seen later in the movie -  when they are playing a concert, you can see  the word &#8220;Drum&#8221; on their  drums instead of &#8220;Monkees&#8221;. Additionally, a  &#8220;head trip&#8221; was a common  term in the late sixties, and this can also be  part of the joke. In 60s  and 70s slang, &#8220;head&#8221; meant someone who used  psychedelic drugs, as in  &#8220;pot head,&#8221; and &#8220;acid head.&#8221; The name is also  suggestive of oral sex.</p>
<p>During production, the working title for the film was &#8220;Changes&#8221;,   which was later the name of an unrelated album by the Monkees. A rough   cut of the film was previewed for audiences in Los Angeles in the summer   of &#8216;68 under the name of &#8220;Movee Untitled&#8221;.</p>
<p>The film featured  Victor  Mature as &#8220;The Big Victor&#8221; and other cameo appearances by  Nicholson, Teri  Garr, Carol Doda, Annette Funicello, Frank  Zappa,  Sonny Liston, Timothy  Carey and Ray Nitschke. <a href="http://en.wikipedia.org/wiki/Head_%28film%29">Wikipedia</a></p>
<p><strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=f2e99de69f61300dc7adfb1476d658afae22f276">Download Torrent </a></strong>
</p>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1831</link>
		<comments>http://greylodge.org/gpc/?p=1831#comments</comments>
		<pubDate>Fri, 16 Apr 2010 13:40:44 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>The G-SPot</category>
	<category>Alterati</category>
	<category>The GSpot</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1831</guid>
		<description><![CDATA[


The GSpot: Nick Belardes
Joseph Matheny in conversation with Nick Belardes about his new book, Random Obsessions and a new episode of Bound Up With Books, reviewing De Sade&#8217;s Valet by Nikolaj Frobeniu




Cassette Culture Episode Three


This months show TheeBradMiller, your kind, loving, greazed up and libertine host will feature recording from the many SLEEPCHAMBER radio broadcasts [...]]]></description>
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<h2 class="entry-title"><img style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /><a href="http://www.alterati.com/blog/2010/04/the-gspot-nick-belardes/">The GSpot: Nick Belardes</a></h2>
<p>Joseph Matheny in conversation with Nick Belardes about his new book, Random Obsessions and a new episode of Bound Up With Books, reviewing De Sade&#8217;s Valet by Nikolaj Frobeniu</td>
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<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/04/cassette-culture-episode-three/"><img style="border: 0pt none; float: left; margin: 5px" src="http://choronzon333.podomatic.com/mymedia/thumb/36810/460%3E_2644876.jpg" />Cassette Culture Episode Three</a></h2>
</div>
<div></div>
<div>This months show TheeBradMiller, your kind, loving, greazed up and libertine host will feature recording from the many SLEEPCHAMBER radio broadcasts as well as a few surprises!</div>
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<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/04/raido-kaos-episode-four/"><img style="border: 0pt none; float: left; margin: 5px" src="http://www.alterati.com/images/raidokaos1.jpg" />Raido Kaos Episode Four</a></h2>
</div>
<div>You go on a space mission and you get a job mopping the streets on which drives the culture of the OSK Group. Aurora of dawn breaking against the crystal dome inspires the diversity of spa products, cleansing services and therapeutic activities provided on the orbital platform.</div>
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		<title>“Would you Tar and Feather a Tax Collector?”</title>
		<link>http://greylodge.org/gpc/?p=1830</link>
		<comments>http://greylodge.org/gpc/?p=1830#comments</comments>
		<pubDate>Fri, 16 Apr 2010 05:11:38 +0000</pubDate>
		<dc:creator>EchoPenguin</dc:creator>
		
	<category>GPC</category>
	<category>Music</category>
	<category>Punk</category>
	<category>Anarchy</category>
	<category>Americana</category>
	<category>Psychotherapy</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1830</guid>
		<description><![CDATA[
NOTE: This song is not a call to action. It’s a history  lesson, about  the Whiskey Rebellion….sort  of punk rock “Schoolhouse Rock.” lol….

