Gpod

Two Headed Monster

Posted by agent139 in GPC, Feature, 139 et co, Alterati, Music, Independent (Tuesday November 18, 2008 at 8:41 am)

(Photo by Matthew Cooke.)
In my opinion, Collide’s recent release, Two Headed Monster, is both a culmination and a departure from their past work. Though it may remain in the same rack in the record store (those still exist, right?), you can feel that a maturation has taken place. Contrary to opinion, maturation of this nature doesn’t simply come with time.As many artists prove, you can create and re-create the same thing for a lifetime, if you so choose. There is a deceptive, almost infinite freedom provided by working on projects exclusively in the studio, as much of Collide’s previous work has been. Sometimes those boundless 3 a.m.-in-the-studio possibilities can become a creatively stagnating trap. I’m happy they managed to avoid that trap, instead creating a thickly-textured, lively album that stands up to many listens. As some of you probably already know, I’m not a fan of regurgitating the experience of listening to an album in an attempt to entice you into buying it. (Though as that goes, the Fearnet.com review was pretty good.)Rather, I leave it to you to check it out, and form your own opinion. The process that created a work is always most interesting to me, so I am happy that I had the chance to talk to kaRIN and statik about how this album came into being…James Curcio: The first thing that stood out to me on this album was that it seemed to be more collaborative than your previous work. Correct me if I’m wrong on this, but it feels to me that Collide really took a step forward in that regard, and several others. After so many years with the two of you primarily working as a “two headed monster” (as it were), what was it like opening the songwriting process up to other band members and contributors?

kaRIN: The primary song writing for Collide is still primarily Statik and myself. Over the years, we are just trying to evolve as much as we can and not make the same songs over again. We were very lucky to have gathered up some great live players, so the live influence and the fact that all of our live members contributed to each of the songs is definitely evident on Two Headed Monster.

(Read the full interview on Alterati.com.)

Gpod

kkoagukkastt Aurum Nostrum 3.1 Earth

Posted by choronzon333 in Audio, GPC, Podcast, Music, Experimental, Art, Metal (Friday November 14, 2008 at 10:31 pm)

Earth

The primordial Earth transformed, once a hot ball of liquid fire, now dry and cold. Shooting forth black bile, an individual of melancholic disposition sits in solid darkness, all sensations tell of thickness and quietness. The gnomic sphere has an outer core that generates a magnetic field, convection movements in the core are chaotic, sometimes reversing alignment.

Earth is open to recieve and swallow up the physical, sensual aspects of life the feminine and masculine together. The azure blue of a clear sky illuminates the lower left point of the pentagram.

Aurum Earth

About kkoagulaa

A convergence of creative paths crossed in the final days of Manes, pointing to the inevitability of the birth of kkoagulaa. The projects inception is an answer to the restrictions placed upon bands of any genre. When it comes to stretching out beyond genre considerations, kkoagulaa represents what happens when the walls between modes of expression are forgotten. Central visionary ccernn, began with gathering the kkoagulaa kkollektivv of likeminded creative people: eemersonn (Choronzon, Veil of Thorns) and vvindd (Atrox). The next layer to be added around the kkollektivv is the kkontributorr kkaball consisting of hatlen, hoemsnes (The 3rd and the Mortal), trstn (Chton).

The mission of kkoagulaa is to work in an expanded range of media and even to step outside conventions of what constitutes avant-garde art and music. The art of kkoagulaa is the embodiment of art called into question, and the answer. Brought into focus through a heaping of phases of history, kkoagulaa is the deconstruction of art and a distillation of the soul found at the creative center. As the canon of rock music and prevailing sub-genres crushes the possibility of revelation, and certainly any pretense of revolution, the ubiquitous elements of the medium are examined.

Emerging from a history of leading and defining genres and movements like Avant-Garde Metal, Post-Blackmetal, Psychedelic Industrial Blackmetal and Post-Rock, kkoagulaa has truly moved beyond genre, genre hybrids and the now common game of the mix-and-match patchnwork approach so often called progressive or avant-garde.

