You may know Klint Finley as the editor of Technoccult or the co-founder of EsoZone. You might not know that Klint has also been a noise artist since before you ever heard of him. His debut full-length album RETURN TO THE WASTELAND, a collection of dark ambient soundscapes and simultateously soothing and haunting drones, may conjure up vague memories or invoke a sense of deja vu in listeners as it takes them on a journey through mental spaces most people would rather forget.
“Like listening to an unholy church service being delivered by a chorus of throat-singing Cylon holy-men” - Skerror
“The album feels like a meditative stroll through the irradiated desert left behind after an ancient nuclear holocaust on another planet. Inasmuch soothing as it is bristling with aftershocks of toxicity and lost dreams.” - Danny Chaoflux.



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