 NEW song from Right Arm of Wyoming. DOWNLOAD  MP3 HERE. (RIGHT CLICK TO SAVE.)
LYRICS for “Would you Tar and Feather a Tax Collector?” :
CHORUS 1:
Would you tar and [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.libertarianpunk.com/wp-content/uploads/2010/04/TarAndFeather.jpg"><img height="310" width="225" class="alignnone size-full wp-image-1647" title="TarAndFeather" src="http://www.libertarianpunk.com/wp-content/uploads/2010/04/TarAndFeather.jpg" /></a></p>
<p><strong>NOTE: This song is not a call to action. It’s a history  lesson, about  the <a title="Whiskey Rebellion" href="http://en.wikipedia.org/wiki/Whiskey_Rebellion">Whiskey Rebellion</a>….sort  of punk rock “Schoolhouse Rock.” lol….<br />
</strong></p>
<p><strong> </strong>NEW song from Right Arm of Wyoming. <a href="http://www.rightarmofwyoming.com/TarAndFeather-RAW.mp3">DOWNLOAD  MP3 HERE</a>. (RIGHT CLICK TO SAVE.)</p>
<p>LYRICS for “Would you Tar and Feather a Tax Collector?” :</p>
<p>CHORUS 1:<br />
Would you tar and feather a tax collector?<br />
Like they did in days of old?<br />
Would you tar and feather a tax collector?<br />
For breaking in and stealing your gold?</p>
<p>CHORUS 2:<br />
GET OUT AND FIGHT!<br />
GET UP AND FIGHT!<br />
STAND UP AND FIGHT!<br />
FOR YOUR RIGHTS!<br />
GET OUT AND FIGHT!<br />
GET UP AND FIGHT!<br />
WAKE UP AND FIGHT!<br />
FOR YOUR RIGHTS!</p>
<p>The American Revolution was mostly<br />
fought for just two things:<br />
taxation and trying to take our guns.</p>
<p>My great great great great great great grand dad<br />
died in that war.<br />
He took a musketball from King George’s goons.</p>
<p>A few years later, in 1791 the federalist gub’mint<br />
sent us the bill for that war<br />
with even higher taxes than before<br />
That federalist traitor Alexander Hamilton<br />
acted like the new King George.</p>
<p>He tried to take honest money from the distillers.<br />
But the brave men of Pennsylvania didn’t want a nanny state<br />
so they tarred and feathered a tax collector</p>
<p>(CHORUS 1)<br />
Flash forward 219 years<br />
The new Alexander Hamilton is trying the same plan<br />
but on a much larger scale<br />
The gub’mint’s much bigger</p>
<p>And most people are sheep<br />
waiting to be sheered in their sleep</p>
<p>(CHORUS 1)</p>
<p>The gub’mint buys guns by the millions<br />
Meanwhile, they’re taking ours.<br />
What do you think they’ve got in mind?</p>
<p>I’m not saying “it’s time.”<br />
I’m just sayin’ ya gotta look behind.<br />
Those who ignore history<br />
have no future.<br />
And King George wants us all subdued.</p>
<p>Middle 8:<br />
It’s hard to watch my country being destroyed<br />
It makes me very sad.<br />
When I’m sad I don’t feel sorry for myself.<br />
The sorrow turns to anger, which<br />
hardens into steely reserve.</p>
<p>(CHORUS 2)</p>
<p>I’ll probably get on some list for singing this song<br />
Screw ‘em – I’m right, they’re wrong.<br />
We were taught to love our country, at one time.<br />
But now?<br />
That’s a hate crime.</p>
<p><a href="http://www.rightarmofwyoming.com/"><img src="http://www.rightarmofwyoming.com/front.jpg" /></a></p>
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<enclosure url='http://www.rightarmofwyoming.com/TarAndFeather-RAW.mp3' length='4866808' type='audio/mpeg'/>
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		<item>
		<title>Watch Vice Guide To Film: Russian Parallel Cinema</title>
		<link>http://greylodge.org/gpc/?p=1829</link>
		<comments>http://greylodge.org/gpc/?p=1829#comments</comments>
		<pubDate>Fri, 16 Apr 2010 00:17:09 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Mailbag</category>
	<category>Vice</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1829</guid>
		<description><![CDATA[From the mailbag:
Caitlin  sheehan wrote:
Hello,
My name is Caitlin and I work for Vice/ VBS.TV.  We have just released our  second installment of Vice Guide To Film, our new documentary series, in  which we explore the world of Russian Parallel Cinema. Please take a look,  I am curious to hear what you think.
In [...]]]></description>
			<content:encoded><![CDATA[<p><img align="left" src="http://t2.gstatic.com/images?q=tbn:lbZW8XAoO1yJMM:http://www.greylodge.org/occultreview/idxs/cinefantom1.jpg" />From the mailbag:</p>
<p><meta http-equiv="content-type" content="text/html; charset=utf-8" />Caitlin  sheehan wrote:<br />
Hello,</p>
<p>My name is Caitlin and I work for Vice/ VBS.TV.  We have just released our  second installment of Vice Guide To Film, our new documentary series, in  which we explore the world of Russian Parallel Cinema. Please take a look,  I am curious to hear what you think.</p>
<p>In our new documentary series, Vice Guide To Film, we are scour the globe  freakiest and most important global happenings in the world of cinema. Our  most recent being, Russian Parallel Cinema. In this 3 part series we take  a peak into the cinema movement  that emerged in the the Soviet Union, in  the mid 1980&#8217;s. We are fascinated by the mixture of old Soviet avant-garde  agitprop film and &#8220;Neco-realism&#8221;, and where it stands today.</p>
<p>Watch Vice Guide To Film: Russian Parallel Cinema<br />
<a class="moz-txt-link-freetext" href="http://www.vbs.tv/watch/the-vice-guide-to-film--2/russian-parallel-cinema-part-1-of-3">http://www.vbs.tv/watch/the-vice-guide-to-film&#8211;2/russian-parallel-cinema-part-1-of-3</a></p>
<p>Take a peak with us into some of the less-known, and more interesting,  film movements to come out Russia. As Shane Smith, the co-founder of Vice  Magazine, goes into Russia, meets directors and takes part in the insane  mishmash of booze, surrealism, violence and insanity known as Parallel  Cinema.</p>
<p>VBS is an online broadcast network that streams free original content 24  hours a day. We carry a mix of domestic and international news, pop and  underground culture coverage, and the best music in the world.</p>
<p>Thanks,<br />
Caitlin
</p>
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		<item>
		<title>Dennis Hopper: Godfather of Indie</title>
		<link>http://greylodge.org/gpc/?p=1828</link>
		<comments>http://greylodge.org/gpc/?p=1828#comments</comments>
		<pubDate>Sun, 11 Apr 2010 17:41:53 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Classic</category>
	<category>Anarchy</category>
	<category>Drugs</category>
	<category>Cinema</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1828</guid>
		<description><![CDATA[DENNIS HOPPER  —  actor, filmmaker, photographer, art  collector, world-class burnout, first-rate survivor  — never blew it.  Unlike the villains and freaks he has played over the decades  — the  psycho with the mommy complex in “Blue  Velvet,” the mad bomber with the grudge in “Speed”   [...]]]></description>
			<content:encoded><![CDATA[<p><img width="202" height="202" align="left" src="http://www.marketpsych.com/blog/uploaded_images/ApocalyseNow_DennisHopper_Kurtz-787644.jpg" /><strong>DENNIS HOPPER</strong>  —  actor, filmmaker, photographer, art  collector, world-class burnout, first-rate survivor  — never blew it.  Unlike the villains and freaks he has played over the decades  — the  psycho with the mommy complex in “Blue  Velvet,” the mad bomber with the grudge in “Speed”   — he has made it through the good, the bad and some spectacularly  terrible times. He rode out the golden age of Hollywood by roaring into a  new movie era with “Easy  Rider.” He hung out with James Dean, played Elizabeth Taylor’s son, acted for Quentin Tarantino.  He has been rich and infamous, lost  and found, the next big thing, the last man standing.“Easy Rider” retains a privileged place in American film history,  though less for its formal experimentation than its perceived impact on  the movie industry, as illustrated by the self-explanatory title of Peter Biskind’s popular  1998 book “Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ’n’  Roll Generation Saved Hollywood.” Bluntly, this $400,000 biker movie  earned almost $20 million at the time of its release, proving that the  counterculture could be turned into customers with the right sales  pitch. (“A man went looking for America. And couldn’t find it  anywhere&#8230;”)  And, in the summer of 1969 when the film opened, that  pitch was perfect,  particularly for young audiences who saw characters  they could identify with in the story of two bikers  — Mr. Fonda goes by  Wyatt, Mr. Hopper is Billy  — who, after a big cocaine deal, zoom  across the Southwest only to be shot dead by a local yokel.</p>