More kkoagulaa:

kkoagulaa Journal

last.fm

myspace

nrk/urørt

virb

 

icon for podpress  kkoagukkastt Aurum Nostrum 3.1 Earth [13:59m]: Play Now | Play in Popup | Download
Gpod

The GSpot #45: Nemo and R6XX

Posted by wu in GPC, Podcast, wu, The G-SPot, Websites, Art (Monday November 10, 2008 at 8:57 pm)

Today on The GSpot, Wes Unruh discusses R6XX - aka R6volutionary Xchange with artist Nemo Boko. Wes and Nemo veer out across a wide expanse of topics, from the evolutionary tools that Nemo has stocked his online store with to his captivating live performances of ambidextrous painting, while along the way discussing the myriad influences that inform his work. Stay tuned after the interview for an assemblage of the piece “You Are God, Guard Your Mind” by elements of M^2.D

icon for podpress  The GSpot #45: Nemo and R6XX: Play Now | Play in Popup | Download
Gpod

THEY LIVE

Posted by Pale Rider in GPC, Weird, Science Fiction (Sunday November 9, 2008 at 8:49 pm)

Director John Carpenter
Year: 1988
Cast Roddy Piper, Keith David, Meg Foster, George ┤Buck┤ Flower, Peter Jason, Raymond St. Jacques, Jason Robards, John Lawrence, Susan Barnes, Sy Richardson, Wendy Brainard, Lucille Meredith
Length 89 min
Video Pal
Aspect Ratio: 16:9
Languages Dolby Digital Stereo: English, German, Spanish
Subtitles English, German, Spanish, Portuguese, Dutch, Finnish, Swedish, Norwegian, Danish
DV9 to DVD5: Decrypter + Rebuilder (9 pass)

Sinopsis:
An economic crisis brings unemployed Nada (Roddy Piper) to L.A. in search of work. What he finds instead is that the ruling elite of the world are aliens in disguise, their aim being to keep humans in a state of mindless consumerism. His discovery comes when he dons a pair of special sunglasses made by a resistance group and sees for the first time reality unadorned. Billboards, store signs, magazine covers–all bear subliminal messages to OBEY, to CONSUME, to have NO INDEPENDENT THOUGHT. Money itself says THIS IS YOUR GOD. But worst of all, with these glasses you see which of us are really hideous, bug-eyed aliens. The conceptual breakthrough is hilarious while keeping its roots in darker matters. Although some fault the film for settling into its action plot, the ending has a great payoff. And the direction by John Carpenter is handled with superb workmanlike aplomb. One unforgettable set piece has Piper in a back-alley fistfight with a friend who won’t put on the glasses that goes on and on, and just when you think it’s over it goes another round. One of the most subversive films ever made in Hollywood, They Live was released on the eve of the 1988 elections. The first TV ads had two hideous alien politicians debating, then one accusing the other of being “No John Kennedy!” –Jim Gay

Palerider sez: “Special bonus points to those who catch the name of the special lenses that allow you to see things as they are and what the name  implies as a metaphor.”
Download Torrent

Gpod

Kicked off of iTunes!

Posted by EchoPenguin in Audio, GPC, BitTorrent, Conspiracy, Anarchy, Submission and Coffee, Audiobook, Adult, Censorship (Friday November 7, 2008 at 3:57 pm)

“SUBMISSION AND COFFEE”
ZIP 16.
BDSM podcast from a happily married couple. Must be of legal age.
Free. No iPod needed: http://www.askdollie.com

GET TORRENT. This is
SAC zip number 16,
episodes 175-180.

episode names:
FUCK BEFORE YOU VOTE!, 3 YEARS OF FILTHY SEX AND RESPECT, WRITTEN HOMEWORK ASSIGNMENTS FOR WIVES AND SLAVES, CENSORED BY A WEENIE!, GOOD PRICES ON FORECLOSED PUSSY, NIPPLE CLAMPS AND POSSE COMITATUS, EVERYTHING’S FIXED AND EVERYONE LIES, HOW TO FUCK A WOMAN’S BRAINS OUT promo.

NOTE. WE GOT KICKED OFF OF THE iTUNES STORE (AFTER TWO YEARS OF BEING ON THERE!)
IF YOU WERE SUBSCRIBED VIA THE iTUNES STORE (AS OPPOSED TO JUST SUBSCRIBED THROUGH
iTUNES DIRECTLY VIA ENTERING THE rss FEED MANUALLY), YOU’LL HAVE TO FOLLOW THESE
DIRECTIONS
http://www.askdollie.com/subscribe.htm
TO KEEP LISTENING TO SUBMISSION AND COFFEE.
(And if you’re just subscribing
for the first time, these directions will work too.)

Gpod

Raymond Salvatore Harmon: The Philosopher’s Stone- Additions

Posted by Pale Rider in GPC, Art, Greylodge Special Collections (Friday November 7, 2008 at 5:40 am)

A few more additions to the Special Greylodge Edition of Raymond Salvatore Harmon: The Philosopher’s Stone

Torrent of an MPG RIP of the DVD

Pilotlite “Press to Play” Version

Podcast version below

Also: Greylodge podcaster Tracy Twyman http://greylodge.org/gpc/?cat=36 on Coast to Coast AM Sunday night. http://tracyrtwyman.com/blog/?p=419

icon for podpress  Raymond Salvatore Harmon: The Philosopher's Stone- Podcast Edition: Play Now | Play in Popup | Download
Gpod

Netwar- the swarm, 2.0, and its effect on conflict.

Posted by agent139 in GPC (Friday November 7, 2008 at 4:03 am)

The rand corporation published this white-paper on the subject that I think many of you may find interesting. (Not surprisingly, many of these are ideas I played with liberally during the creation of Fallen Nation.)

“Editors’ abstract. As with other new modes of conflict, the practice of netwar is ahead of theory. In this concluding chapter, we suggest how the theory of netwar may be improved by drawing upon academic perspectives on networks, especially those devoted to organizational network analysis. Meanwhile, strategists and policymakers in Washington, and elsewhere, have begun to discern the dark side of the network phenomenon, especially among terrorist and criminal organizations. But they still have much work to do to harness the bright side, by formulating strategies that will enable state and civil-society actors to work together better.”

James Curcio.

Gpod

Halfcast Episode 13

Posted by Pale Rider in GPC, halfcast (Monday November 3, 2008 at 10:49 pm)
It`s a little known fact that there was a 13th apostle, who like Jesus was a midget. His name was Edgar and Jesus used to stand on his shoulder`s so that you could only see Edgar’s feet. That way Jesus looked tall and noble. Sadly Jesus never mentioned Edgar in his teachings because he was jealous of the time that this smoking hot whore called Mary washed Edgar`s feet with her hair thinking they in fact belonged to Jesus.

So this thirteenth episode of the HalfCast is dedicated to Edgar and his sterling leg work.

__

Subscribe with iTunes

or copy and paste

http://feeds.feedburner.com/HalfcastPodcast
into your podcasting software

Download Episode 13

GPC HalfCast Archive Page

Playlist after the clickety clack

American Lesley Jane - George W. Bush is our man
Hanay - Joe Le Taxi
Intro
Flying on Acid
Dengue Fever - Monsoon of Perfume
The Revival of Mrs Winters
Ripe Avocadoes
GPS of the heart part I
Aphex Twin - Petiatil Cx Htdui
The Sweetest Stalker
Optiganally Yours - You’re Something Special to me
Dirty Old Man
Quincy Jones - Ridiculous Scene
GPS of the heart part II
SMS Doctor
Blonde Redhead - Misery is a butterfly
Frustration Donor
Everett-Wheller-Graham explained
Gangpol Und Mit - Notre Vie N’est Pas Simple Vous Ne Devenez Pas Jeune
Lady Watching
+ Ultra secret material

icon for podpress  Halfcast Episode 13 [30:00m]: Play Now | Play in Popup | Download
Gpod

Scott Landes of Collide: a collaborative profile.