<p>The  movie was a hit at the 1969 Cannes  Film Festival, where it won a prize for best first work. When it  opened in America a few months later, Andrew Sarris explained  its Cannes triumph partly through the distorting lens of Vietnam,  writing that “motorcycles, materialism, misanthropy and murder have long  served as adequate cinematic correlatives of American life for  Europeans, and never more so than in this year of law and order on  Hamburger Hill.” Mr. Sarris was mostly impressed with Mr. Nicholson’s  brilliant, brief turn as George Hanson, a boozer and doomed son of the  South whom Wyatt and Billy meet in jail. Others, like a passionate fan  named Richard Goldstein, who defended the movie in The New York Times,  saw something else: “I want to believe that ‘Easy Rider’ is a travel  poster for the new America.”Certainly, the movie became a model  for a new American cinema, one that was young and emancipated from the  old studio mind-think, a declaration of creative independence  that  lasted (in theory) until Steven Spielberg’s  great white shark ate its way through  the box office six summers later, initiating the Blockbuster Age. For  his part Mr. Hopper, whom Mr. Biskind anoints as “a drug-crazed guru of  the counterculture,” remains the central character in the legend of  “Easy Rider” both because Mr. Hopper directed, edited and starred in it  and because of his temper, drug taking, overweening self-regard and  cluelessness during the period of its production. (Mr. Hopper and Mr.  Fonda share writing credit with Terry Southern.)</p>
<p>There are  downsides to being linked with a legend, and Mr. Biskind ends his  chapter on “Easy Rider” with the Manson Family murders, a queasy linkage  that partly speaks to Mr. Hopper’s mushrooming profile as a Hollywood  madman. It was an image that Mr. Hopper, who even described his former  self as a “maniac” to Mr. Biskind,  nurtured with acid trips, a gun  fetish, a tendency to overshare with journalists and bouts of physical  violence, culminating in his breaking the nose of his first wife, Brooke  Hayward. Mr. Biskind buries the New American cinema movement of the  late 1960s and early 1970s with a chapter titled “We Blew It,” echoing  the line Wyatt utters to Billy in “Easy Rider.”</p>
<p>Many who followed Mr. Hopper’s next act might have thought he did the  same. In 1970  he  started “<strong>The  Last Movie</strong>,” a prophetic title if ever there was one. Bankrolled by  Universal — the studios were mainlining youth culture by then — he  traveled to the Peruvian Andes to make a film about a stunt man who,  after production on a violent Hollywood-style Western wraps, stays  behind. Played by Mr. Hopper, the stunt man (though not necessarily in  this order) hooks up with a local prostitute; coordinates a sex show for  debauched tourists; jaws on about “The  Treasure of the Sierra Madre”; and takes perhaps lethal part in  another film shoot, this one staged as a ritual by Indians using  equipment made from twigs.</p>
<p>Lysergic and lyrical, engrossing and  off-putting, “The Last Movie” is a blunt instrument — one scene shows an  American woman swaddled in fur and perched next to a photograph of an  emaciated African child — and not as narratively incomprehensible as its  reputation suggests. Mr. Hopper said it was a story about America and  compared the film to “an abstract expressionist painting, where the guy  shows the pencil lines, leaves some empty canvas, shows a brushstroke,  lets a little drip come down.” Pauline Kael picked up  his metaphor and ran with it, likening Mr. Hopper’s editing, which is  considerably more frenetic  than it is in “Easy Rider,” to someone  slashing his own canvases.The consensus was that Mr. Hopper had  hacked his career to shreds, though his worst mistake, beyond too many  drugs and too much drink, was allowing journalists on the set. They  came, they saw, and their reports portended the worst, as did the  editors who came up with headlines like “Dennis Hopper, High in the  Andes.”  The most damaging might have been the Life magazine cover story  with a photo of a smiling Mr. Hopper wearing a black hat and holding a  flower in one hand, a football in the crook of his arm. “Is it any  wonder,” a Life reader fumed, “that we’re in the shape we are in, when  our children look upon such sludge as heroes?”</p>
<p>First “Easy  Rider,” now this! There’s little doubt that Mr. Hopper’s indulgencies  took their toll, but if “The Last Movie” had made the money, you might  be reading a different story. The film was doomed, though — badly  released, mocked and soon dismissed, as was Mr. Hopper. He more or less  dropped out from the public eye until he flew off to the Philippines in  1976 to play the zonked-out photojournalist in Francis Ford Coppola’s “Apocalypse  Now.” Chattering like a hopped-up monkey, cameras clattering around  his neck, T. S. Eliot’s words rolling  around in his mouth, dirty, disheveled and totally bonkers, the  character is a wonder, but painful. The line between Mr. Hopper’s  on-screen delivery and his off-screen  reputation seems too thin, it   makes you squirm, as do many of his later, greater roles.</p>
<p>If the  pleasure of his performance is tinged with discomfort, it’s because Mr.  Hopper has apparently never been afraid of looking ridiculous  —  an  important quality for performers. Few actors can navigate the line  between terror and comedy as unnervingly,  evidenced by his mesmerizing  turn in David Lynch’s “Blue Velvet.” Where does that character end and  Mr. Hopper begin? You don’t know, and that not knowing is the space in  which Mr. Hopper works. Before he started to spill his guts and  everything else on screen, his openness could be delightful, as when he  was photographed reading Stanislavsky on the set of “Rebel  Without a Cause.” He was 17, playing a guy named Goon and hanging  on every word of James Dean, who told him to start taking photographs,  to look at the world through a frame.</p>
<p>Later that openness could  make you blanch, as it does in “<strong>The  American Dreamer,</strong>” a documentary about the making of “<strong>The Last  Movie</strong>” in which he sheds his clothes and  demolishes the barrier between  the private and the public. (You can w<a href="http://www.youtube.com/watch?v=SkMHb0mAUAY">atch for yourself on YouTube</a> or download below.)  There was something repellent about how he let it all hang out even if  this same quality kept you watching.  (<a href="http://www.nytimes.com/2010/04/11/movies/11dargis.html?&#038;pagewanted=all">Excerpts from NY Times article</a>)</p>
<p><strong>Download torrents below </strong></p>
<ul>
<li><strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=3128c2fede55be3a8da3a25ad8a59993118b43d7">The American Dreamer </a></strong></li>
<li><strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=3ec0cd5688f36216a382057b41c4cc194b1fea62">The Last Movie</a></strong></li>
</ul>
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		<title>The Week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1827</link>
		<comments>http://greylodge.org/gpc/?p=1827#comments</comments>
		<pubDate>Sat, 10 Apr 2010 15:02:22 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Podcast</category>
	<category>The G-SPot</category>
	<category>Altertube</category>
	<category>Nocturne Boulevard</category>
	<category>smallWorld</category>
	<category>The GSpot</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1827</guid>
		<description><![CDATA[The Week on Alterati