Posted by agent139 in Satellite, GPC, 139 et co, agent139, Music, Independent, Metal, DIY (Sunday November 2, 2008 at 11:14 am)

Next week- supposing I can finally kick the plague that’s been ravaging my innards- I’m going to be writing a review of Collide’s recent release Two Headed Monster. It’ll run both on Alterati.com and Greylodge.org. This album has been three years in the making, and as you may have already heard, showcases Danny Carey from Tool and Dean Garcia from Curve, as well as the members of the live band they assembled.Before then, however, I wanted to give a shout out to an ex-bandmate and good friend of mine, who happens to be a member of that live band- Scott Landes. The fact of that matter is that oftentimes the headliners steal all the oxygen from the room- which isn’t to say that it isn’t warranted. (My respect for what kaRIN and statiK have done aside, I won’t deny an almost fanboy-ish love for Danny Carey’s drumming.)

However, in this case the other members, who often get referred to in the reviews as “the live band,” are all talented musicians in their own right. Who knows the names of the band that played with Tori Amos when touring for Little Earthquakes, or PJ Harvey’s bandmates on Rid of Me? (Don’t check with Google. I’m just making a point.) This is a fault purely of the press- and the simple bottom line of what sells tickets and records.

I don’t know the other members of Collide’s band well enough to talk about them, though Kai Kurosawa’s muscianship is clearly impressive. However, having known, worked with, and on several occasions lived with Scott, I wanted to share a little of that, and some reflections of my own work with him and how he influenced me- before jumping into a review of Collide’s album on its own ground.

I first met Scott in 98 or 99 during my Sophmore year at Bard College. Our mutual friend Jim introduced us, and he promptly blew me away with the intensity of his playing- and in the process snapped at least one of the strings on the Mexican strat that I owned at the time.

From that point on, we began a many-year long collaboration which oftentimes veered into the obscure or plain bizarre. Scott got me to take music more seriously- it was hard not to, what with how passionate he is about it. He would literally stay up all night playing until his fingers bled. (And then keep playing.) One part of what motivated me to take Jazz harmony and music theory classes was so that I could keep up with him on my chosen instrument at the time, bass. On the other hand, I’d like to think that I helped him learn to take music a little less seriously. Oftentimes, we would have absurd jams so ridiculous that we’d fall over laughing. These first meanderings took the form of Bile Shower, a truly awful concoction which was a great deal of fun to create, and which wreaks pain and havoc upon whomever has the poor sense to subject themselves to it.

This did eventually lead to more serious projects, such as Babalon, but throughout I would say that there’s always been an underlying comedy in most of the work we’ve done together, even those which got more production attention, like subQtaneous. (Here is a live recording of Waiting and a demo of Save The World, two of my favorites from what we recorded with Babalon).

After Babalon broke up, Scott joined forces with Collide, and a little while thereafter, with Mankind Is Obsolete. I had MKIO stay at my apartment several months back, when they were still on their colossal year+ tour, and got to briefly reconnect with him and meet some new faces. Here is a band operating completely without a label, living out of a van, playing gigs varying in size and grandiosity from Warp tour dates to some people in a corn field. (Read Part 1 and Part 2 of my review and interview with Mankind is Obsolete from last year before they hit the road.) Living off of tuna and celery and playing music every night. It just goes to show that though the days of excess Guns N’ Roses got to experience might be gone, if you are committed enough, you can hit the road and find an audience.

I’ve been involved in several musical projects since Babalon, and some studio work with Scott since. However, I’ve yet to meet someone with his singleminded passion, dedication and drive for the art. It is truly a rare thing. If you have the opportunity to see him perform with Collide, Mankind Is Obsolete, or any other bands that he chooses to work with, I highly suggest you take it. I always look forward to seeing him on stage, or having another opportunity to collaborate.

Look for a review of Two Headed Monster next week.

James Curcio.

(As a final note to the Fallen Nation readers out there- yes, the character of Cody was based- in part - on Scott.)

Gpod

The GSpot #44- Greylodge, Alterati and Pilotlite Present: The Philosopher’s Stone

Posted by Pale Rider in Video, GPC, Occult, Greylodge Special Collections (Friday October 31, 2008 at 4:52 am)

In this very special edition of The GSpot, Joseph Matheny talks to Raymond Salvatore Harmon about the special release of his movie, The Philosopher’s Stone on Greylodge as a torrent to be followed by a “Press to Play” version being released on Altertube.tv and Pilotlite.com, and then a podcast edition to be released on Alterati, Greylodge and Pilotlite. Joe and Ray discuss art on the fringe, how Ray came to film making, the Chicago art scene, and why the economy means nothing to artists working on the fringes.


Subliminal Films present:The Philosopher’s Stone
Directed and produced by
Raymond Salvatore Harmon
featuring the music of Bog
starring Jacob Andrew Myers
introducing Isobel Julianna HarmonThe Philosopher’s Stone tells the story of Jacob Fausstman, a scientist and early alchemist who searches for the key to curing man of the disease of death. In his frustration Jacob stumbles onto another path to achieve his goals. Turning to the dark arts Jacob conjures the demon Mephistopheles and is given the key to eternal life. But his perceptions of ‘life eternal’ and the nature of his existence comes into question once he has obtained his desire for true knowledge.Base in equal parts on the Faustian archetype and the biographical story of Dr. Albert Hoffmann’s accidental discovery of LSD, The Philosopher’s Stone is an homage to early German Expressionist cinema and the psychedelic visualizations of drug culture.Courtesy of Greylodge.org+++What critics have said about Harmon’s work:’For Harmon, the visual density of the abstract imagery used will enable the viewer to enter an almost hypnagogic, liminal state, and become perceptually distant from the sense of the real. Once the enveloping visual content has become the landscape of the mind to the viewer, the subliminal content will have access to the subconscious mind.”  - Jack Sargeant“Accentuating the trio’s vibrant performances with colorization, layered collages, dense textures and split-screen effects, Harmon becomes a virtual fourth member of the ensemble.”  - All About Jazz, on Chronicle’The subdued flame-like flashes and sounds reinforce the feeling of quietly smoldering passion. Together, these elements come together to create a delicate composition which is abstract, yet full of feeling.’  - FilmThreat.com on Tiny Inconsistencies

+++

The Philosopher’s Stone will be available (via bit torrent) for full download FREE Oct 31st 2008 at GREYLODGE.ORG, subliminalfilms.org, and streaming at:

www.philosophersstone.org

for more information please contact:

stone@subliminalfilms.org

or visit

greylodge.org
subliminalfilms.org
raymondharmon.com
philosophersstone.org

+++

A letter from the director;

In choosing to distribute this film I have decided to skip the theatrical presentation stage and go directly to sourcing the film via the bit torrent network. By giving the public full access to this film I hope to encourage other filmmakers to realize the potential of their audience by abandoning the outdated model of cinematic distribution in favor of an open relationship with the viewers themselves.

After years of struggle with the format of distribution cinema has found an ever evolving platform of distribution on the internet. Years of so called  ‘format wars’, first between film gauges and then between dv formats, have ended in the wake of widening broadband access for the average person.

The ability for anyone to simple download and watch a film already exists, as does the ability for anyone to make a film and allow the world to experience it directly. The filmmaker has a wide range of encoding practices available that allow them to maximize video quality for each project’s distribution on the web. As further technologies and better codecs are develop the filmmaker will be able to expand on the available sources for the cinematic presentation.

As much as the Philosopher’s Stone visually represents a historic period in early 20th century cinema it looks forward to a future unfettered by lack of distribution and a platform for broadcast that gives everyone a chance to experience cinema to its fullest.

This film is meant as a mirror, reflecting what has been onto what will become.

Obviam lux Lucis

Raymond Salvatore Harmon
October 3rd - 2008

Additions 11-06-08: More file formats available here - http://greylodge.org/gpc/?p=1583
Download a PDF of the PR

Download Torrent of the movie: The Philosopher’s Stone (new torrent added 11-03-08)

Download the special GSpot interview with  Raymond Salvatore Harmon below:

icon for podpress  The GSpot #44- Greylodge, Alterati and Pilotlite Present: The Philosopher's Stone [46:58m]: Play Now | Play in Popup | Download
 
 


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