smallWorld Archive: Steve Blush, American Hardcore

Archive show from 2006: Interview with Steve Blush, author of American Hardcore and contributor to the American Hardcore document



Cup of TNB: GINA FRANGELLO

Cup of TNB host Joseph Matheny talks to TNB  fiction editor and author Gina Frangello.



19 Nocturne Boulevard – Il Professoro’s Daughter

Can a college student [...]]]></description>
			<content:encoded><![CDATA[<div><strong>The Week on Alterati</strong></div>
<div></div>
<div>
<table border="0" width="90%" cellspacing="5">
<tr>
<td>
<div><img style="border: 0pt none ; margin: 5px; float: left" src="http://t1.gstatic.com/images?q=tbn:3VOBNOqUxkxxvM:http://smallworldpodcast.com/images/smallworldpodcastlogo.jpg" /><strong><a href="http://www.alterati.com/blog/2010/04/smallworld-archive-steve-blush-american-hardcore/">smallWorld Archive: Steve Blush, American Hardcore</a></strong></div>
<div></div>
<div><strong>Archive show from 2006</strong>: Interview with Steve Blush, author of <a href="http://www.sonyclassics.com/americanhardcore/">American Hardcore</a> and contributor to the American Hardcore document</div>
</td>
</tr>
<tr>
<td><img width="140" height="127" style="border: 0pt none ; margin: 5px; float: left" src="http://www.alterati.com/images/TNB.gif" /><a href="http://www.alterati.com/blog/2010/04/cup-of-tnb-gina-frangello/"><strong>Cup of TNB: GINA FRANGEL</strong>LO</a></p>
<div></div>
<div>Cup of TNB host <a href="http://www.thenervousbreakdown.com/author/jmatheny/">Joseph Matheny</a> talks to TNB  fiction editor and author <a href="http://www.thenervousbreakdown.com/author/gfrangello/">Gina Frangello</a>.</div>
</td>
</tr>
<tr>
<td><img width="150" height="150" style="border: 0pt none ; margin: 5px; float: left" src="http://www.alterati.com/images/19nb_professoris_daughter_thumb-1.jpg" /><strong><a href="http://www.alterati.com/blog/2010/04/19-nocturne-boulevard-il-professoros-daughter/">19 Nocturne Boulevard – Il Professoro’s Daughter</a></strong></p>
<div></div>
<div>Can a college student find love with the  girl next door?     What if she’s a bit … untouchable?</div>
</td>
</tr>
<tr>
<td>
<div><img width="150" height="185" style="border: 0pt none ; margin: 5px; float: left" title="Weaponized: Atomization of the Flesh" src="http://www.alterati.com/images/Atomization.Cover.thmb.jpg" /><strong><a href="http://www.alterati.com/blog/2010/04/weaponized-episode-3-atomization-of-the-flesh/">Weaponized Episode 3: Atomization of the Flesh</a></strong></div>
<div></div>
<div>The electron path thrown off course, the center, a nothing so powerful it scarred generations. The energy formed transmitted in waves through all particles across time. A record of a hubris at once quaint, ennervating, evil and ultimately tragic.</div>
</td>
</tr>
<tr>
<td><img width="150" height="150" style="border: 0pt none ; margin: 5px; float: left" src="http://www.alterati.com/images/raidokaos1.jpg" /></p>
<div><strong><a href="http://www.alterati.com/blog/2010/04/raido-kaos-episode-three/">Raido Kaos Episode Three </a></strong></div>
<div></div>
<div>As the day dawns, you are researching the <a target="_blank" href="http://www.infictive.com/index.php?title=Ellon_Oil_Co">Ellon Oil Co</a> when someone outside shouts “<a target="_blank" href="http://www.infictive.com/index.php?title=Here_comes_the_munchkins">Here comes the munchkins</a>!” They’re all whacked out on <a target="_blank" href="http://www.infictive.com/index.php?title=Sceletium_Tortuosum">Sceletium Tortuosum</a> so you lock the doors and draw the curtains. Your research continues throughout the morning and there is nothing that can stop you. This is your soundtrack.</div>
</td>
</tr>
</table>
</div>
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		<item>
		<title>David Mack: Updated Interview (Drawing Outside The Lines)</title>
		<link>http://greylodge.org/gpc/?p=1826</link>
		<comments>http://greylodge.org/gpc/?p=1826#comments</comments>
		<pubDate>Thu, 08 Apr 2010 11:41:41 +0000</pubDate>
		<dc:creator>agent139</dc:creator>
		
	<category>GPC</category>
	<category>139 et co</category>
	<category>Alterati</category>
	<category>Art</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1826</guid>
		<description><![CDATA[(This interview continued upon and expands upon an interview David and I conduced in 2007 for Alterati.com. It will be run in the Immanence of Myth anthology along with many other interviews with creators working in the realms of modern myth.)
I still remember the first time I encountered Kabuki. I was just browsing around a [...]]]></description>
			<content:encoded><![CDATA[<p>(This interview continued upon and expands upon an interview David and I conduced in 2007 for <a href="http://www.alterati.com">Alterati.com</a>. It will be run in the Immanence of Myth anthology along with many other interviews with creators working in the realms of modern myth.)</p>
<p><strong>I still remember the first time I encountered Kabuki. I was just browsing around a Barnes &#038; Noble, buzzing on caffeine, and this beautifully illustrated hardcover book found its way into my hands.<br />
It’s not hard to be taken in by the art, really, it is both graceful and bold- but I actually laughed out loud when I started reading it- there was a section where the characters were talking to one another, and then moving through a building. Now most sequential artists would draw panel after panel of them walking and talking, West Wing style, maybe breaking it up with different angles and whatnot so it’s not just a bunch of talking heads. But you just give us a top down view of the building, and little talk bubbles as they wind their way around the maze. I just thought that was completely brilliant…<br />
I never would have thought of that, but then looking at it, it’s just like “of course!” This is something I’ve seen continuing through these books, that you are really good at finding the straightest line, the best means of telling the story rather than just adhering to whatever storytelling conventions people might be used to.</strong></p>
<p>David Mack: I like how you described that. I think you described it very astutely. That is how I approach the art. As a tool of the writing. I try to consider what pace, or rhythm, or medium or visual personality of style of art will best and most effectively communicate that particular story or scene of the story.</p>
<p>Do you refer back to previous myths and stories when you write? Are there any that you find yourself returning to frequently?</p>
<p>DM: I allude to myth quite a bit in my work.<br />
Certainly, Kabuki often refers to a certain amount of Japanese mythology. The story often incorporates the framework of Japanese myths and the Japanese Ghost Story that was a central theme in the Kabuki plays.</p>
<p>Kabuki also incorporates the traditional “Hero’s Journey”. The central myth that myths from all cultures and times continue to orbit around. From Biblical literature (which was probably my introduction to literature &#038; mythology) to Greek Mythology, to folk stories around the globe. The scholar Joseph Campbell has written some incredible books about this: the journey of the hero, and the use of masks in mythology and storytelling.</p>
<p>But Kabuki also corresponds to a template of children’s literature and the mythology that has grown around that. Each of the Kabuki volumes alludes to a kind of children’s fairy tail. Both western and eastern fairy tale mythology &#038; children’s literature is interwoven into the store. For instance the first volume of Kabuki is a retelling of Alice in Wonderland. Lewis Carroll told a fantastical story that was essentially the journey of a child into adult consciousness.<br />
Hence the allegory of chess pieces.<br />
The story of a pawn into a queen. If the pawn can make it to the other side of the board they become the most powerful piece on the board.<br />
I used this iconography in Kabuki as well.<br />
In KABUKI Vol. 1, each main character pertains to a piece on the chess board. And each main character correlates to a character from Alice in Wonderland.<br />
The Twins, Siamese, are Tweedle Dee &#038; Dum. The General is Humpty Dumpty, Scarab is the Beetle, Tigerlily &#038; Snapdragon are named after the talking flowers in Through the looking glass and so on. When you know this, it is quite easy to correlate the characters. But when you don’t know it consciously, there is still a mythological iconography that gives weight to the story subconsciously.</p>
<p>(<a href="http://www.modernmythology.net/2010/04/david-mack-drawing-outside-lines.html">FULL INTERVIEW</a>)
</p>
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		<title>Mock Up On Mu (+extras)</title>
		<link>http://greylodge.org/gpc/?p=1825</link>
		<comments>http://greylodge.org/gpc/?p=1825#comments</comments>
		<pubDate>Wed, 07 Apr 2010 22:28:52 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Experimental</category>
	<category>Independent</category>
	<category>Cinema</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1825</guid>
		<description><![CDATA[Craig Baldwin&#8217;s Mock Up and Mu Unlocks and  Mocks the Mysteries of Scientology  
 Download  torrent
Manic and irrepressible, an exuberant crank and a tireless activist, San  Francisco film artist Craig Baldwin uses a seemingly inexhaustible  trove of cheesy found footage and his own haphazardly shot  dramatizations to rewire American [...]]]></description>
			<content:encoded><![CDATA[<p><img align="left" src="http://t1.gstatic.com/images?q=tbn:xpt1H5fJ1VjwFM:http://www.phillyfunguide.com/images/event/47965/moon1.jpg" />Craig Baldwin&#8217;s <em>Mock Up and Mu</em> Unlocks and  Mocks the Mysteries of Scientology  <a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=5805f8439f276d5dad9d02b7f875676ddd89e56c" /></p>
<p><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=5805f8439f276d5dad9d02b7f875676ddd89e56c"> </a><strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=5805f8439f276d5dad9d02b7f875676ddd89e56c">Download  torrent</a></strong></p>
<p>Manic and irrepressible, an exuberant crank and a tireless activist, San  Francisco film artist Craig Baldwin uses a seemingly inexhaustible  trove of cheesy found footage and his own haphazardly shot  dramatizations to rewire American history, reconfigure old conspiracy  theories, and rail against the machine.<em>Mock Up on Mu</em>, shown once last fall in the New York Film  Festival&#8217;s avant-garde sidebar and opening for a week&#8217;s run at  Anthology, is Baldwin&#8217;s wiggiest bargain-basement extravaganza since his  1991 masterpiece <em>Tribulation 99</em>. Like that apocalyptic &#8220;hidden  history&#8221; of alien invasion in Latin America, <em>Mock Up on Mu</em> is a  modern American myth fashioned from all manner of cultural detritus,  notably the prehistory of the sci-fi religion Scientology. (With typical  bravado, Baldwin claims to have been inspired by the lawyer&#8217;s letter he  received after citing L. Ron Hubbard&#8217;s stint as a U.S. intelligence  agent in his 1999 conspiratorial harangue, <em>Spectres of the Spectrum</em>.)</p>
<p>Baldwin&#8217;s fantastic but &#8220;not untrue saga&#8221; references a particular  cabal that came together in mid-&#8217;40s Pasadena—and also fascinated  avant-garde filmmaker Kenneth Anger, who explicitly drew on it in his  1954 <em>Inauguration of the Pleasure Dome</em>. Pioneer rocket scientist  and would-be warlock Jack Parsons, a follower of the notorious magus  Aleister Crowley, found his own protégé in the young science-fiction  writer L. Ron Hubbard, as well as a &#8220;scarlet&#8221; consort in the proto  beatnik artist Marjorie Cameron. Initiated into Parsons&#8217;s occult sex  magic rites, Hubbard ran off with a chunk of his mentor&#8217;s money as well  as his mistress, and went on to found his own enormously successful  religion. Parsons married Cameron; he suffered a spectacular death when  his garage-laboratory exploded in 1952, while she became the godmother  of New Age spiritualism.</p>
<p><a id="more-1825"></a></p>
<p><em>Mock Up on Mu</em> reconstructs this triangle after a fashion,  using an assemblage of NASA footage, World&#8217;s Fair promotional films,  vintage home movies, trailers for cheap sci-fi horror films, and  excerpts from Hollywood productions ranging from &#8217;30s Flash Gordon  serials to Hitchcock&#8217;s <em>North by Northwest</em>. (The soundtrack is  nearly as busy, composed of movie-theme shards and bits of old radio  shows, with over-dubbed comic-strip dialogue delivered as a nearly  nonstop rant.)</p>
<p>Nearly two hours long, the movie opens a decade hence on the Empire  of the Moon, also known as Mu—a play on both the name of a 19th-century  lost continent, as well as the Scientologist term for a misunderstood  word. (The movie&#8217;s operative principle could be summed up as &#8220;Huh?&#8221;)  &#8220;Mock-up&#8221; is Scientologist slang for ideological hocus pocus, and in <em>Mock  Up</em>&#8217;s tawdry society of the spectacle, the moon is the site for such  a cosmic scam—an &#8220;off-planet rehabilitation program&#8221;—whose  administrator is a theme-park building religious prophet referred to  throughout as &#8220;Elron,&#8221; as though he were Superman&#8217;s uncle or a Tolkien  elf-king.</p>
<p>Elron (Damon Packard) recruits Cameron, or Agent C (Michelle Silva),  to seduce first a Las Vegas–based Howard Hughes–inspired defense  contractor named Lockheed Martin (Stoney Burke) and then Jack Parsons  (Kalman Spelletich). Although neither Jack nor Agent C seems to remember  that they were formerly married, he does realize that she is a spy and  turns her against Elron&#8217;s scheme—which has something to do with using a  Mu-Vegas space shuttle as the cover for an interplanetary weapon system.</p>
<p>A mock-up in which an Operating Thetan, who happens to own a movie  studio, bests an oppressive state and goes back to the summer of 1944 to  take the role of an aristocratic, stylishly mutilated German officer in  a plot to assassinate Adolf Hitler, sounds like prime Baldwin material.  But nothing in <em>Valkyrie</em>, directed by big-budget pulp-meister  Bryan Singer as if under Cruise-control, can compare to the eeky-geeky  sequence in which Agent C journeys into an underworld populated by an  assortment of &#8217;50s drive-in dinosaurs and monsters, as well as the  &#8220;Great Beast&#8221; Aleister Crowley, apparently exiled by the almighty Elron.  The past becomes interchangeable with the future. Agent C&#8217;s  subterranean adventure serves to trigger her repressed memories and  transform <em>Mock Up on Mu</em> into a kind of apocalyptic western—played  out in ghost towns and desert landscapes, against an Ennio Morricone  score.</p>
<p><em>Mu</em>&#8217;s mix of original and found footage is dense and almost  seamless, particularly in that all the actors are dubbed or re-dubbed  and that the major characters have a number of avatars. Elron is  frequently portrayed by Flash Gordon&#8217;s nemesis, Ming the Merciless; Jack  intermittently takes the form of the Cold War B-movie sci-fi star  Richard Carlson; and Agent C is variously identified with a number of  &#8217;50s starlets as well as Cameron herself (via clips from <em>Inauguration  of the Pleasure Dome</em> or the 1960 indie <em>Night Tide</em>, wherein  she played a &#8220;sea witch&#8221; opposite Dennis Hopper&#8217;s confused sailor).  Baldwin&#8217;s narrative is not easy to follow—the tone is simultaneously  hysterical and uninflected—but, as with any religion or conspiracy  theory, his method is characterized by a logic beyond logic. However  opaque the context, Baldwin&#8217;s liberated film fragments generate their  own charge.</p>
<p>The ending is unexpectedly triumphant. Not only are Agent C and Jack  romantically reunited, but Crowley leads his underground army of  &#8220;mutations and warlocks&#8221; against the eco-exploiting warmongers.  Baldwin&#8217;s politics seem to have migrated from the paranoid Third  Worldist New Leftism of <em>Tribulations 99</em> to an oddly hopeful  anti-globalism. His aesthetic remains the same. This mocking &#8220;mock-up&#8221;  is a mixture of conscious and unconscious primitivism—as though Ed Wood  Jr. had attempted to film a script by Thomas Pynchon about a script  Pynchon secretly wrote to be adapted by Wood.<a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=5805f8439f276d5dad9d02b7f875676ddd89e56c"> </a><a href="http://www.villagevoice.com/2009-01-14/film/craig-baldwin-s-mock-up-and-mu-unlocks-and-mocks-the-mysteries-of-scientology/">Village Voice</a><br />
<a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=5805f8439f276d5dad9d02b7f875676ddd89e56c" /></p>
<p><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=5805f8439f276d5dad9d02b7f875676ddd89e56c"> </a><strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=5805f8439f276d5dad9d02b7f875676ddd89e56c">Download  torrent</a></strong>
</p>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1825&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1825" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>Mark Mallman&#8217;s &#8220;The Incredible Urban Myth Of The Invincible Criminal&#8221;</title>
		<link>http://greylodge.org/gpc/?p=1824</link>
		<comments>http://greylodge.org/gpc/?p=1824#comments</comments>
		<pubDate>Fri, 02 Apr 2010 21:32:14 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Audiobook</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1824</guid>
		<description><![CDATA[
Mark Mallman is a musician of great endurance (he’s performed 52-hour marathon shows  consisting of a single song) and great eccentricity (he sometimes  appears as his lupine alter ego, Mallwolf). Now, as a companion piece to  his most recent album Invincible Criminal  (out on Badman and featuring guest vocals from the [...]]]></description>
			<content:encoded><![CDATA[<p><img width="359" height="153" align="middle" src="http://www.magnetmagazine.com/wp-content/uploads/2009/08/markmalmanpart1.jpg" /></p>
<p><a target="_blank" href="http://www.mallman.com/"><strong>Mark Mallman</strong></a> is a musician of great endurance (he’s performed 52-hour marathon shows  consisting of a single song) and great eccentricity (he sometimes  appears as his lupine alter ego, Mallwolf). Now, as a companion piece to  his most recent album <em>Invincible Criminal</em>  (out on Badman and featuring guest vocals from the Hold Steady’s Craig  Finn), Mallman has emerged as a great storyteller with a graphic novel  due early next year. Featuring Marvel comics-style artwork by <a target="_blank" href="http://www.stevesomersart.com/">Stephen Somers</a>,  <em>The Incredible Urban Myth Of The Invincible  Criminal</em> is presented here as a audiobook, for your downloading pleasure, with the artist&#8217;s permission. Watch for a upcoming conversation with Mark on <a href="http://www.alterati.com/gspot">The GSpot</a>. (Editor&#8217;s note: If you like WSB and HST, you might just enjoy this great little romp).<br />
<strong><a href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=d15a3cd3471bb7d4315a42ba6a225b49a275120c">Download torrent </a></strong></p>
<p><a href="http://markmallman.wordpress.com/">http://markmallman.wordpress.com/ </a>
</p>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1824&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1824" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1823</link>
		<comments>http://greylodge.org/gpc/?p=1823#comments</comments>
		<pubDate>Fri, 02 Apr 2010 14:13:43 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1823</guid>
		<description><![CDATA[This week on Alterati:






The GSpot: Richard Metzger

Joseph Matheny in conversation with Richard Metzger about publishing and the future of media. Also, a new In Your Ear, reviewing the Sex is Fun podcast.





NecroFUTURIST Salon #2

Apocryphon Nekrofuturis – the Apocryphon of the Necrofuturists – is the title that appears on the original manuscripts, and by this title the [...]]]></description>
			<content:encoded><![CDATA[<div><strong>This week on Alterati:</strong></div>
<div></div>
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<div><img width="151" height="185" style="border: 0pt none ; margin: 5px; float: left" src="http://www.alterati.com/gspot/gspot_headersm.jpg" /></p>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/04/the-gspot-richard-metzger/">The GSpot: Richard Metzger</a></h2>
</div>
<div><a href="http://jmatheny.wordpress.com/">Joseph Matheny</a> in conversation with <a href="http://www.dangerousminds.net/">Richard Metzger</a> about publishing and the future of media. Also, a new <strong>In Your Ear</strong>, reviewing the <a href="http://sexisfunradioshow.blogspot.com/">Sex is Fun</a> podcast.</div>
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<div><img width="150" height="185" style="border: 0pt none ; margin: 5px; float: left" title="Necrofuturist Salon" alt="Necrofuturist Salon" src="http://www.alterati.com/images/N_FSln.jpg" /></p>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/03/necrofuturist-salon-2/">NecroFUTURIST Salon #2</a></h2>
</div>
<div><em>Apocryphon Nekrofuturis</em> – the <em>Apocryphon of the Necrofuturists</em> – is the title that appears on the original manuscripts, and by this title the text has been known in scholarly circles over the last fifty years. In Greek, <em>apocryphon</em> literally means “hidden” or “secret”, thus in recent popular literature the title is usually translated a</div>
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<div><img width="150" height="150" style="border: 0pt none ; margin: 5px; float: left" src="http://www.alterati.com/images/raidokaos1.jpg" /></div>
<div>
<h2 class="entry-title"><a href="http://www.alterati.com/blog/2010/03/raido-kaos-episode-two/">Raido Kaos Episode Two</a></h2>
</div>
<div></div>
<div><a target="_blank" href="http://www.infictive.com/index.php?title=Hairy_Flinger">Hairy Flinger</a> didn’t dare “<a target="_blank" href="http://www.infictive.com/index.php?title=Ang_from_knotted_bedsheet">‘Ang from knotted bedsheet</a>” as the old men say round here.  You’ve been there, out there deep in <a target="_blank" href="http://www.infictive.com/index.php?title=Ketjack_National_Forest">Ketjack National Forest</a> armed with only your drugs, your pump action shotgun, and your wits. You take a hit of Mad 3 and there is nothing that can stop you. This is your soundtrack.</div>
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</div>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1823&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1823" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>Modern Mythology.net</title>
		<link>http://greylodge.org/gpc/?p=1822</link>
		<comments>http://greylodge.org/gpc/?p=1822#comments</comments>
		<pubDate>Fri, 26 Mar 2010 18:18:17 +0000</pubDate>
		<dc:creator>agent139</dc:creator>
		
	<category>GPC</category>
	<category>139 et co</category>
	<category>agent139</category>
	<category>Independent</category>
	<category>Art</category>
	<category>Media Theory</category>
	<category>Philosophy</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1822</guid>
		<description><![CDATA[
Now showing a regular feed of analysis of modern myth and media trends.
Popular series:

Looking at the impact of symbols
Immanence of myth
Writing
Art

Sign up to RSS.

Share This
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.modernmythology.net" target="_blank"><img style="width: 366px; height: 125px" height="125" src="http://3.bp.blogspot.com/_qunr8hnehmI/S4xpP9yBL9I/AAAAAAAAAKw/diaRl7mOva8/S1600-R/newheader2.jpg" width="366" /></a></p>
<p>Now showing a regular feed of analysis of modern myth and media trends.</p>
<p><strong>Popular series:</strong></p>
<ul>
<li><a href="http://www.modernmythology.net/search/label/personal%20myth">Looking at the impact of symbols</a></li>
<li><a href="http://www.modernmythology.net/search/label/immanence%20of%20myth">Immanence of myth</a></li>
<li><a href="http://www.modernmythology.net/search/label/writing">Writing</a></li>
<li><a href="http://www.modernmythology.net/search/label/art">Art</a></li>
</ul>
<p>Sign up to <a href="http://feeds.feedburner.com/indiemedia">RSS</a>.
</p>
<p class="akst_link"><a href="http://greylodge.org/gpc/?p=1822&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1822" class="akst_share_link" rel="nofollow">Share This</a>
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		<title>This week on Alterati</title>
		<link>http://greylodge.org/gpc/?p=1821</link>
		<comments>http://greylodge.org/gpc/?p=1821#comments</comments>
		<pubDate>Fri, 26 Mar 2010 13:11:31 +0000</pubDate>
		<dc:creator>Pale Rider</dc:creator>
		
	<category>GPC</category>
	<category>Alterati</category>
		<guid isPermaLink="false">http://greylodge.org/gpc/?p=1821</guid>
		<description><![CDATA[

This week on Alterati:
A smallWorld from the archives: Interview with Don Joyce of Negativland. (from 2005)We discuss their new CD, No Business, Negativland being sued by Island Records for spoofing U2, sampling Casey Kasem’s bloopers, copryright laws, culture jamming, teletours, and the Over The Edge radio show.





Cup of TNB: Robin AntalekCup of TNB host Joseph [...]]]></description>
			<content:encoded><![CDATA[<table cellpadding="5">
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<td><strong>This week on Alterati:</strong></p>
<p><a href="http://www.alterati.com/blog/2010/03/smallworld-arc…e-negativeland/"><strong><img align="left" src="http://t1.gstatic.com/images?q=tbn:3VOBNOqUxkxxvM:http://smallworldpodcast.com/images/smallworldpodcastlogo.jpg" />A smallWorld from the archives</strong></a>: Interview with Don Joyce of <a href="http://www.negativland.com/">Negativland</a>. (from 2005)We discuss their new CD, No Business, Negativland being sued by Island Records for spoofing U2, sampling Casey Kasem’s bloopers, copryright laws, culture jamming, teletours, and the <a href="http://www.negativland.com/ote/">Over The Edge</a> radio show.</td>
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<td><hr /></td>
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<td><img border="0" align="left" width="140" height="127" class="aligncenter" src="http://www.alterati.com/images/TNB.gif" /><a style="font-weight: bold" href="http://www.alterati.com/blog/2010/03/cup-of-tnb-robin-antalek/">Cup of TNB: Robin Antalek</a>Cup of TNB host <a href="http://jmatheny.wordpress.com/">Joseph Matheny</a> talks to TNB contributor and author <a href="http://www.thenervousbreakdown.com/author/rantalek/">ROBIN ANTALEK</a></td>
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<td><hr /></td>
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<td><img border="0" align="left" width="150" height="150" class="aligncenter" src="http://www.alterati.com/images/19nb_idiot_box_thumb.jpg" /></p>
<p style="font-weight: bold"><a href="http://www.alterati.com/blog/2010/03/19-nocturne-ripped-from-the-headlines/">19 Nocturne: RIPPED FROM THE HEADLINES!!!</a></p>
<p>A reality TV game show… inspired by the Milgram Shock experiments… Sound familiar?</td>
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<td><hr /></td>
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<div style="text-align: left">
<p style="text-align: left"><img border="0" align="left" width="150" height="150" title="The John Zewizz Show" class="aligncenter" alt="The John Zewizz Show" src="http://www.alterati.com/images/ZEWIZZ.jpg" /><a href="http://www.alterati.com/blog/2010/03/the-john-zewizz-show-episode-2/"><span style="font-weight: bold">The John Zewizz Show Episode 2</span></a></p>
<p style="text-align: left">
<p style="text-align: left">In this episode John starts back in 1979 and pulls from his extensive archives sounds from Sleep Chamber’s debut 7″ and an interview with <strong>John Zewizz</strong> and <strong>Lawrence Van Horn</strong> on Cambridge MA public access show <strong>Cultural Outreach</strong>. By the end John and Lawrence want to reach out to the host with some tough love.</p>
</div>
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<td><hr /></td>
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<td><img border="0" align="left" width="150" height="150" class="aligncenter" src="http://www.alterati.com/images/raidokaos1.jpg" /><a style="font-weight: bold" href="http://www.alterati.com/blog/2010/03/raido-kaos-ep-1/">Announcing a new show: Raido Kaos</a>. (<a href="http://www.alterati.com/blog/raido-kaos/">Show description</a>)<a target="_blank" href="http://www.infictive.com/index.php?title=If_you_play_some_wild_surf_guitar_while_duck_walking_like_Little_Richard">If you play some wild surf guitar while duck walking like Little Richard</a> you might be in dire need of exposure to Infictive County Radio. As you enter the black iron prison you’ll notice that <a target="_blank" href="http://www.infictive.com/index.php?title=Strange_graffiti_keeps_popping_up_in_the_scrapyards">strange graffiti keeps popping up in the scrapyards</a> but you pay it no mind. <a target="_blank" href="http://www.infictive.com/index.php?title=You_are_out_to_get_Carlos_Fanzenai">You are out to get Carlos Fanzenai</a> and there is nothing that can stop you. This is your soundtrack.</td>
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<td><strong>Announcement: From now on, we will only be feeding podcasts through the Alterati feed at: <a href="http://www.alterati.com/blog/feed/">http://www.alterati.com/blog/feed/</a>, since there&#8217;s so much overlap between subscribers to the GPod feed and the Alterati feed. So, if you&#8217;re subscribed to the GPod feed and want to keep getting all the podcasts delivered, simply subscribe to <a href="http://www.alterati.com/blog/feed/">http://www.alterati.com/blog/feed/</a>. Thanks.</strong></td>
</tr>
</table>
<br/><a href="http://www.alterati.com/gspot/gpod_psa.mp3">Download GPod PSA</a><br/><p class="akst_link"><a href="http://greylodge.org/gpc/?p=1821&amp;akst_action=share-this"  title="E-mail this, post to del.icio.us, etc." id="akst_link_1821" class="akst_share_link" rel="nofollow">Share This</a>
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			<enclosure url="http://www.alterati.com/gspot/gpod_psa.mp3" length="741738" type="audio/mpeg"/>
<itunes:duration>0:44</itunes:duration>
		<itunes:subtitle>This week on Alterati:

A smallWorld from the archives: Interview with Don Joyce of Negativland. (from 2005)We discuss their new CD, No Business, Negativland being sued ...</itunes:subtitle>
		<itunes:summary>This week on Alterati:

A smallWorld from the archives: Interview with Don Joyce of Negativland. (from 2005)We discuss their new CD, No Business, Negativland being sued by Island Records for spoofing U2, sampling Casey Kasem’s bloopers, copryright laws, culture jamming, teletours, and the Over The Edge radio show.





Cup of TNB: Robin AntalekCup of TNB host Joseph Matheny talks to TNB contributor and author ROBIN ANTALEK






19 Nocturne: RIPPED FROM THE HEADLINES!!!
A reality TV game show… inspired by the Milgram Shock experiments… Sound familiar?







The John Zewizz Show Episode 2

In this episode John starts back in 1979 and pulls from his extensive archives sounds from Sleep Chamber’s debut 7″ and an interview with John Zewizz and Lawrence Van Horn on Cambridge MA public access show Cultural Outreach. By the end John and Lawrence want to reach out to the host with some tough love.







Announcing a new show: Raido Kaos. (Show description)If you play some wild surf guitar while duck walking like Little Richard you might be in dire need of exposure to Infictive County Radio. As you enter the black iron prison you’ll notice that strange graffiti keeps popping up in the scrapyards but you pay it no mind. You are out to get Carlos Fanzenai and there is nothing that can stop you. This is your soundtrack.





Announcement: From now on, we will only be feeding podcasts through the Alterati feed at: http://www.alterati.com/blog/feed/, since there's so much overlap between subscribers to the GPod feed and the Alterati feed. So, if you're subscribed to the GPod feed and want to keep getting all the podcasts delivered, simply subscribe to http://www.alterati.com/blog/feed/. Thanks.

Download GPod PSAShare This
</itunes:summary>
		<itunes:keywords>GPC, Alterati</itunes:keywords>
		<itunes:author>Greylodge Podcasting Company</itunes:author>
		<itunes:explicit>yes</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
	</channel>
</rss>
